The Open Secret of Ireland. Tom Kettle
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For the purpose of this inquiry it is inevitable that some brief account should be rendered of the past relations between England and Ireland. The reader need not shrink back in alarm; it is not proposed to lead him by the reluctant nose through the whole maze and morass of Irish history. The past is of value to political realists only in that residue of it which survives, namely, the wisdom which it ought to have taught us. Englishmen are invited to consider the history of Ireland solely from that point of view. They are prayed to purge themselves altogether of pity, indignation, and remorse; these are emotions far too beneficent to waste on things outside the ambit of our own immediate life. If they are wise they will come to Irish history as to a school, and they will learn one lesson that runs through it like the refrain of a ballad. A very simple lesson it is, just this: Ireland cannot be put down. Ireland always has her way in the end. If the opposite view is widely held the explanation lies on the surface. Two causes have co-operated to produce the illusion. Everybody agrees that Great Britain has acted in a most blackguardly fashion towards Ireland; everybody assumes that blackguardism always succeeds in this world, therefore Ireland is a failure. The only flaw in this syllogism is that it is in direct conflict with every known fact. For the rest we have to thank or blame the sentimentalism of Mr. Matthew Arnold. His proud but futile Celts who "went down to battle but always fell" have been mistaken for the Irish of actual history. The truth is, of course, that the phrase is in the grand manner of symbolism. When Ecclesiastes laments that the eye is not filled with seeing nor the ear with hearing we do not argue him deaf and blind; we take his words as a proclamation of that famine and fierce appetite of the spirit which has created all the higher religions. Ireland agrees with Ecclesiastes. Perceiving that there is in matter no integral and permanent reality she cannot be content with material victories; her poets are subtle in what a French writer styles the innuendoes by which the soul makes its enormous claims. The formula of her aspiration has been admirably rendered by the late Mrs. Nora Chesson:
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