Scotland, with a dedication to—James Boswell, Esq.!—'for your particular kindness to me, and chiefly for the profound respect with which you have always treated me.' We hear of his 'old hock' humour, a favourite phrase with him for his Bacchanalian tastes, and we find the author limning himself as possessing
'A soul by nature formed to feel
Grief sharper than the tyrant's steel,
And bosom big with swelling thought
From ancient lore's remembrance brought.'
In 1760 had appeared a Collection of Original Poems, published by Donaldson in Edinburgh on the model of Dodsley's Miscellanies. It comprised poems by Blacklock, Beattie, and others, and a second volume was issued by Erskine as editor in 1762. To it Boswell contributed nearly thirty pieces along with Home, the author of Douglas, Macpherson of Ossian fame or notoriety, John Maclaurin and others. The merits of the volume are beneath notice, and Boswell's contributions of Odes, Epigrams, Letters, Epistles, are of the traditional character; but An Epistle from a London Buck to his Friend must have been read by his father with regret, and by his mother of 'almost unexampled piety and goodness' with shame. There is only one poem that calls for attention, the Evening Walk in the Abbey Church of Holyrood House, the original, perhaps, of Fergusson's lament on the state of neglect of the then deserted mansion of royalty, where
'the thistle springs
In domicile of ancient Kings,
Without a patriot to regret
Our palace and our ancient state.'
A third volume was announced for publication 'about eighteen months hence,' but the public had enough of this coagulated jargon as Carlyle would have styled it, and critics and readers are spared the task of its consideration.
Yet all this time he was in the enjoyment of the best company that Edinburgh could afford; he was admitted a member of the Select Society, and his circle embraced such men as Lord Somerville, Lord Hailes, Dr. Blair, Kames, Robertson, Hume, Home, Jupiter Carlyle and others. 'Lord Auchinleck,' he quaintly adds, 'took the trouble himself to give him a regular course of instruction in law, a circumstance of singular benefit, and of which Mr. Boswell has ever expressed a strong and grateful sense.' But his sense was not such as to restrain him from a mock-heroic correspondence with Andrew Erskine, brother of the Earl of Kellie. Erskine must have been possessed of some parts, for he was the correspondent of Burns and was intimate with George Thomson the composer, yet we can fancy the consternation of the old judge when this farrago of the new humour was published in London in 1763. Writing from his father's house, he thus begins:—'Dear Erskine, no ceremony I beseech you! Give me your hand. How is my honest Captain Andrew? How goes it with the elegant Lady A——? the lovely, sighing Lady J——? and how, oh how, does that glorious luminary Lady B—— do? you see I retain my usual volatility. The Boswells, you know, came over from Normandy with William the Conqueror; and some of us possess the spirit of our ancestors, the French. I do, for one. A pleasant spirit it is. Vive la bagatelle is the maxim. A light heart may bid defiance to fortune.' Again the old man would find 'Allow me a few more words. I live here in a remote corner of an old ruinous house, where my ancestors have been very jovial. What a solemn idea rushes on my mind! They are all gone: I must follow. Well, and what then? Let me shift about to another subject. The best I can think of is a sound sleep; so good-night.' In fact, like Sir Fretful Plagiary in the Critic, Bozzy was so covetous of popularity that he would rather be abused than be not mentioned at all. Little augury, too, of success at the bar could his father find in the following portrait of his son: 'the author of the Ode to Tragedy is a most excellent man; he is of an ancient family in the west of Scotland, upon which he values himself not a little. At his nativity there appeared omens of his future greatness; his parts are bright, and his education has been good; he has travelled in post-chaises miles without number; he is fond of seeing much of the world; he eats of every good dish, especially apple pie; he drinks old hock; he has a very fine temper; he is somewhat of a humourist, and a little tinctured with pride; he has a good, manly countenance, and he owns himself to be amorous; he has infinite vivacity; yet is at times observed to have a melancholy cast.'
Nothing but the most obtuse vanity could ever have induced Bozzy to publish all this. 'Curiosity,' he declares in the preface, 'is the most prevalent of all our passions, and the curiosity for reading letters is the most prevalent of all kinds of curiosity. Had any man in the three kingdoms found the following letters directed, sealed, and addressed, with post-marks—provided he could have done so honestly—he would have read every one of them.' There is the true Boswell in this characteristic confession, the Boswell that read in the private diaries of Johnson, and, with an eye to biographical materials, had admitted an impulse to carry them off, and never see him more. 'Why, sir,' said the doctor, 'I do not think you could have helped it.'
After this it was no wonder that his father was induced to allow his return to London, 'Where a man may soap his own beard, and enjoy whatever is to be had in this transitory state of things, and every agreeable whim may be indulged without censure.' The Duke of Queensbery, the patron of Gay, was one of those to whom he was recommended now that he inclined to 'persist in his fondness for the Guards, or rather, in truth, for the metropolis,' but he suspected some arrangement between his father and the Duke by which the commission was delayed. For some months he spent a random life as the occupier of Temple's chambers in the vicinity of Johnson. Little could be expected of the friend of Churchill and Wilkes, yet Boswell now was at the turning point of his career.
'This is to me,' he writes in his great work, 'a memorable year; for in it I had the happiness to obtain the acquaintance of that extraordinary man whose memoirs I am now writing; an acquaintance which I shall ever esteem as one of the most fortunate circumstances of my life.' We have seen how Lord Hailes, had on the 1758 circuit, mentioned to him the name of Johnson; how in Glasgow Gentleman had given him a representation of 'dictionary Johnson;' how Derrick in 1760, during his first visit to London, had promised to introduce this youth of twenty to the great dictator of literature; and Sheridan, the father of the dramatist, when in Edinburgh in 1761, giving public lectures on elocution, had made a similar promise. But on his return to London at the end of 1762, Boswell had found that Sheridan had quarrelled with Johnson, and Derrick had retired to Bath as master of the ceremonies in succession to Beau Nash. Luckily Derrick had before introduced his friend to Davies, the bookseller in Covent Garden, who as 'one of the best imitators of Johnson's voice and manner' only increased the ardour of Boswell for the meeting. Now the hour was come and the man. Yet surely never could there have been a more apparently unpropitious time chosen. Number 45 of the North Briton denouncing Bute and his Scotch favourites had appeared on April 23rd. The minister had bowed to the storm and resigned, while the writer of the libel had been arrested under a general warrant and discharged on the 30th of the month under appeal, either to be hanged, thought Adam Smith, or to get Bute impeached in six months. Alexander Cruden, of Concordance fame, was rambling over London in his lucid interval like an inverted Old Mortality, busy with a sponge obliterating every hated '45' scrawled over the walls and every conceivable spot in the city against his country. Yet at such an hour it was that the famous meeting of Johnson and his biographer took place.
'At last, on Monday the 16th of May, when I was sitting in Mr. Davies' back-parlour, after having drunk tea with him and Mrs. Davies, Johnson unexpectedly came into the shop; and Mr. Davies having perceived him through the glass door in the room in which we were sitting, advancing towards us—he announced his awful approach to me, somewhat in the manner of an actor in the part of Horatio, when he addresses Hamlet on the appearance of his father's ghost, "Look, my lord, it comes." I found that I had a very perfect idea of Johnson's figure, from the portrait of him painted by Sir Joshua Reynolds. … Mr. Davies mentioned my name, and respectfully introduced me to him. I was much agitated; and recollecting his prejudice against the Scotch, of which I had heard much, I said to Davies, "Don't tell where I come from."—"From Scotland," cried Davies roguishly. "Mr. Johnson,"
