Madeline Payne, the Detective's Daughter. Lawrence L. Lynch

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Madeline Payne, the Detective's Daughter - Lawrence L. Lynch

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thus it was that Lucian Davlin, reappearing in Bellair and listening in well simulated surprise to the story of the sudden disappearance of John Arthur's step-daughter, effectually put to flight any idea—forming in the brains of the few who knew, or conjectured, that these two had met—that he had aught to do with her mysterious flitting. In truth, none save old Hagar knew of the frequency of their clandestine meetings, and she never breathed to others the thoughts and suspicions that haunted her brain.

      And thus it was, too, that Cora Weston, in her new rôle of languishing widow, secluded carefully from the vulgar gaze, heard never a word of Madeline's flight. And when, later, the fact was revealed to her, none save old Hagar could have named the precise date of the event. So even wise Cora never connected the fate of the unfortunate girl with the doings of Lucian Davlin.

       Table of Contents

       Table of Contents

      Early morning in the great city, but the buzz and clamor were fairly under way, and the streets as full of busy, pushing, elbowing life as if night and silence had never rested above the tall roofs and chimney pots.

      With the rattle of the first cart wheel on the pavement, Madeline had started broad awake. As the din increased, and sleep refused to return to the startled senses, all unused to these city sounds, she arose, and completing her toilet with some haste, seated herself at her window to look out upon the scene so new to her.

      What a world of strange emotions passing and repassing beneath her eye! What hopes and fears; what carelessness and heartache! How they hurried to and fro, each apparently intent upon his own thoughts and purposes.

      She gazed down until her vision wearied of the motley, ever-changing, yet ever the same crowd; and then she reclined in the downy depths of a great easy chair, closed her eyes, and thought of Lucian. After all, what meaning had this restless moving throng for her? Only one; Lucian. What was this surging sea of humanity to her save that, because of its roar and clamor, they two were made more isolated, therefore nearer to each other?

      The morning wore away, and she began to realize how very soon she should be with her hero, and then no more of separation. Her heart bounded at this thought.

      Some one tapped softly at her door. She opened it quickly, thinking only of Lucian. It was not Lucian, however, but a veiled woman who stepped within the room, closing the door as she came.

      Madeline fell back a pace, and gazed at the intruder with a look of startled inquiry which was, however, free from fear. She had not thought of it before, it flashed across her mind now that this fact was odd; but in all her morning's ruminations, she had not once thought of the mysterious stranger of the railway episode. Yet now the first words that took shape in her mind, at the entrance of this unexpected visitor, were "Clarence Vaughan, M. D." She almost spoke them.

      With a quick, graceful movement, the stranger removed the shrouding veil; and Madeline gazed wonderingly on the loveliest face she had ever seen or dreamed of. It was a pure, pale face, lighted by lustrous dark eyes, crowned by waving masses of dark silky hair; exquisitely molded features, upon which there rested an expression of mingled weariness and resignation, the look of

      "A soul whose experience

       Has paralyzed bliss."

      One could imagine such a woman lifting to her lips the full goblet of life's sparkling elixir, and putting it away with her own hand, lest its intoxicating richness should shut from her senses the fragrance of Spring violets, and dim her vision of the world beyond.

      They formed a decided contrast, these two, standing face to face.

      One, with the calm that comes only when storm clouds have swept athwart life's sky, leaving behind marks of their desolating progress, but leaving, too, calm after tempest; after restlessness, repose.

      The other, stretching out her hand like a pleased child to woo the purple lightning from the distance, buoyant with bright hopes, with nothing on brow or lip to indicate how that proud head would bear itself after it had been bowed before the passing storm.

      "Pardon me," said the lady, in a sweet contralto. "I think I am not mistaken; this is the young lady who arrived last evening, and is registered,"—she looked full in the girl's eyes—"as Miss Weir?"

      Madeline's eyes drooped before that searching gaze, but she answered, simply: "Yes."

      "I have not yet introduced myself. Here is my card."—page 68. "I have not yet introduced myself. Here is my card."—page 68.

      "You are naturally much astonished to see me here, and my errand is a delicate one. Since I have seen you, however, I have lost every doubt I may have entertained as to the propriety of my visit. Will you trust me so far as to answer a few simple questions?"

      The words of the stranger had put to flight the first idea formed in her mind, namely, that this visit was a mistake. It was intended for her, and now, who had instigated it? She looked up into the face of her visitor and said, with her characteristic frankness of speech:

      "Who sent you to me?"

      The abruptness of the question caused the stranger to smile.

      "One who is the soul of honor and the friend of all womankind," she said, with a soft light in her eyes.

      Madeline's eyes still searched her face. "And his name is that," she said, putting the card of Clarence Vaughan upon the table between them.

      "Yes; and this reminds me, I have not yet introduced myself. Here is my card."

      She placed in the hand of Madeline a delicate bit of cardboard bearing the name, "Olive Girard."

      Silence fell between them for a moment, and then Olive Girard spoke.

      "Won't you ask me to be seated, and hear what I wish to say, Miss Weir?"

      She hesitated over the name, and Madeline, perceiving it, said:

      "You think Weir is not my name?"

      "Frankly, I do," smiled Mrs. Girard; "but just now the name matters little. Pardon me, but I am more interested in your face than your name. I came here because it seemed my duty, and to oblige a friend; now I wish to serve you for your own sake, to be your friend, if you will let me."

      Still Madeline's brain kept thinking, thinking; and she put her questions rather as commentaries on her own thoughts than as her share in a conversation.

      "Why did Mr. Vaughan send you to me?"

      They had seated themselves, at a sign from Madeline, and Mrs. Girard drew her chair nearer to the girl as she answered:

      "Because he feared for you."

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