wind chased to and fro, these rows of faces appeared at first as a single line of undifferentiated fire against the background of the night. The eyes were all cast down in prayer, each mind focused steadily upon one clear idea—the control and assimilation of two elemental powers. The crowd was one; feeling was one; desire, command and certain faith were one. The controlling power that resulted was irresistible.
Then came a remarkable, concerted movement. With one accord the eyes all opened, blazing with reflected fire. A hundred human countenances rose in a single shining line. The men stood upright. Swarthy faces, tanned by sun and wind, heads uncovered, hair and beards tossing in the air, turned all one way. Mouths opened too. There came a roar that even the hurricane could not drown—a word of command, it seemed, that sprang into the pulses of the dancing elements and reduced their turmoil to a wave of steadier movement. And at the same moment a hundred bodies, naked above the waist, arms outstretched and hands with the palms held upwards, swayed forwards through the smoke and fire. They came towards the spot where, half concealed from view, the tutor crouched and watched.
And Hendricks, thinking himself discovered, first quailed, then rose to meet them. No power to resist was in him. It was, rather, willing response that he experienced. He stepped out from the shelter of the boulder and entered the brilliant glare. Hatless himself, shoulders squared, cloak, flying in the wind, he took three strides towards the advancing battalion—then, undecided, paused. For the line, he saw, disregarded him as though he were not there at all. It was not him the worshippers sought. The entire troop swept past to a point some fifty feet below where the end of the ridge broke out of the thinning trees. Beautiful as a curving wave of flame, the figures streamed across the narrow, open space with a drilled precision as of some battle line, and Hendricks, with a sense of wild, secret triumph, saw them pause at the brink of the platformed ridge, form up their serried ranks yet closer, then open two hundred arms to welcome some one whom the darkness should immediately deliver. Simultaneously, from the covering trees, the tall, slim shadow of Lord Ernie darted out into the light.
‘Magnificent!’ cried Hendricks, but his voice was smothered instantly in a mightier sound, and his movement forward seemed ineffective stumbling. The hundred voices thundered out a single note. Like a deer the boy leaped; like a tongue of flame he flew to join his own; and instantly was surrounded, borne shoulder-high upon those upturned palms, swept back in triumph towards the procession of enormous fires. Wrapped by smoke and sparks, lifted by wind, he became part of the monstrous rhythm that turned that mountain ridge alive. He stood upright upon the platform of interlacing arms; he swayed with their movements as a thing of wind and fire that flew. The shining faces vanished then, turned all towards the blazing piles so that the boy had the appearance of standing on a wall of living black. His outline was visible a moment against the sky, firelight between his wide-stretched legs, streaming from his hair and horizontal arms, issuing almost, as it seemed, from his very body. The next second he leaped to the ground, ran forward—appallingly close—between two heaped-up fires, flung both hands heavenwards, and—knelt.
And Hendricks, sympathetically following the boy’s performance as though his own mind and body took part in it, experienced then a singular result: it seemed the heart in him began to roar. This was no rustle of excited blood that the little cavern of his skull increased, but a deeper sound that proclaimed the kinship of his entire being with the ritual. His own nature had begun to answer. From that moment he perceived the spectacle, not with the senses of sight and hearing, separately, but with his entire body—synthetically. He became a part of this assembly that was itself one single instrument: a cosmic sounding-board for the rhythmical expression of impersonal Nature Powers. Leysin, he dimly realised, fixed in his churchy tenets, remained outside, apart, and compromising; Hendricks accepted and went with. All little customary feelings dipped utterly away, lost, false, denied, even as a unit in a crowd loses its normal characteristics in the greater mood that sways the whole. The fire no longer burned him, for he was the fire; nor did he stagger against the furious wind, because the wind was in his heart. He moved all over, alive in every point and corner. With his skin he breathed, his bones and tissue ran with glorious heat. He cried aloud. He praised. ‘I am the whirlwind and I am the fire! Fire that lights but does not burn, and wind that blows the heart to flame!’ His body sang it, or rather the elements sang it through his body; for the sound of his voice was not audible, and it was wind and fire that thundered forth his feeling in their crashing rhythm.
IX
And so it was that he no longer saw this thing pictorially, nor in the little detached reports the individual senses brought, but knew it in himself complete, as a man knows love and passion. Memory afterwards translated these vast central feelings into pictures, but the pictures touched reality without containing it. Like a vision it happened all at once, as a room or landscape happens, and what happens all at once, coming through a synthesis of the senses, is not properly describable later. To instantaneous knowledge mere sequence is a falsehood. The sequence first comes in with the telling afterwards. That kneeling form, he understood, was the empty vessel to which conventional life had hitherto denied the heat and air it craved. The breath of life now poured at full tide into it, the fire of deity lit its heart of touchwood, wind blew into desire; and later flame would burst forth in action, consuming opposition. He must let it fill to the brim. It was not salvation, but creation. Then thought went out, extinguished by a puff of something greater. …
For beyond the smoke and sparks, beyond the space the men had occupied, a new and gentler movement, lyrical with bird-like beauty, ran suddenly along the ridge. What Hendricks had taken for branches heaped in rows for the burning, stirred marvellously throughout their whole collective mass, stirred sweetly, too, and with an exquisite loveliness. The entire line rose gracefully into the air with a whirr as of sweeping birds. There was a soft and undulating motion as though a draught of flowing wind turned faintly visible, yet with an increasing brilliance, like shining lilies of flame that now flocked forward in a troop, bending deliciously all one way. And in the same second these tall lilies of fire revealed themselves as figures, naked above the waist, hair streaming on the wind, eyes alight and bare arms waving. Above the men’s deep pedal bass their voices rose with clear, shrill sweetness on the storm. The band swept forwards swift as wind towards the kneeling boy. The long line curved about him foldingly. The women took him as the south wind takes a bird.
There may have been—indeed, there was—an interval, for Hendricks caught, again and again repeated, the boy’s great cry of passionate delight above the tumult. Ringing and virile it rose to heaven, clear as a fine-wrought bell. And instantaneously the knitted figures of flame disentangled themselves again, the mass unfolded like an opening flower, and, as by a military word of command, dissolved itself once more into a long thin line of running fire. The women advanced, and the waiting men flowed forward in a stream to meet them. This interweaving of the figures was as easily accomplished as the mingling of light and heavy threads upon some living loom. Hands joining hands, all singing, these naked worshippers of fire and wind passed in and out among the blazing piles with a headlong precision that was torrential and yet orderly. The speed increased; the faces flashed and vanished, then flashed and passed again; each woman between two men, each man between two women, and Lord Ernie, radiantly alive, between two girls of rich, o’erflowing beauty. Their movements were undulating, like the undulations of fire, yet with sudden, unexpected upward leaps as when fire is partnered abruptly by a cantering wind. For the women were fire, and the men were wind. The imitative dance was in full swing. The marvellous wind and fire ritual unrolled its old-world magic.
It was awe-inspiring certainly, but for Hendricks, as he watched, the terror of big conflagrations was wholly absent: rather, he felt the sense of deep security that rhythmic movement causes. Bathed in a sea of elemental power, he burned to share the pagan splendour and the rush of primitive delight. It seemed he had a cosmic body in which new centres stirred to life, linking him on to this source of natural forces. Through these centres he drew the chaotic energy into
