The Doctor's Dilemma. Stretton Hesba

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The Doctor's Dilemma - Stretton Hesba

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top of one of the columns, the first line of which was printed in capitals. I recollected in an instant that I had seen it and read it before. This was what I had tried in vain to recall while Tardif was describing Miss Ollivier to me. "Strayed from her home in London, on the 20th inst., a young lady with bright-brown hair, gray eyes, and delicate features; age twenty one. She is believed to have been alone. Was dressed in a blue-silk dress, and seal-skin jacket and hat. Fifty pounds reward is offered to any person giving such information as will lead to her restoration to her friends. Apply to Messrs. Scott and Brown, Gray's Inn Road, E.C."

      I stood perfectly still for some seconds, staring blankly at the very simple, direct advertisement under my eyes. There was not the slightest doubt in my mind that it had a direct reference to my pretty patient in Sark. I had a reason for recollecting the date of Tardif's return from London, the very day after the mournful disaster off the Havre Gosselin, when four gentlemen and a boatman had been lost during a squall. But I had no time for deliberation then, and I tore off a large corner of the Times containing that and other advertisements, and thrust it unseen into my pocket. After that I went on with my work, and succeeded in turning out a creditable-looking parcel, which I carried down to the Sark cutter.

      Before I returned home I made two or three half-professional calls upon patients whom my father had visited during my absence. Everywhere I had to submit to numerous questions as to my adventures and pursuits during my week's exile. At each place curiosity seemed to be quite satisfied with the information that the young woman who had been hurt by a fall from the cliffs was an Ollivier. With that freedom and familiarity which exists among us, I was rallied for my evident absence and preoccupation of mind, which were pleasantly ascribed to the well-known fact that a large quantity of furniture for our new house had arrived from England while I was away. These friends of mine could tell me the colors of the curtains, and the patterns of the carpets, and the style of my chairs and tables; so engrossingly interesting to all our circle was our approaching marriage.

      In the mean time, I had no leisure to study and ponder over the advertisement, which by so odd a chance had come into my hands. That must be reserved till I was alone at night.

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      JULIA'S WEDDING-DRESS.

      Yet I found my attention wandering, and my wits wool-gathering, even in the afternoon, when I had gone down with Julia and my mother to the new house, to see after the unpacking of that load of furniture. I can imagine circumstances in which nothing could be more delightful than the care with which a man prepares a home for his future wife. The very tint of the walls, and the way the light falls in through the windows, would become matters of grave importance. In what pleasant spot shall her favorite chair be placed? And what picture shall hang opposite it to catch her eye the oftenest? Where is her piano to stand? What china, and glass, and silver, is she to use? Where are the softest carpets to be found for her feet to tread? In short, where is the very best and daintiest of every thing to be had, for the best and daintiest little bride the sun ever shone on?

      There was not the slightest flavor of this sentiment in our furnishing of our new house. It was really more Julia's business than mine. We had had dozens of furnishing lists to peruse from the principal houses in London and Paris, as if even there it was a well-understood thing that Julia and I were going to be married. We had toiled through these catalogues, making pencil-marks in them, as though they were catalogues of an art exhibition. We had prudently settled the precise sum (of Julia's money) which we were to lay out. Julia's taste did not often agree with mine, as she had no eye for the harmonies of color—a singular deficiency among us, as most of the Guernsey women are born artists. We were constantly compelled to come to a compromise, each yielding some point; not without a secret misgiving on my part that the new house would have many an eyesore about it for me. But then it was Julia's money that was doing it, and after all she was more anxious to please me than I deserved.

      That afternoon Pellet and I, like two assistants in a furnishing-house, unrolled carpets and stretched them along the floors before the critical gaze of my mother and Julia. We unpacked chairs and tables, scanning anxiously for damages on the polished wood, and setting them one after another in a row against the walls. I went about as in some dream. The house commanded a splendid view of the whole group of the Channel Islands, and the rocky islets innumerable strewed about the sea. The afternoon sun was shining full upon Sark, and whenever I looked through the window I could see the cliffs of the Havre Gosselin, purple in the distance, with a silver thread of foam at their foot. No wonder that my thoughts wandered, and the words my mother and Julia were speaking went in at one ear and out at the other. Certainly I was dreaming; but which part was the dream?

      "I don't believe he cares a straw about the carpets!" exclaimed Julia, in a disappointed tone.

      "I do indeed, dear Julia," I said, bringing myself back to the carpets. Here I had been obliged to give in to Julia's taste. She had set her mind upon having flowers in her drawing-room carpet, and there they were, large garlands of bright-colored blossoms, very gay, and, as I ventured to remark to myself, very gaudy.

      "You like it better than you did in the pattern?" she asked, anxiously.

      I did not like it one whit better, but I should have been a brute if I had said so. She was gazing at it and me with so troubled an expression, that I felt it necessary to set her mind at ease.

      "It is certainly handsomer than the pattern?" I said, regarding it attentively; "very much handsomer."

      "You like it better than the plain thing you chose at first?" pursued Julia.

      I was about to be hunted into a corner, and forced into denying my own taste—a process almost more painful than denying one's faith—when my mother came to my rescue. She could read us both as an open book, and knew the precise moment to come between us.

      "Julia, my love," she said, "remember that we wish to show Martin those patterns while it is daylight. To-morrow is Sunday, you know."

      A little tinge of color crept over Julia's tintless face as she told Pellet he might go. I almost wished that I might be dismissed too; but it was only a vague, wordless wish. We then drew near to the window, from which we could see Sark so clearly, and Julia drew out of her pocket a very large envelope, which was bursting with its contents.

      They were small scraps of white silk and white satin. I took them mechanically into my hand, and could not help admiring the pure, lustrous, glossy beauty of them. I passed my fingers over them softly. There was something in the sight of them that moved me, as if they were fragments of the shining garments of some vision, which in times gone by, when I was much younger, had now and then floated before my fancy. I did not know any one lovely enough to wear raiment of glistening white like these, unless—unless—. A passing glimpse of the pure white face, and glossy hair, and deep gray eyes of my Sark patient flashed across me.

      "They are patterns for Julia's wedding-dress," said my mother, in a low, tender voice.

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      TRUE TO BOTH.

      "For Julia!" I repeated, the treacherous vision fading away instantaneously. "Oh, yes! I understand. They are very beautiful—very beautiful indeed."

      "Which do you like most?" asked Julia, in a whisper, as she leaned against my shoulder.

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