Destiny. Charles Neville Buck
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"Out there beyond them piled-up rocks and God-forsaken fields," swept on the other, "there's a real world where the tides are tides of gold, an' for me they are goin' to sweep in with a plunder of riches an' power that all hell can't stop! Out yonder there are cities where men are doing things an' ships are lyin' at the wharves with stuff that comes from the ends of the earth—an' those ships are goin' to go an' come when and where I tell 'em! They're goin' to carry cargoes at my biddin' an' my people are goin' to have what they want. Instead of a wheezy little bellows organ that acts like it had the asthma and cracked voices singin' hymns out of tune, you're goin' to listen to operas, an' Mary's goin' to have men that the world knows come courtin' her—in the place of ignorant lumber-jacks." The young speaker paused for breath, and when he spoke again it was in a voice that defied contradiction or doubt. "I'm goin' to make the name of Hamilton Montagu Burton the best-known name in the United States of America!"
"How do you know you can do all them things, Ham?" The question stole from lips that trembled excitedly under the hypnotic spell of the announcement, and the answer came quickly, unfalteringly, gravely.
"I know it by something that tells me. It don't say 'maybe you can': it says 'there isn't power enough between heaven an' hell to stop you.'"
Paul's eyes were large, but as his brother paused he timidly inquired: "Where did the Montagu come from, Ham? I didn't know you had any middle name."
"I took it," announced Ham imperiously. "I took it because it's the name of one of the biggest financiers the world ever knew, but not as big as I'm goin' to be. I took it because I'm a brother to men like that—but I'm going to go beyond 'em all, an' I'll carry the name further than it was ever carried before. I haven't ever talked about this to any livin' soul else. Folks wouldn't understand. First of all, I'm goin' to leave this country an' get out into the world."
"Will Pap let you go?"
Ham laughed again. "Pap can't stop me. Nobody can't ever stop me. You can't hold a river back from the ocean. That's the difference between a river an' a pond. It's the difference between followin' a star of destiny an' just goin' on livin' the same as an animal in a God-forsaken country like this."
"This ain't such a bad country, Ham," argued Paul weakly, with the timid demurrer of one who sees only the difficulties. "There are some mighty-good people here, an' out there in the big cities a feller's got to fight mighty hard to get along, I guess."
"It's a good country to come from," was the swift and contemptuous rejoinder, "and a damn' poor one to stay in. They've got raw material here that's all right—like us—but you've got to take it away to finish it up. As for the hard fight you talk about, Paul, that's what I'm huntin' for. No man's ever lived that had it in him to be greater than me."
Upon Paul, with his measureless faith in his brother and his passion for dreams, the mad arrogance of the declaration was lost. The ecstasy with which Ham spoke tinged the promise with a fire of conviction—so that Paul wondered and believed.
CHAPTER III
IN the Burton household that fall, a leaven was working. Mary's mismatched eyes held a tranquillity of quiet self-satisfaction. She had found somewhere a second fashion magazine and often when she was alone in the little room under the eaves she snipped industriously away at the imaginary patterns of gorgeous gowns, or listened to the fervent pleadings of make-believe suitors.
But the secret was all her own of how something in her had awakened. This little girl would never again be precisely the same Mary Burton who had started out that Saturday afternoon with a heart full of rebellion and who had come back appeased.
And Ham, his mother feared, was finding his burdens too heavy for young shoulders. He had made no complaint, but an expression of settled abstraction had come into his face and at home he was always silent.
After the falling of the first heavy snow neither Paul nor Mary ventured out to school, but Ham's avid hunger for education lost no coveted day of the term. When his morning work was ended, wrapped in patched mackinaw and traveling on snowshoes, he made the trip across the white slopes, where only the pines were green, and came back at the day's end for his evening chores. The trip was a bit shortened now because the lake was ice-locked and he could cross between the flag-marked holes of the pickerel-fishers. He had been afraid to speak of those things which were burning consumingly in his mind; afraid that if once he let slip the leash of restraint he would be carried away on a tide of passion. But some day he must speak, and, strangely enough, the match that lighted the train of powder was the second coming of the young man who had met Mary on the road.
He came near nightfall, on snowshoes, and when he knocked it was the girl who opened the door. At first, she did not recognize him because the mountain tan had given way to a pallor of recent illness and the face was very thin. But as soon as he smiled, the whimsical eyes proclaimed him.
"You—you haven't died yet," Mary Burton spoke instinctively, and stood holding the door open to the blustering of the sharp wind, quite forgetful that she was barring his way. But the young man who had come out of the thickening twilight laughed. He shook the snow off his mackinaw, for a fresh downfall was making the air almost as white as the drifts below.
"Not yet," he assured her, "but unless you let me come in out of the cold I shall probably perish on your doorstep."
Tom Burton, the father, sat gazing at the stove in the center of the room. He was propped in a heavy chair with cushions about him, and he, too, had grown thinner and rawer of joint. He had been for some time thus silently staring ahead with a pipe long forgotten and dead of ash in his hand and an old newspaper—so old as to be no longer a newspaper—lying where it had dropped near his side. A painter might have seen in the pose a picture of the felled and beaten fighter; the burden-bearer chafing under enforced idleness and the imprisonment of an irritable convalescence.
"Yes, come in, or go out, whoever you are—and shut the door!" There was no hospitality in the irascible greeting of the manor's lord, and the face he half-turned to inspect the stranger was devoid of welcome. It was mirthless from its deep eyes to the lips and chin that were hidden in a patriarchal spread of beard.
Mary for some reason flushed deeply as she stood aside and timidly smiled as though in amends of courtesy.
The young man went straight to the stove and began loosening the collar of his heavy mackinaw. For a moment, without rising or taking any notice beyond a curt nod, old Tom Burton bent upon him eyes of incurious gravity.
"I take it you are Thomas S. Burton," began the young stranger. "My name's Edwardes and I have a shack back in the hills. The snowstorm has delayed me and I must throw myself on your hospitality for the night."
"Yes." Thomas Burton spoke slowly and dully, and this, too, was a result of his illness, for in past days his voice had rung stentorian above the blows of axes in the timber. "Yes, I've heard of you. You're the millionaire hobo. When a man's got plenty of money and chooses to live alone in a country that 'most everybody else is leavin', he's tolerable apt to be heard