People Like Ourselves (Scottish Historical Novels). Anna Buchan
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"I expect," she broke out after a silence, "your brother will take you away?"
"For Christmas, I think," said Pamela, "but I shall come back again. Do you realise that I've been here two months, Jean?"
"Does it seem so short to you?"
"In a way it does; the days have passed so pleasantly. And yet I seem to have been here all my life; I feel so much a part of Priorsford, so akin to the people in it. It must be the Border blood in my veins. My mother loved her own country dearly. I have heard my aunt say that she never felt at home at Bidborough or Mintern Abbas. I am sure she would have wanted us to know her Scots home, so Biddy and I are going to Champertoun for Christmas. My mother had no brothers, and everything went to a distant cousin. He and his wife seem friendly people and they urge us to visit them."
"That will mean a lovely Christmas for you," Jean said.
Here Mhor stopped being an Athenian reveller to ask that the sofa might be pushed back. The scene was now the palace of Theseus, and Mhor, as the Prologue, was addressing an imaginary audience with—"Gentles, perchance you wonder at this show."
Pamela and Jean removed themselves to the window-seat and listened while Jock, covered with an old skin rug, gave a realistic presentment of the Lion, that very gentle beast, and of a good conscience.
The "tedious brief" scene was drawing to an end, when the door opened and Mrs. M'Cosh, with a scared look in her eyes and an excited squeak in her voice, announced, "Lord Bidborough."
A slim, dark young man stood in the doorway, regarding the dishevelled room. Jock and Mhor were still writhing on the floor, the chairs were pushed anyway, Pamela's embroidery frame had alighted on the bureau, the rugs were pulled here and there.
Pamela gave a cry and rushed at her brother, forgetting everything in the joy of seeing him. Then, remembering her hostess, she turned to Jean, who still sat on the window-seat, her face flushed and her eyes dark with excitement, the blood-red mandarin's coat with its embroidery of blue and mauve and gold vivid against the dark curtains, and said, "Jean, this is Biddy!"
Jean stood up and held out a shy hand.
"And this is Jock—and Mhor!"
"Having a great game, aren't you?" said the newcomer.
"Not a game," Mhor corrected him, "a play, Midsummer Night's Dream."
"No, are you? I once played in it at the O.U.D.S. I wanted to be Bully Bottom, but I wasn't much good, so they made me Snug the joiner. I remember the man who played Puck was a wonder, about as light on his feet and as swift as the real Puck. A jolly play."
"Biddy," said his sister, "why didn't you wire to me? I have taken no rooms."
"Oh, that's all right—a porter at the station, a most awfully nice chap, put me into a sort of fly and sent me to one of the hotels—a jolly good little inn it is—and they can put me up. Then I asked for Hillview, mentioning the witching name of Miss Bella Bathgate, and they sent a boy with me to find the place. Miss Bathgate sent me on here. Beautifully managed, you see."
He smiled lazily at his sister, who cried:
"The same casual old Biddy! What about dinner?"
"Mayn't I feed with you? I think Miss Bathgate would like me to. And I'm devoted to stewed beef and carrots. After cold storage food it will be a most welcome change. But," turning to Jean, "please forgive me arriving on you like this, and discussing board and lodgings. It's the most frightful cheek on my part, but, you see, Pam's letters have made me so well acquainted with The Rigs and everyone in it that I'm afraid I don't feel the need of ceremony."
"We wouldn't know what to do with ceremony here," said Jean. "But I do wish the room had been tidier. You will get a bad impression of our habits—and we are really quite neat as a rule. Jock, take that rug back to Mrs. M'Cosh and put the sofa right. And, Mhor, do wash your face; you've got it all smeared with black."
As Jean spoke she moved about, putting things to rights, lifting cushions, brightening the fire, brushing away fallen cinders.
"That's better. Now don't stand about so uncomfortably Pamela, sit in your corner; and this is a really comfortable chair, Lord Bidborough."
"I want to look at the books, if I may," said Lord Bidborough. "It's always the first thing I do in a room. You have a fine collection here."
"They are nearly all my father's books," Jean explained. "We don't add to them, except, of course, on birthdays and at Christmas, and never valuable books."
"You have some very rare books—this, for instance."
"Yes. Father treasured that—and have you seen this?"
They browsed among the books for a little, and Jean, turning to Pamela, said, "I remember the first time you came to see us you did this, too, walked about and looked at the books."
"I remember," said Pamela; "history repeats itself."
Lord Bidborough stopped before a shelf. "This is a catholic selection."
"Those are my favourite books," said Jean—"modern books, I mean."
"I see." He went along the shelf, naming each book as he came to it. "The Long Roll and Cease Firing. Two great books. I should like to read them again now."
"Now one could read them," said Jean. "Through the War I tried to, but I had to stop. The writing was too good—too graphic, somehow…."
"Yes, it would be too poignant…. John Splendid. I read that one autumn in Argyle—slowly—about two chapters a day, making it last as long as I could."
"Isn't it fine?" said Jean. "John Splendid, who never spoke the truth except to an enemy! Do you remember the scene with the blind widow of Glencoe? And John Splendid was so gallant and tactful: 'dim in the sight,' he called her, for he wouldn't say 'blind'; and then was terrified when he heard that plague had been in the house, and would have left without touching the outstretched hand, and Gordon, the harsh-mannered minister, took it and kissed it, and the blind woman cried, 'O Clan Campbell, I'll never call ye down—ye may have the guile they claim for ye, but ye have the way with a woman's heart,' and poor John Splendid went out covered with shame."
Jean's eyes were shining, and she had forgotten to be awkward and tongue-tied.
"I remember," said Lord Bidborough. "And the wonderful descriptions—'I know corries in Argyle that whisper silken' … do you remember that? And the last scene of all when John Splendid rides away?"
"Do you cry over books, Jean?" Pamela asked. She was sitting on the end of the sofa, her embroidery frame in her hand and her cloak on, ready to go when her brother had finished looking at Jean's treasures.
Jean shook her head. "Not often. Great-aunt Alison said it was the sign of a feeble mind to waste tears over fiction, but