in half-relief, of the size of life and very devout; and a similar work in the Office of the Wardens of Works of S. Maria del Fiore.
Pagno also wrought some figures in S. Miniato al Tedesco in company with his master Donato, while a youth; and he made a tomb of marble in the Church of S. Martino in Lucca, opposite to the Chapel of the Sacrament, for Messer Piero di Nocera, who is portrayed there from nature. Filarete relates in the twenty-fifth book of his work that Francesco Sforza, fourth Duke of Milan, presented a very beautiful palace in Milan to the Magnificent Cosimo de' Medici, and that Cosimo, in order to show the Duke how pleased he was with such a gift, not only adorned it richly with marbles and with carved wood-work, but also enlarged it under the direction of Michelozzo, making it eighty-seven braccia and a half, whereas it had previously been only eighty-four braccia. Besides this, he had many pictures painted there, particularly the stories of the life of the Emperor Trajan in a loggia, wherein, among certain decorations, he caused Francesco Sforza himself to be portrayed, with the Lady Bianca, his consort, Duchess of Milan, and also their children, with many other noblemen and great persons, and likewise the portraits of eight Emperors; and to these portraits Michelozzo added that of Cosimo, made by his own hand. Throughout all the apartments he placed the arms of Cosimo in diverse fashions, with his emblem of the Falcon and Diamond. The said pictures were all by the hand of Vincenzio di Zoppa, a painter of no small repute at that time and in that country.
It is recorded that the money that Cosimo spent in the restoration of this palace was paid by Pigello Portinari, a citizen of Florence, who then directed the bank and the accounts of Cosimo in Milan and lived in the said palace. There are some works in marble and bronze by the hand of Michelozzo in Genoa, and many others in other places, which are all known by the manner; but what we have already said about him must suffice. He died at the age of sixty-eight, and he was buried in his own tomb in S. Marco at Florence. His portrait, by the hand of Fra Giovanni, is in the Sacristy of S. Trinita, in the figure of an old man with a cap on his head, representing Nicodemus, who is taking Christ down from the Cross.
FOOTNOTES
[1] I.e., Emperor.
[2] See note on p. 57, Vol. I.
[3] See note on p. 57, Vol. I.
[4] The Tribunal of commerce.
[5] Church of the Hermits.
[6] See note on p. 57, Vol. I.
[7] Treasury of public funds.
[8] The Ape of Nature.
[9] I.e., Donatello.
[10] Mazzocchi are probably coronets placed on the arms of noble families; also caps of a peculiar shape, such as those worn by Taddeo Gaddi and others in the portraits placed by Vasari at the beginning of each Life; and possibly, also, the wooden hoops placed inside these caps to keep them in shape.
[11] A street-shrine, generally containing a picture of the Virgin in Glory.
[12] See note on p. 57, Vol. I.
[13] Careless Tom, or Hulking Tom (not necessarily in disapproval).
[14] See note on p. 57, Vol. I.
[15] See note on p. 57, Vol. I.
[16] See note above.
[17] I.e., Jacopo della Quercia.
[18] This was probably something like the modern lewis.
[19] To make this passage intelligible, the word "or" has been added in the later editions.
[20] See note on p. 57, Vol. I.
[21] I.e., Bald-head.
[22] Vasari says Fra Ber. … Fra Bernardo has been suggested, but nothing is known of him. It is more reasonable to read Fra Bartolommeo (della Porta).
[23] Chain.
Volume 3
Table of Contents
LIVES OF ANTONIO FILARETE AND SIMONE
