The Best of the World's Classics (All 10 Volumes). Henry Cabot Lodge
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He agreed with me.
Well then, I shall say, if you admit that, be so good as to answer me a question: Do not the same magnitudes appear larger to your sight when near, and smaller when at a distance. They will acknowledge that. And the same holds of thickness and number; also sounds which are in themselves equal are greater when near and lesser when at a distance. They will grant that also. Now supposing that happiness consisted in making and taking large things, what would be the saving principle of human life? Would the art of measuring be the saving principle or would the power of appearance? Is not the latter that deceiving art which makes us wander up and down and take the things at one time of which we repent at another, both in our actions and in our choice of things great and small? But the art of measurement is that which would do away with the effect of appearances, and, showing the truth, would fain teach the soul at last to find rest in the truth, and would thus save our life. Would not mankind generally acknowledge that the art which accomplishes this is the art of measurement?
Yes, he said, the art of measurement.
Suppose, again, the salvation of human life to depend on the choice of odd and even, and on the knowledge of when men ought to choose the greater or less, either in reference to themselves or to each other whether near or at a distance; what would be the saving principles of our lives? Would not knowledge?—a knowledge of measuring, when the question is one of excess and defect, and a knowledge of number, when the question is of odd and even? The world will acknowledge that, will they not?
Protagoras admitted that they would.
Well then, I say to them, my friends, seeing that the salvation of human life has been found to consist in the right choice of pleasures and pains—in the choice of the more and the fewer, and the greater and the less, and the nearer and remoter—must not this measuring be a consideration of excess and defect and equality in relation to one another?
That is undeniably true.
And this, as possessing measure, must undeniably also be an art and science?
They will agree to that. …
Then you agree, I said, that the pleasant is the good, and the painful evil. And here I would beg my friend Prodicus not to introduce his distinction of names, whether he is disposed to say pleasurable, delightful, joyful. However and in whatever way he rejoices to name them, I will ask you, most excellent Prodicus, to answer this in my sense.
Prodicus laughed and assented, as did the others.
Then, my friends, I said, what do you say to this? Are not all actions the tendency of which is to make life painless and pleasant honorable and useful? The honorable work is also useful and good.
This was admitted.
Then, I said, if the pleasant is the good, nobody does anything under the idea or conviction that some other thing would be better and is also attainable when he might do the better. And this inferiority of a man to himself is merely ignorance, as the superiority of a man to himself is wisdom.
They all assented.
And does not ignorance consist in having a false opinion and being deceived about important matters?
To that they unanimously assented also.
Then, I said, no man voluntarily pursues evil or that which he thinks to be evil. To prefer evil to good is not in human nature; and when a man is compelled to choose one of two evils, no one will choose the greater when he might have the less.
We all agreed to every word of this.
Well, I said, there is a certain thing called fear or terror; and here, Prodicus, I should particularly like to know whether you would agree with me in defining this fear or terror as expectation of evil.
Protagoras and Hippias agreed, but Prodicus said that this was fear and not terror.
Never mind about that, Prodicus, I said; but let me ask whether, if our former assertions are true, a man will pursue that which he fears when he need not? Would not this be in contradiction to the admission which has been already made, that he thinks the things which he fears to be evil? And no one will pursue or voluntarily accept that which he thinks to be evil.
FOOTNOTES:
[59] From the "Protagoras," translated by Benjamin Jowett. Protagoras, from whom this dialog gets its name, was one of the Greek sophists, born about 481 b.c., and exiled from Athens on a charge of atheism, his work entitled "On the Gods" being publicly burned. In the dialog, which took place in the house of Calias, a wealthy Athenian gentleman, besides Protagoras there were present other sophists, including Hippias, Prodicus, Hippocrates, Alcibiades, and Critias.
III
SOCRATES IN PRAISE OF LOVE[60]
And now I will take my leave of you, and rehearse the tale of love which I heard once upon a time from Diotima,[61] of Mantinea, who was a wise woman in this and many other branches of knowledge. She was the same who deferred the plague of Athens ten years by a sacrifice, and was my instructress in the art of love. In the attempt that I am about to make, I shall pursue Agathon's method, and begin with his admissions, which are nearly if not quite the same as I made to the wise woman when she questioned me; this will be the easiest way, and I shall take both parts myself as well as I can. For, like Agathon, she spoke first of the being and nature of Love, and then of his works. And I said to her, in nearly the same words which he used to me, that Love was a mighty god, and likewise fair; and she proved to me as I proved to him that, in my way of speaking about him, Love was neither fair nor good. "What do you mean, Diotima," I said; "is love then evil and