The Best of the World's Classics (All 10 Volumes). Henry Cabot Lodge

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has what suffices for his daily needs, unless it so hap that luck attend upon him, and so he continue in the enjoyment of all his good things to the end of life. For many of the wealthiest men have been unfavored of fortune, and many whose means were moderate have had excellent luck. Men of the former class excel those of the latter but in two respects; these last excel the former in many. The wealthy man is better able to content his desires, and to bear up against a sudden buffet of calamity. The other has less ability to withstand these evils (from which, however, his good luck keeps him clear), but he enjoys all these following blessings: he is whole of limb, a stranger to disease, free from misfortune, happy in his children, and comely to look upon.

      "If in addition to all this he ends his life well, he is of a truth the man of whom thou art in search, the man who may rightly be termed happy. Call him, however, until he die, not happy but fortunate. Scarcely indeed can any man unite all these advantages: as there is no country which contains within it all that it needs, but each while it possesses some things lacks others, and the best country is that which contains the most, so no single human being is complete in every respect—something is always lacking. He who unites the greatest number of advantages, and retaining them to the day of his death, then dies peaceably—that man alone, sire, is in my judgment entitled to bear the name of 'happy.' But in every matter it behooves us to mark well the end: for oftentimes God gives men a gleam of happiness, and then plunges them into ruin."

      Such was the speech which Solon addrest to Crœsus, a speech which brought him neither largess nor honor. The king with much indifference saw Solon depart, since the former thought that a man must be an arrant fool who made no account of present good, but bade men always wait and mark the end.

      FOOTNOTES:

      [1] Herodotus, at a certain period in his life, came under the influence of Pericles and his contemporaries, but it is clear from his writings that he received from Attic thought and style little definite inspiration. J. P. Mahaffy has likened him to Goldsmith in his aloofness from his environment. Often ridiculed by his friends for simplicity, Goldsmith far exceeded his clever critics in directness and pathos, and thus gained a place in literature which contemporaries never dreamed would be his. The narrative of Herodotus, adds Mahaffy, gives us more information about the state of the ancient nations and their culture than all other Greek historians put together. His purpose, as Herodotus himself declares, was to narrate the great conflict between the Greeks and barbarians, in order that the causes might be known and glorious deeds might not perish. Readers are imprest by the perfect ease and mastery with which a great variety of subjects are dealt with, his story "advancing with epic grandeur to its close." Mahaffy pronounces Herodotus an Ionic story-writer, who never became an Attic one—the chief master of Ionic, as Thucydides was of Attic prose.

      II

      BABYLON AND ITS CAPTURE BY CYRUS[5]

       Table of Contents

      (538 b.c.)

      It is proper I should say in what manner the earth removed from the trench was disposed of, and how the wall was constructed. The earth, as fast as it was removed from the trench, was converted into bricks and baked in furnaces: when thus prepared, melted bitumen was used instead of mortar; and between every thirtieth course of bricks there was inserted a layer of reeds. The sides of the trench were first lined with brickwork, and then the wall raised in the manner described. On the upper edges of the wall, and opposite to one another, were constructed turrets; between these turrets a space was left wide enough for a chariot and four horses to pass and turn. In the walls were one hundred gates, all of brass, with posts and upper lintels of the same. Eight days' journey from Babylon is a city named Is, near which runs a small river of the same name, discharging itself into the Euphrates; this river brings down with its waters clots of bitumen in large quantities. From this source was derived the bitumen used in cementing the walls of Babylon.

      In the center of each portion of the city is an enclosed space—the one occupied by the royal palace, a building of vast extent and great strength; in the other stands the temple of Jupiter Belus, with its brazen gates, remaining in my time: it is a square structure; each side measures two stadia. Within the enclosure is erected a solid tower, measuring a stadium both in width and depth; upon this tower is raised another, and then another, and another, making eight in all. The ascent is by a path which is formed on the outside of the towers; midway in the ascent is a resting-place, furnished with easy chairs, in which those who ascend repose themselves. On the summit of the topmost tower stands a large temple; and in this temple is a great couch, handsomely fitted up; and near it stands a golden table: no statue whatever is erected in the temple, nor does any man ever pass the night there; but a woman only, chosen from the people by the god, as the Chaldeans, who are the priests of the temple affirm. The same persons say—tho I give no credit to the story—that the god himself comes to the temple and reposes on the bed, in like manner as at Thebes in Egypt, where also, in the temple of Jupiter, a woman passes the night. A similar custom is observed at Pataris, in Lycia, where there is at times an oracle, on which occasions the priestess is shut up by night in the temple.

      Within the precincts of the temple at Babylon there is a smaller sacred edifice on the ground, containing an immense golden statue of Jupiter in a sitting posture: around the statue are large tables, which, with the steps and throne, are all of gold, and, as the

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