The Little Lady of Lagunitas. Richard Savage

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The Little Lady of Lagunitas - Richard Savage

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crowd the approaches.

      The cortege halts at the official residence. Soon the dark-eyed bride is arrayed in her simple white robes. Attended by her friends, Juanita enters the house of the Lord. Don Luis Castro supports the bride, who meets at the altar her spouse. Priests and their trains file in. The fateful words are said.

      Then the girl-wife on her liege lord's arm enters the residence of the Padres; a sumptuous California breakfast awaits the "gente de razon."

      Clangor of bells, firing of guns, vivas and popular clamor follow the party.

      The humbler people are all regaled at neighboring "casas."

      In the home of the Padres, the nuptial feast makes glad the gathered notables. The clergy are the life of this occasion. They know when to lay by the austerity of official robes. From old to young, all hearts are merry.

      Alcaldes, officials, and baronial rancheros—all have gathered for this popular wedding.

      Carrillos, Del Valles, Sepulvedas, Arguellos, Avilas, Ortegas, Estradas, Martinez, Aguirres and Dominguez are represented by chiefs and ladies.

      Beakers of mission vintages are drained in honor of the brave and fair. When the sun slopes toward the hills, the leaders escort the happy couple to the Presidio. The Commandante and his bride begin their path in life. It leads toward that yet unbuilt home in the wild hills of Mariposa. With quaint garb, rich trappings, and its bright color, the train lends an air of middle-age romance to the landscape.

      Knightly blood, customs, and manners linger yet in the "dolce far niente" of this unwaked paradise of the Occident. Sweetly sound the notes of the famous sacred mission bell. It was cast and blessed at far Mendoza in Spain, in 1192. Generations and tens of generations have faded into shadowy myths of the past since it waked first the Spanish echoes. Kings and crowns, even countries, have passed into history's shadowy night since it first rang out. The cunning artificer, D. Monterei, piously inscribed it with the name of "San Franisco." Mingled gold and silver alone were melted for its making. Its sacred use saved the precious treasure many times from robbers. Six hundred and fifty years that mellow voice has warned the faithful to prayer. Pride and treasure of the Franciscans, it followed the "conquistadores" to Mexico. It rang its peal solemnly at San Diego, when, on July 1, 1769, the cross of the blessed Redeemer was raised. The shores of California were claimed for God by the apostolic representative, sainted Friar Junipero Serra. In that year two babes were born far over the wild Atlantic, one destined to wrap the world in flame, and the other to break down the mightiest modern empire of the sword. It was the natal year of Napoleon Bonaparte, the child imperially crowned by nature, and that iron chief, Arthur Wellesley, the Duke of Wellington.

      The old bell sounded its first call to the faithful on San Francisco Bay, in 1776. It was but a few months after the American colonists gave to wondering humanity their impassioned plea for a world's liberty—the immortal Declaration of the Fourth of July.

      No merrier peal ever sounded from its vibrant throat than the rich notes following Miguel Peralta and his lovely Rose of Alameda.

      Revelry reigns at the Presidio; Commandante Peralta's quarters are open. Music and brightest eyes mark the closing of this day. In late watches the sentinels remember the feast as they pace their rounds, for none are forgotten in largesse.

      Fair Juanita learns to love the dainty title of Senora. Light is her heart as she leaves for the Hills.

      Don Miguel's barges already are on the San Joaquin. The cattle have reached their potreros on the Mariposa. Artificer and "peon" are preparing a shelter for the lord of the grant.

      Donna Juanita waves her hand in fond adieu as the schooner glides across to Alameda. Here Commandante Miguel has a report of the arrival of his trains.

      From the Castros' home, Juanita rides out toward the San Joaquin. Great commotion enlivens the hacienda. Pack-trains are laden with every requisite—tents, hammocks, attendants, waiting-women and retainers are provided.

      Winding out of the meadows of the Alameda, eastwardly over the Coast Range defiles, the train advances. Even here "los ladrones" (thieves of animals) are the forerunners of foreign robbers. Guards watch the bride's slumbers.

      Star-lit nights make the journey easy. It is the rainless summer time; no sound save the congress of the coyotes, or the notes of the mountain owl, disturbs the dreams of the campers.

      Don Miguel, in happiest mood, canters beside his wife. The party has its scouts far in advance. Resting places in fragrant woods, with pure brooks and tender grass, mark the care of the outriders.

      Over the Coast Range Juanita finds a land of delightful promise. Far away the rich valley of the San Joaquin sweeps. Rolling hills lie on either side, golden tinted with the ripening wild oats. Messengers join the party with auspicious reports.

      Down the San Joaquin plains the train winds. Here Senora Peralta is in merry mood; hundreds of stately elk swing tossing antlers, dashing away to the willows. Gray deer spring over brook and fallen tree, led by some giant leader. Pigeons, grouse, doves, and quail cleave the air with sudden alarm. Gorgeous in his painted plumage, the wood duck whirrs away over the slow gliding San Joaquin. Swan and wild geese cover the little islands.

      There are morning vocal concerts of a feathered orchestra. They wake the slumbering bride long before Don Miguel calls his swarthy retainers to the day's march.

      By night, in the valley, the sentinels watch for the yellow California lions, who delight to prey on the animals of the train. Wild-cats, lynx, the beaver and raccoon scuttle away surprised by this invasion of Nature's own game preserves.

      It is with some terror that the young wife sees a display of native horsemanship. Lumbering across the pathway of the train a huge grizzly bear attracts the dare-devils. Bruin rises on his haunches; he snorts in disdain. A quickly cast lariat encircles one paw. He throws himself down. Another lasso catches his leg. As he rolls and tugs, other fatal loops drop, as skilfully aimed as if he were only a helpless bullock. Growling, rolling, biting, and tearing, he cannot break or loosen the rawhide ropes. When he madly tries to pull in one, the agile horses strain upon the others. He is firmly entangled. The giant bear is tightly bound.

      Donna Juanita, her lord by her side, laughs at the dreaded "oso." She enjoys the antics of the horsemen. They sport with their enemy. After the fun ends, Bruin receives a gunshot. Choice cuts are added to the camp menu.

      The bear, panther, and rattlesnake are the only dangers of the Californian woods.

      Days of travel bring the hills of Mariposa into view. Here the monarchs of the forest rise in air; their wild harps are swept by the cool breezes of the Sierras. Tall, stately redwoods, swathed in rich, soft, fibrous bark, tower to the skies. Brave oaks spread their arms to shelter the doe and her fawns. The madrona, with greenest leaf and pungent berry, stands here. Hazels, willows, and cottonwoods follow the water. Bald knolls are studded with manzanita, its red berry in harvest now. Sturdy groves of wild plum adorn the hillsides. Grouse and squirrel enjoy their annual feast.

      The journey is over. When the train winds around a sweeping range, Don Miguel nears his wife. The San Joaquin is studded with graceful clumps of evergreen. In its bosom a lake shines like a diamond. The Don uncovers smilingly. "Mi querida, there lies your home, Lagunitas," he murmurs.

      Sweet Juanita's eyes beam on her husband. She says softly, "How beautiful!"

      It is truly a royal domain. From the lake the ten leagues square of the Commandante's land are a panorama

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