of the Barmecidal feast. The remembrance made him smile as he packed up his colours, resolving to do no more till he could begin in earnest on that most interesting study. He would have thought it still more interesting if he could have seen it slipping into the white domino which old Zainub, the duenna, held ready at the gate, where she had been warding off possible intrusion by the bare truth, that one of her palace ladies was within. For the custom of seclusion renders intrigue absolutely safe, since none dare put the identity of a white-robed figure to the test, or pry into the privacy of a place claimed by a veiled woman.
'Now mind,' scolded Zainub, as they shuffled back to the women's apartments, 'if thou sayest a word of this to the girls thou goest not again; but the old bridegroom comes instead.'
'I will go again,' said the girl gravely, 'I liked it. But the sun made my eyes ache without the veil. Yes! I will go again, amma-jân' (nursie).
To tell the truth, she had small choice. We have all heard of an empire whereon the sun never sets, and where slavery does not exist. Even those who shake their heads over the former statement, applaud the latter. But slavery, unfortunately, is as elusive as liberty, and when not a soul, save those interested in making you obey, is even aware of your existence, individual freedom is apt to be a fraud. This was Azîzan's case. Born of an unknown wrong, she might have died of one also, and none been the wiser. The zenana walls which shut her in, shut out the penal code of the alien. If she had chosen to be prudish, the alternative would have been put before her brutally; but she did not choose; for naturally enough, as she said, she liked the masquerade, even if the sun did make her head ache. So she sat all that afternoon under the lattice-window, whence, if you stood on tiptoe, you could see the flags in front of the mosque, and thought of the morrow; naturally, also, since it was a great event to one who had never before set foot beyond the walls of the women's quarter.
Yet George had to wait a long time the next day ere she appeared and squatted down before him confidently. 'It was the black man who came with the Huzoor's things,' she explained quite openly. 'Mother would not let me come while he was here. The Huzoors are quite different; they are our fathers and mothers.'
The repetition of the phrase amused George, and tickled his sense of superiority. It scarcely needed stimulus, for, like most of his race, he was inclined to consider the natives as automata, until personal experience in each case made him admit reluctantly that they were not. So he wondered vain-gloriously what certain politicians at home would say to this candid distrust of the black man, produced the quinine, and then offered Azîzan five whole rupees if she would let him draw a picture of her, as he had of the mosque.
'Is that the mosque?' she asked dubiously.
George's reply was full of condescension, which it would not have been had he looked on Azîzan in the light of a girl capable, as girls always are, of mischief; for the sketch was accurate to a degree. It ended in an offer of ten rupees for a finished picture of that odd, attractive, yellow-brown face. It was now resting its pointed chin on the tucked-up knees, round which the thin brown arms were clasped; and the smile which lengthened the already long curves of the mouth George set down to sheer greedy delight at an over large bribe, which, to tell truth, he regretted. Half would have been sufficient.
'Then the Huzoor must really think me pretty.'
The words might have been bombs, the sigh of satisfaction accompanying them a thunderclap, from the start they gave to his superiority. So she was nothing more nor less than a girl; rather a pretty girl, too, when she smiled, though not so picturesque as when she was grave.
'I think you will make a pretty picture,' he replied with dignity. 'Come! ten rupees is a lot, you know.'
'I'll sit if the Huzoor thinks me pretty,' persisted Azîzan, now quite grave. And her gravity, as she sat with the reddish purple drapery veiling all save the straight column of her throat and the thin brown hands clasping the Ayôdhya pot, appealed so strongly to George Keene's artistic sense, that he would have perjured himself to say she was beautiful as a houri twenty times over if thereby he could have made her sit to him.
She proved an excellent model; perhaps because she had done little else all her life but sit still, with that grave tired look on her face. So still, so lifeless, that he felt aggrieved when, without a word of warning, she rose and salaamed.
'I must go home now, Huzoor,' she said in answer to his impatient assertion that he had but just begun. 'I will come to-morrow if the Huzoor wishes it.'
'Of course you must come,' he replied angrily, 'if you are to get the ten rupees. Why can't you stay now?'
Azîzan might have said with truth that a hand from the gateway behind the sketcher's back had beckoned to her, but she only smiled mysteriously.
George, left behind in the sunny courtyard, looked at the charcoal smudges on his canvas with mixed feelings. He had the pose; but should he ever succeed in painting the picture which rose before his mind's eye? To most amateurs of real talent, such as he was, there comes some special time when the conviction that here is an opportunity, here an occasion for the best possible work, brings all latent power into action, and makes the effort absorbing. Something of this feeling had already taken possession of George; he began to project a finished picture, and various methods of inducing his sitter to give him more time. Perhaps she had found it dull. Native women, he believed, chattered all day long. So when she came next morning, he asked her if she liked stories, and when she nodded, he began straightway on his recollections of Hans Andersen; choosing out all the melancholy and aggressively sentimental subjects, so as to prevent her from smiling. He succeeded very well so far; Azîzan sat gravely in the sunshine listening, but every day she rose to go with just the same sudden alacrity. Then he told her the tale of Cinderella, and the necessity for her leaving the prince's ball before twelve o'clock; but even this did not make Azîzan laugh. On the contrary, she looked rather frightened, and asked what the prince said when he found out.
'He told her that he thought her the most beautiful girl in the world, so they lived happy ever after,' replied George carelessly.
It was two nights after this incident that old Zainub the duenna paid a visit to Chândni in her shadowy recesses.
'What is to come of this foolishness?' she asked crossly. ''Twas a week at first; now 'tis ten days. She used to give no trouble, and now she sits by the lattice in a fever for the next day. That is the plague of girls; give them but a glimpse outside and they fret to death. So I warned Meean Khush-hâl sixteen years agone, when the mother took refuge with us during her father's absence on the night of the storm; but he listened not when he had the excuse of the wall. Yea, that is the truth, O Chândni! 'tis well thou shouldst know the whole, since thou hast guessed half. Mayhap thou wilt think twice when thou hast heard. Ai! my daughter! I seem to hear her now; I would not pass such another year with this one for all the money thou couldst give. Nor is it safe for me, or for thee, Chândni, with those eyes in the child's head. Let be--'tis no good. Would I had never consented to begin the work! I will do no more.'
'True!' yawned Chândni, lounging on her bed. 'Thou art getting old for the place--it needs a younger woman. I will tell the Diwân so.'
Zainub whimpered. 'If aught were to come of it, 'twould be different; but thou thyself hast but the hope of beguiling him to some unknown snare within the walls.'
'An unknown snare is the deadliest,' laughed the other shrilly. 'What care I for the girl? 'Tis something to have him meet a screened inmate of the palace day after day; many things may come of that. If Azîzan pines, tell her the wedding is delayed; tell her anything----'
'Tell her!' broke in the old duenna between the whiffs of the hookah whence she sought to draw comfort. 'Sobhân ullah! There is too much telling
