CHAPTER VI.
How Monica goes to Aghyohillbeg, and meets there an old friend and a very new one.
Time flies, and no man can reach his hand to stay it. A very good thing, too, thinks Monica, as she stands before her looking-glass putting the last pretty touches to her white toilet.
It is Friday. Madam O'Connor's garden-party lies before her, and, probably, other things. Here she blushes at herself, as she sees that pretty soul in the glass, though, indeed, she has no cause to do so; but possibly the vague thought of those "other things" has something to do with it, and perhaps it is for their sake too that she places with such care the heavy, blood-colored rose beneath her chin.
This is the only suspicion of color about her. Her gown is white; her hat is white; long white silk gloves run up her rounded arms as though bent on joining her sleeves far above the elbow. A white Surat sash is tied round her dainty waist. She is looking "as fair as the moon, as lovely as a rose," and altogether distinctly dangerous.
Perhaps she half recognizes this fact, because she smiles at her own reflection, and—vain little girl that she is—stoops forward and kisses herself in the happy glass that holds her even for so brief a minute; after which she summons her maid from her dressing-room beyond.
"Canty," she says, as the "uncle's wife's sister's child" enters, "I am dressed now; and——"
"Shure, so you are, miss; and lovely ye look, more power to ye."
"Make my room very tidy," says Monica, giving her her directions before starting. "And, Canty, I shall want my blue dress for dinner. You can put it out."
"Yes, miss," whereupon Monica prepares to leave the room; but the new maid stops her.
"If ye please, Miss Monica," she says, hesitating, and applying her apron to her lips.
"Yes, Canty?"
"I'd be very thankful to ye, miss, if ye wouldn't call me that."
"Call you what?"
"Canty, miss."
"But," astonished, "isn't it your name?"
"No, miss; me name is Bridget."
"But surely Canty is your name, too?"
"Well, it's me father's name, miss, no doubt; but faix I feel just like a boy when ye call me by it, an' ye wouldn't like me to feel like a boy, miss, would ye?" says the village beauty casting an anxious glance at Monica from her dark Irish eyes, and blushing deeply.
"Certainly not," says Monica, laughing a little. "Very well, Bridget; I shall try to forget you ever had a surname."
"Thank ye, miss," says Bridget, with a sigh of profound relief.
Then Monica runs downstairs, where she finds her aunts in the drawing-room, dressed in their very best silk gowns, waiting for the carriage to come round. There is a little delay, which wasted time the two old ladies spend in endeavoring to drill Terence into shape. Something of this sort is going on as Monica enters.
"When I introduce you to Madam O'Connor or Lady Rossmoyne, my dear boy, be sure you make a very low bow. Nothing distinguishes a gentleman so much from the common herd as the manner of his salute. Now make me a bow, that I may judge of your style." Thus Miss Priscilla.
"I couldn't make one to order like that," says Terence; yet he sulkily complies, making a very short, stiff, and uncompromising nod that makes both aunts lift their hands in dismay.
"Oh, no, my dear!—that won't do at all! Most ungraceful, and totally devoid of the dignity that should inspire it. Now look at me. It should be something like this," making him a reverence that might well have created admiration in the court of Queen Anne.
"Ah, yes! that is something like what it should be," chimes in Miss Penelope, paying a tribute to the talent of her sister. "Priscilla has caught the true tone. I wish, Terence, we could see you more like your dear grandfather; he was a man to bow."
Terence, calling to mind the portrait of his "dear grandfather," as represented in the elaborate gilt frame in the dining-room, in a court suit and a periwig, and with an abominable simper, most devoutly thanks his gods that he is not like unto him. He is, indeed (feeling goaded to the last degree), about to break into unseemly language, when, fortunately, the arrival of the ancient equipage that has done duty at Moyne as state carriage for generations is announced.
The coachman, who is considerably older than Timothy, draws up the old horses before the door with a careful manner that impresses the beholder with the belief that he thinks they would run away in a minute if he relaxed a muscle on the reins; and a small boy who acts as footman and looks decidedly depressed, lets down the rickety steps.
Miss Priscilla Blake then enters the carriage. She is followed with much ceremony by Miss Penelope. After which Monica, who is impressed by the proceedings, and Terence, who is consumed with secret mirth, step in and seat themselves. Then the coachman says, "Gee up!" in exactly the tone he has employed for forty years; and the gloomy boy settling down beside him, they are all presently on the fair road to Aghyohillbeg.
The drive is a very pleasant one, though filled with injunctions of the most obsolete from the Misses Blake as to their behavior, etc. The fact is, that the two old maids are so puffed out with pride at the thought that they will presently introduce to the county the handsome lad and beautiful girl opposite them that they have grown fidgety and over-anxious about the niceties of their presentation.
"Surely," say the Misses Blake to themselves and to each other, "not half so pretty a pair could be produced by any family in the south!"
Which is saying a great deal, as in the south of Ireland a pretty face is more the rule than the exception.
Over the dusty road they go, calmly, carefully, the old horses being unaccustomed to fast ways of any sort; slowly, with much care they pick their aged steps, never stumbling, never swerving, but as certainly never giving way to frivolous haste.
Then, all at once, as it seems to Monica, the hillside seems to break in twain, and a great iron gate appears, into which they turn to drive in their solemn fashion down a dark avenue shaded by swaying elms.
It is a perfect place, old as the hills that surround it, and wild in its loveliness. To right and left great trees, gnarled and moss-grown, and dipping tangles of blackberry and fern; patches of sunlight, amidst the gloom, that rests lovingly upon a glowing wilderness of late bluebells, and, beyond all these broad glimpses of the glorious, restless ocean, as it sleeps in its bay below.
Gazing at all this natural beauty, Monica's soft eyes and heart expand, and—
"Joy rises in her like a summer morn."
And then she sees an old house, low, broad, picturesque, with balconies and terraces, and beyond the house slanting lawns, and at one side tennis-courts, where many gayly-clad figures are moving to and fro. There is a sound of subdued laughter and the perfume of many flowers, and a general air of gayety; it is as though to-day care has
