before?" said Miss Priscilla, aghast at the inhospitable thought that they had been shivering with needless nervousness in the hall for the last five minutes.
"They said they wouldn't come in until I paved the way for them," says Monica, with a slight shrug of her shoulders that is a trick of hers. "They always put everything upon my shoulders: a little shabby of them I call it."
"I am afraid you must have pictured us as ogres," says Miss Priscilla, which idea strikes the old ladies as such a delicious flight of fancy that they laugh outright, and look at each other with intense enjoyment of their little joke.
"Well, of course we couldn't tell what you would be like," says Monica, gravely. "You might have been people likely to impress one with awe; but, as it is——This is Terry," laying her hand upon her brother's arm; "and this is Kit. She is really Katherine, you know, but no one ever calls her by so long a name. She isn't worth it."
At this the three Beresfords laugh among themselves, as children will, at time-worn fun, knowing no fatigue; after which Katherine and Terence are embraced and made much of by their new-found relatives, and freely commented upon.
But ever and anon the eyes of both old ladies wander thoughtfully, admiringly, to where the lissome Monica stands, like a pale, pensive lily.
"But how have you managed to be here so soon?" asks Miss Priscilla, when the impromptu luncheon, improvised by the startled Timothy, has come to an end. The children were all hungry, and have eaten a great deal, and have talked more. Indeed, though Miss Priscilla has been dying to ask this question for a long time, it has been impossible for her to do so, as there has not been so much as a comma in the conversation for the last hour.
The Beresfords are like so many clocks wound up, and bound to go for a certain time whether they like it or not; and, apparently, they do like it. Now they have run down a little, Terence being exhausted after his last laughing attack, and Kit wrapped in contemplation of an old-fashioned hair brooch that is fastening an equally old-fashioned piece of priceless lace that adorns Miss Penelope's throat.
"Well, I can't think how they do it!" she says, lost in admiration of a little slim hair lady bending over a miniature hair urn in the most lachrymose attitude conceivable. "But they have put her eye in wrongly: she looks as if she is dying with laughter."
Here Miss Priscilla edges in her question, as to how they have contrived to be at Moyne at so early an hour.
"We came by the wrong train," says Terry. "We generally do. Ever since we left the South of France—where we were staying with the Bohuns, you know, on our way here—we have been missing our trains right and left, and turning up at all sorts of unexpected places. Haven't we, Kit?"
"You have," says Kit, with suspicious emphasis. "You have such a pretty trick of rushing into the first train you see, without ever asking any one where it is going. No wonder we always turned up at the wrong end."
"You've a pretty trick of putting everything down on other people's shoulders," says Terence, with open disgust. "Whose fault was it we were always so late at the stations that we hadn't time to make inquiries, I'd like to know? Could you," with fine irony, "tell us?"
"Certainly; it was nurse," replies Kit, with dignity.
"Dear me! and where is your nurse now?" asks Miss Priscilla, anxiously. The query is a fortunate one, in that it turns the conversation into a different channel, and checks the eloquence of Kit and Terry, who are plainly on the brink of an open war.
"When last I saw her," says Terence, "she was sitting on the top of our biggest box, with everything else strewn around her, and her feet resting on two brown-paper parcels.—I wonder," says Mr. Beresford, addressing Monica, "what on earth she had in those brown paper parcels. She has been hugging them night and day ever since she left Jerusalem."
"Dynamite," suggested Monica, lightly; whereupon the two Misses Blake turn pale.
"At that rate, Aunt Priscilla, we needn't trouble about her," says Terence, pleasantly, "as she must be blown up by this. None of those clock-work affairs could be arranged to go on much longer. Poor thing! when in the flesh she wasn't half bad. I forgive her everything—even her undying hatred to myself."
"If she is in fragments, so are our things," says Kit. "I think she needn't have elected to sit on them at the supreme moment."
"You don't really think," says Miss Penelope, in a somewhat troubled tone, remembering how an innocent baker in Rossmoyne had had some of the explosive matter in question thrown into his kitchen the night before last—"you don't really think that these parcels you speak of contain infernal machines?—Yes, that is what they call them, my dear Priscilla," turning to her sister, as though anxious to apologize for having used a word calculated to lead the mind to the lower regions.
By this time both Kit and Terence are convulsed with delight at the sensation they have created, and would probably have gone on to declare the innocent Mrs. Mitchell an advanced Nihilist of the most dangerous type, but for Monica's coming to the rescue and explaining matters satisfactorily.
"Still, I cannot understand how you got up here so quickly," says Miss Penelope. "You know Moyne—home I hope you will call it for the future, my dears—" with a little fond pat on Monica's hand, "is quite three miles from the station."
"We should have thought nothing of that," says Terence, "but for Kit; she has had a fever, you know," pointing to the child's closely-cropped, dark little head; "so we said we would just stroll on a little and see what the country was like."
"And lovely it is," puts in Kit, enthusiastically. "We got up on a high hill, and saw the sea lying like a great quiet lake beneath us. There was scarcely a ripple on it, and only a soft sound like a sob." Her eyes, that are almost too big for her small face, glow brilliantly.
"And then there came by a man with a cart filled with hay, and he nodded to us and said, 'Good-morning, sir;' and so I nodded back, and said, 'How d'ye do?' to him and asked him was it far to Moyne House. 'A good step,' he said; 'three miles at the very least.'"
"He didn't; he said laste," says Kit, who is plainly in a litigious mood.
"At that," says Monica, breaking in eagerly, feeling, no doubt, she has been left too long out in the cold, and that it is time her voice were heard, "I suppose I looked rather forlorn, because he said, quite nicely 'Maybe ye'd not be too proud, miss, to get into me cart, an I'll dhrive the lot of ye up to the House, where as luck has it, I'm goin' meself.'" She mimicks the soft Southern brogue very prettily.
"So up we got," says Kit, gayly, "and away we went in the nice sweet hay, jog trot, jog trot, and so comfortable."
The Misses Blake by this time are filled with dismay. In Rossmoyne, where families are few and far between, and indecent scandal unknown, the smallest trifles are seized upon with avidity and manufactured into mountains. "A good appearance," Miss Penelope was taught at school, "is the first step in life," and here have these children been making their appearance for the first time in a common hay-cart.
What will Madam O'Connor say? Madam O'Connor's father having always laid claim to being a direct descendant of one of the old kings of Munster, Madam's veins of course are filled with blood royal, and as such are to be held in reverence. What won't this terrible old woman say, when she hears of the Beresfords' escapade?
The Misses Blake sit shivering, blinking their eyelids, and afraid to say anything.
"We
