saw much of these three persons, and something of their friends. She went with them to Socialist lectures, or to the public evenings of the Venturist Society, to which the brothers belonged. Edie, the sister, assaulted the imagination of her friend, made her read the books of a certain eminent poet and artist, once the poet of love and dreamland, "the idle singer of an empty day," now seer and prophet, the herald of an age to come, in which none shall possess, though all shall enjoy. The brothers, more ambitious, attacked her through the reason, brought her popular translations and selections from Marx and Lassalle, together with each Venturist pamphlet and essay as it appeared; they flattered her with technical talk; they were full of the importance of women to the new doctrine and the new era.
The handsome brother was certainly in love with her; the other, probably. Marcella was not in love with either of them, but she was deeply interested in all three, and for the sickly brother she felt at that time a profound admiration—nay, reverence—which influenced her vitally at a critical moment of life. "Blessed are the poor"—"Woe unto you, rich men"—these were the only articles of his scanty creed, but they were held with a fervour, and acted upon with a conviction, which our modern religion seldom commands. His influence made Marcella a rent-collector under a lady friend of his in the East End; because of it, she worked herself beyond her strength in a joint attempt made by some members of the Venturist Society to organise a Tailoresses' Union; and, to please him, she read articles and blue-books on Sweating and Overcrowding. It was all very moving and very dramatic; so, too, was the persuasion Marcella divined in her friends, that she was destined in time, with work and experience, to great things and high place in the movement.
The wholly unexpected news of Mr. Boyce's accession to Mellor had very various effects upon this little band of comrades. It revived in Marcella ambitions, instincts and tastes wholly different from those of her companions, but natural to her by temperament and inheritance. The elder brother, Anthony Craven, always melancholy and suspicious, divined her immediately.
"How glad you are to be done with Bohemia!" he said to her ironically one day, when he had just discovered her with the photographs of Mellor about her. "And how rapidly it works!"
"What works?" she asked him angrily.
"The poison of possession. And what a mean end it puts to things! A week ago you were all given to causes not your own; now, how long will it take you to think of us as 'poor fanatics!'—and to be ashamed you ever knew us?"
"You mean to say that I am a mean hypocrite!" she cried. "Do you think that because I delight in—in pretty things and old associations, I must give up all my convictions? Shall I find no poor at Mellor—no work to do? It is unkind—unfair. It is the way all reform breaks down—through mutual distrust!"
He looked at her with a cold smile in his dark, sunken eyes, and she turned from him indignantly.
When they bade her good-bye at the station, she begged them to write to her.
"No, no!" said Louis, the handsome younger brother. "If ever you want us, we are there. If you write, we will answer. But you won't need to think about us yet awhile. Good-bye!"
And he pressed her hand with a smile.
The good fellow had put all his own dreams and hopes out of sight with a firm hand since the arrival of her great news. Indeed, Marcella realised in them all that she was renounced. Louis and Edith spoke with affection and regret. As to Anthony, from the moment that he set eyes upon the maid sent to escort her to Mellor, and the first-class ticket that had been purchased for her, Marcella perfectly understood that she had become to him as an enemy.
"They shall see—I will show them!" she said to herself with angry energy, as the train whirled her away. And her sense of their unwarrantable injustice kept her tense and silent till she was roused to a childish and passionate pleasure by a first sight of the wide lawns and time-stained front of Mellor.
* * * * *
Of such elements, such memories of persons, things, and events, was Marcella's reverie by the window made up. One thing, however, which, clearly, this report of it has not explained, is that spirit of energetic discontent with her past in which she had entered on her musings. Why such soreness of spirit? Her childhood had been pinched and loveless; but, after all, it could well bear comparison with that of many another child of impoverished parents. There had been compensations all through—and were not the great passion of her Solesby days, together with the interest and novelty of her London experience, enough to give zest and glow to the whole retrospect? Ah! but it will be observed that in this sketch of Marcella's schooldays nothing has been said of Marcella's holidays. In this omission the narrative has but followed the hasty, half-conscious gaps and slurs of the girl's own thought. For Marcella never thought of those holidays and all that was connected with them in detail, if she could possibly avoid it. But it was with them, in truth, and with what they implied, that she was so irritably anxious to be done when she first began to be reflective by the window; and it was to them she returned with vague, but still intense consciousness when the rush of active reminiscence died away.
* * * * *
That surely was the breakfast bell ringing, and with the dignified ancestral sound which was still so novel and attractive to Marcella's ear. Recalled to Mellor Park and its circumstances, she went thoughtfully downstairs, pondering a little on the shallow steps of the beautiful Jacobean staircase. Could she ever turn her back upon those holidays? Was she not rather, so to speak, just embarked upon their sequel, or second volume?
But let us go downstairs also.
CHAPTER III.
Breakfast was laid in the "Chinese room," a room which formed part of the stately "garden front," added to the original structure of the house in the eighteenth century by a Boyce whose wife had money. The decorations, especially of the domed and vaulted roof, were supposed by their eighteenth century designer to be "Oriental"; they were, at any rate, intricate and overladen; and the figures of mandarins on the worn and discoloured wall-paper had, at least, top-knots, pigtails, and petticoats to distinguish them from the ordinary Englishmen of 1760, besides a charming mellowness of colour and general effect bestowed on them by time and dilapidation. The marble mantelpiece was elaborately carved in Chinamen and pagodas. There were Chinese curiosities of a miscellaneous kind on the tables, and the beautiful remains of an Indian carpet underfoot. Unluckily, some later Boyce had thrust a crudely Gothic sideboard, with an arched and pillared front, adapted to the purposes of a warming apparatus, into the midst of the mandarins, which disturbed the general effect. But with all its original absurdities, and its modern defacements, the room was a beautiful and stately one. Marcella stepped into it with a slight unconscious straightening of her tall form. It seemed to her that she had never breathed easily till now, in the ample space of these rooms and gardens.
Her father and mother were already at table, together with Mrs. Boyce's brown spaniel Lynn.
Mr. Boyce was employed in ordering about the tall boy in a worn and greasy livery coat, who represented the men-service of the establishment; his wife was talking to her dog, but from the lift of her eyebrows, and the twitching of her thin lips, it was plain to Marcella that her mother was as usual of opinion that her father was behaving foolishly.
"There, for goodness' sake, cut some bread on the sideboard," said the angry master, "and hand it round instead of staring about you like a stuck pig. What they taught you at Sir William Jute's I can't conceive. I didn't undertake to make a man-servant of you, sir."
The
