of white light, an opaque body placed in the path of the beam will cast a green shadow upon the screen which may be seen by several hundred persons at once. If a blue glass be used, the shadow will be yellow, which is the complementary colour to blue.
COLOURED SHADOWS. 1857.
When we suddenly pass from open sunlight to a moderately illuminated room, it appears dark at first, but after a little time the eye regains the power of seeing objects distinctly. Thus one effect of light upon the eye is to render it less sensitive, and light of any particular colour falling upon the eye blunts its appreciation of that colour. Let us apply this to the shadow upon the screen. This shadow is moderately illuminated by a jet of white light; but the space surrounding it is red, the effect of which upon the eye is to blind it in some degree to the perception of red. Hence, when the feeble white light of the shadow reaches the eye, the red component of this light is, as it were, abstracted from it, and the eye sees the residual colour, which is green. A similar explanation applies to the shadows of the Grands Mulets.
On the 13th of July I was joined by my friend Mr. Thomas Hirst, and on the 14th we examined together the end of the Mer de Glace. In former times the whole volume of the Arveiron escaped from beneath the ice at the end of the glacier, forming a fine arch at its place of issue. This year a fraction only of the water thus found egress; the greater portion of it escaping laterally from the glacier at the summit of the rocks called Les Mottets, down which it tumbled in a fine cascade. The vault at the end of the glacier was nevertheless respectable, and rather tempting to a traveller in search of information regarding the structure of the ice. Perhaps, however, Nature meant to give me a friendly warning at the outset, for, while speculating as to the wisdom of entering the cavern, it suddenly gave way, and, with a crash which rivalled thunder, the roof strewed itself in ruins upon the floor.
SUNRISE AT CHAMOUNI. 1857.
Many years ago I had read with delight Coleridge's poem entitled 'Sunrise in the Valley of Chamouni,' and to witness in all perfection the scene described by the poet, I waited at Chamouni a day longer than was otherwise necessary. On the morning of Wednesday, the 15th of July, I rose before the sun; Mont Blanc and his wondrous staff of Aiguilles were without a cloud; eastward the sky was of a pale orange which gradually shaded off to a kind of rosy violet, and this again blended by imperceptible degrees with the deep zenithal blue. The morning star was still shining to the right, and the moon also turned a pale face towards the rising day. The valley was full of music; from the adjacent woods issued a gush of song, while the sound of the Arve formed a suitable bass to the shriller melody of the birds. The mountain rose for a time cold and grand, with no apparent stain upon his snows. Suddenly the sunbeams struck his crown and converted it into a boss of gold. For some time it remained the only gilded summit in view, holding communion with the dawn while all the others waited in silence. These, in the order of their heights, came afterwards, relaxing, as the sunbeams struck each in succession, into a blush and smile.
GLACIER DES BOIS. 1857.
On the same day we had our luggage transported to the Montanvert, while we clambered along the lateral moraine of the glacier to the Chapeau. The rocks alongside the glacier were beautifully scratched and polished, and I paid particular attention to them, for the purpose of furnishing myself with a key to ancient glacier action. The scene to my right was one of the most wonderful I had ever witnessed. Along the entire slope of the Glacier des Bois, the ice was cleft and riven into the most striking and fantastic forms. It had not yet suffered much from the wasting influence of the summer weather, but its towers and minarets sprang from the general mass with clean chiselled outlines. Some stood erect, others leaned, while the white débris, strewn here and there over the glacier, showed where the wintry edifices had fallen, breaking themselves to pieces, and grinding the masses on which they fell to powder. Some of them gave way during our inspection of the place, and shook the valley with the reverberated noise of their fall. I endeavoured to get near them, but failed; the chasms at the margin of the glacier were too dangerous, and the stones resting upon the heights too loosely poised to render persistence in the attempt excusable.
We subsequently crossed the glacier to the Montanvert, and I formally took up my position there. The rooms of the hotel were separated from each other by wooden partitions merely, and thus the noise of early risers in one room was plainly heard in the next. For the sake of quiet, therefore, I had my bed placed in the château next door—a little octagonal building erected by some kind and sentimental Frenchman, and dedicated "à la Nature." My host at first demurred, thinking the place not "propre," but I insisted, and he acquiesced. True the stone floor was dark with moisture, and on the walls a glistening was here and there observable, which suggested rheumatism, and other penalties, but I had had no experience of rheumatism, and trusted to the strength which mountain air and exercise were sure to give me, for power to resist its attacks. Moreover, to dispel some of the humidity, it was agreed that a large pine fire should be made there on necessary occasions.
QUARTERS AT THE MONTANVERT. 1857.
Though singularly favoured on the whole, still our residence at the Montanvert was sufficiently long to give us specimens of all kinds of weather; and thus my château derived an interest from the mutations of external nature. Sometimes no breath disturbed the perfect serenity of the night, and the moon, set in a black-blue sky, turned a face of almost supernatural brightness to the mountains, while in her absence the thick-strewn stars alone flashed and twinkled through the transparent air. Sometimes dull dank fog choked the valley, and heavy rain plashed upon the stones outside. On two or three occasions we were favoured by a thunderstorm, every peal of which broke into a hundred echoes, while the seams of lightning which ran through the heavens produced a wonderful intermittence of gloom and glare. And as I sat within, musing on the experiences of the day, with my pine logs crackling, and the ruddy fire-light gleaming over the walls, and lending animation to the visages sketched upon them with charcoal by the guides, I felt that my position was in every way worthy of a student of nature.
THE MER DE GLACE.
(6.)
A RIVER OF ICE. 1857.
The name "Mer de Glace" has doubtless led many who have never seen this glacier to a totally erroneous conception of its character. Misled probably by this term, a distinguished writer, for example, defines a glacier to be a sheet of ice spread out upon the slope of a mountain; whereas the Mer de Glace is indeed a river, and not a sea of ice. But certain forms upon its surface, often noticed and described, and which I saw for the first time from the window of our hotel on the morning of the 16th of July, suggest at once the origin of the name. The glacier here has the appearance of a sea which, after it had been tossed by a storm, had suddenly stiffened into rest. The ridges upon its surface accurately resemble waves in shape, and this singular appearance is produced in the following way:—
Some distance above the Montanvert—opposite to the Echelets—the glacier, in passing down an incline, is rent by deep fissures, between each two of which a ridge of ice intervenes. At first the edges of these ridges are sharp and angular, but they are soon sculptured off by the action of the sun. The bearing of the Mer de Glace being approximately north and south, the sun at mid-day shines down the glacier, or rather very obliquely across it; and the consequence is, that the fronts of the ridges, which look downward, remain in shadow all the day, while the backs of the ridges, which look up the glacier, meet the direct stroke of the solar rays. The ridges thus acted upon have their hindmost angles wasted off and converted into slopes which represent the back of a wave, while the opposite sides of the ridges, which are protected from the sun, preserve their steepness, and represent the front of the wave. Fig. 5 will render
