Studies in the South and West, with Comments on Canada. Charles Dudley Warner
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New Orleans is the most cosmopolitan of provincial cities. Its comparative isolation has secured the development of provincial traits and manners, has preserved the individuality of the many races that give it color, morals, and character, while its close relations with France—an affiliation and sympathy which the late war has not altogether broken—and the constant influx of Northern men of business and affairs have given it the air of a metropolis. To the Northern stranger the aspect and the manners of the city are foreign, but if he remains long enough he is sure to yield to its fascinations, and become a partisan of it. It is not altogether the soft and somewhat enervating and occasionally treacherous climate that beguiles him, but quite as much the easy terms on which life can be lived. There is a human as well as a climatic amiability that wins him. No doubt it is better for a man to be always braced up, but no doubt also there is an attraction in a complaisance that indulges his inclinations.
Socially as well as commercially New Orleans is in a transitive state. The change from river to railway transportation has made her levees vacant; the shipment of cotton by rail and its direct transfer to ocean carriage have nearly destroyed a large middle-men industry; a large part of the agricultural tribute of the South-west has been diverted; plantations have either not recovered from the effects of the war or have not adjusted themselves to new productions, and the city waits the rather blind developments of the new era. The falling off of law business, which I should like to attribute to the growth of common-sense and good-will is, I fear, rather due to business lassitude, for it is observed that men quarrel most when they are most actively engaged in acquiring each other’s property. The business habits of the Creoles were conservative and slow; they do not readily accept new ways, and in this transition time the American element is taking the lead in all enterprises. The American element itself is toned down by the climate and the contagion of the leisurely habits of the Creoles, and loses something of the sharpness and excitability exhibited by business men in all Northern cities, but it is certainly changing the social as well as the business aspect of the city. Whether these social changes will make New Orleans a more agreeable place of residence remains to be seen.
For the old civilization had many admirable qualities. With all its love of money and luxury and an easy life, it was comparatively simple. It cared less for display than the society that is supplanting it. Its rule was domesticity. I should say that it bad the virtues as well as the prejudices and the narrowness of intense family feeling, and its exclusiveness. But when it trusted, it had few reserves, and its cordiality was equal to its naivete. The Creole civilization differed totally from that in any Northern city; it looked at life, literature, wit, manners, from altogether another plane; in order to understand the society of New Orleans one needs to imagine what French society would be in a genial climate and in the freedom of a new country. Undeniably, until recently, the Creoles gave the tone to New Orleans. And it was the French culture, the French view of life, that was diffused. The young ladies mainly were educated in convents and French schools. This education had womanly agreeability and matrimony in view, and the graces of social life. It differed not much from the education of young ladies of the period elsewhere, except that it was from the French rather than the English side, but this made a world of difference. French was a study and a possession, not a fashionable accomplishment. The Creole had gayety, sentiment, spice with a certain climatic languor, sweetness of disposition, and charm of manner, and not seldom winning beauty; she was passionately fond of dancing and of music, and occasionally an adept in the latter; and she had candor, and either simplicity or the art of it. But with her tendency to domesticity and her capacity for friendship, and notwithstanding her gay temperament, she was less worldly than some of her sisters who were more gravely educated after the English manner. There was therefore in the old New Orleans life something nobler than the spirit of plutocracy. The Creole middle-class population had, and has yet, captivating naivete, friendliness, cordiality.
But the Creole influence in New Orleans is wider and deeper than this. It has affected literary sympathies and what may be called literary morals. In business the Creole is accused of being slow, conservative, in regard to improvements obstinate and reactionary, preferring to nurse a prejudice rather than run the risk of removing it by improving himself, and of having a conceit that his way of looking at life is better than the Boston way. His literary culture is derived from France, and not from England or the North. And his ideas a good deal affect the attitude of New Orleans towards English and contemporary literature. The American element of the town was for the most part commercial, and little given to literary tastes. That also is changing, but I fancy it is still true that the most solid culture is with the Creoles, and it has not been appreciated because it is French, and because its point of view for literary criticism is quite different from that prevailing elsewhere in America. It brings our American and English contemporary authors, for instance, to comparison, not with each other, but with French and other Continental writers. And this point of view considerably affects the New Orleans opinion of Northern literature. In this view it wants color, passion; it is too self-conscious and prudish, not to say Puritanically mock-modest. I do not mean to say that the Creoles as a class are a reading people, but the literary standards of their scholars and of those among them who do cultivate literature deeply are different from those at the North. We may call it provincial, or we may call it cosmopolitan, but we shall not understand New Orleans until we get its point of view of both life and letters.
In making these observations it will occur to the reader that they are of necessity superficial, and not entitled to be regarded as criticism or judgment. But I am impressed with the foreignness of New Orleans civilization, and whether its point of view is right or wrong, I am very far from wishing it to change. It contains a valuable element of variety for the republic. We tend everywhere to sameness and monotony. New Orleans is entering upon a new era of development, especially in educational life. The Tonlane University is beginning to make itself felt as a force both in polite letters and in industrial education. And I sincerely hope that the literary development of the city and of the South-west will be in the line of its own traditions, and that it will not be a copy of New England or of Dutch Manhattan. It can, if it is faithful to its own sympathies and temperament, make an original and valuable contribution to our literary life.
There is a great temptation to regard New Orleans through the romance of its past; and the most interesting occupation of the idler is to stroll about in the French part of the town, search the shelves of French and Spanish literature in the second-hand book-shops, try to identify the historic sites and the houses that are the seats of local romances, and observe the life in the narrow streets and alleys that, except for the presence of the colored folk, recall the quaint picturesqueness of many a French provincial town. One never tires of