of these cursed walnut trees," M. de Rênal was in the habit of saying, whenever his wife admired them, "costs me the harvest of at least half an acre; corn cannot grow under their shade."
Madame de Rênal found the sight of the country novel: her admiration reached the point of enthusiasm. The sentiment by which she was animated gave her both ideas and resolution. M. de Rênal had returned to the town, for mayoral business, two days after their arrival in Vergy. But Madame de Rênal engaged workmen at her own expense. Julien had given her the idea of a little sanded path which was to go round the orchard and under the big walnut trees, and render it possible for the children to take their walk in the very earliest hours of the morning without getting their feet wet from the dew. This idea was put into execution within twenty-four hours of its being conceived. Madame de Rênal gaily spent the whole day with Julien in supervising the workmen.
When the Mayor of Verrières came back from the town he was very surprised to find the avenue completed. His arrival surprised Madame de Rênal as well. She had forgotten his existence. For two months he talked with irritation about the boldness involved in making so important a repair without consulting him, but Madame de Rênal had had it executed at her own expense, a fact which somewhat consoled him.
She spent her days in running about the orchard with her children, and in catching butterflies. They had made big hoods of clear gauze with which they caught the poor lepidoptera. This is the barbarous name which Julien taught Madame de Rênal. For she had had M. Godart's fine work ordered from Besançon, and Julien used to tell her about the strange habits of the creatures.
They ruthlessly transfixed them by means of pins in a great cardboard box which Julien had prepared.
Madame de Rênal and Julien had at last a topic of conversation; he was no longer exposed to the awful torture that had been occasioned by their moments of silence.
They talked incessantly and with extreme interest, though always about very innocent matters. This gay, full, active life, pleased the fancy of everyone, except Mademoiselle Elisa who found herself overworked. Madame had never taken so much trouble with her dress, even at carnival time, when there is a ball at Verrières, she would say; she changes her gowns two or three times a day.
As it is not our intention to flatter anyone, we do not propose to deny that Madame de Rênal, who had a superb skin, arranged her gowns in such a way as to leave her arms and her bosom very exposed. She was extremely well made, and this style of dress suited her delightfully.
"You have never been so young, Madame," her Verrières friends would say to her, when they came to dinner at Vergy (this is one of the local expressions).
It is a singular thing, and one which few amongst us will believe, but Madame de Rênal had no specific object in taking so much trouble. She found pleasure in it and spent all the time which she did not pass in hunting butterflies with the children and Julien, in working with Elisa at making gowns, without giving the matter a further thought. Her only expedition to Verrières was caused by her desire to buy some new summer gowns which had just come from Mulhouse.
She brought back to Vergy a young woman who was a relative of hers. Since her marriage, Madame de Rênal had gradually become attached to Madame Derville, who had once been her school mate at the Sacr Coeur.
Madame Derville laughed a great deal at what she called her cousin's mad ideas: "I would never have thought of them alone," she said. When Madame de Rênal was with her husband, she was ashamed of those sudden ideas, which, are called sallies in Paris, and thought them quite silly: but Madame Derville's presence gave her courage. She would start to telling her her thoughts in a timid voice, but after the ladies had been alone for a long time, Madame de Rênal's brain became more animated, and a long morning spent together by the two friends passed like a second, and left them in the best of spirits. On this particular journey, however, the acute Madame Derville thought her cousin much less merry, but much more happy than usual.
Julien, on his side, had since coming to the country lived like an absolute child, and been as happy as his pupils in running after the butterflies. After so long a period of constraint and wary diplomacy, he was at last alone and far from human observation; he was instinctively free from any apprehension on the score of Madame de Rênal, and abandoned himself to the sheer pleasure of being alive, which is so keen at so young an age, especially among the most beautiful mountains in the world.
Ever since Madame Derville's arrival, Julien thought that she was his friend; he took the first opportunity of showing her the view from the end of the new avenue, under the walnut tree; as a matter of fact it is equal, if not superior, to the most wonderful views that Switzerland and the Italian lakes can offer. If you ascend the steep slope which commences some paces from there, you soon arrive at great precipices fringed by oak forests, which almost jut on to the river. It was to the peaked summits of these rocks that Julien, who was now happy, free, and king of the household into the bargain, would take the two friends, and enjoy their admiration these sublime views.
"To me it's like Mozart's music," Madame Derville would say.
The country around Verrières had been spoilt for Julien by the jealousy of his brothers and the presence of a tyranous and angry father. He was free from these bitter memories at Vergy; for the first time in his life, he failed to see an enemy. When, as frequently happened, M. de Rênal was in town, he ventured to read; soon, instead of reading at night time, a procedure, moreover, which involved carefully hiding his lamp at the bottom of a flower-pot turned upside down, he was able to indulge in sleep; in the day, however, in the intervals between the children's lessons, he would come among these rocks with that book which was the one guide of his conduct and object of his enthusiasm. He found in it simultaneously happiness, ecstasy and consolation for his moments of discouragement.
Certain remarks of Napoleon about women, several discussions about the merits of the novels which were fashionable in his reign, furnished him now for the first time with some ideas which any other young man of his age would have had for a long time.
The dog days arrived. They started the habit of spending the evenings under an immense pine tree some yards from the house. The darkness was profound. One evening, Julien was speaking and gesticulating, enjoying to the full the pleasure of being at his best when talking to young women; in one of his gestures, he touched the hand of Madame de Rênal which was leaning on the back of one of those chairs of painted wood, which are so frequently to be seen in gardens.
The hand was quickly removed, but Julien thought it a point of duty to secure that that hand should not be removed when he touched it. The idea of a duty to be performed and the consciousness of his stultification, or rather of his social inferiority, if he should fail in acheiving it, immediately banished all pleasure from his heart.
CHAPTER IX
AN EVENING IN THE COUNTRY
M. Guérin's Dido, a charming sketch!—Strombeck.
His expression was singular when he saw Madame de Rênal the next day; he watched her like an enemy with whom he would have to fight a duel. These looks, which were so different from those of the previous evening, made Madame de Rênal lose her head; she had been kind to him and he appeared angry. She could not take her eyes off his.
Madame Derville's presence allowed Julien to devote less time to conversation, and more time to thinking about what he had in his mind. His one object all this day was to fortify himself by reading the inspired book that gave strength to his soul.
He
