The New Tenant. E. Phillips Oppenheim
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The four men tramped in, their footsteps sounding dreary and mournful on the uncarpeted floor, and awakening strange rumbling echoes. Helen looked at them for a moment, all clustered round the single sofa which stood in the middle of the apartment, and then stepped softly back again into the hall. She looked around her eagerly, yet with no idle curiosity.
The whole interior of the place appeared bare and comfortless. There were no rugs in the hall, no carpet on the stairs, nor a single sign of habitation. Nor was there any servant about. She looked again into the room out of which she had just stepped. They were preparing to lift the body from the gate, which they had laid upon the floor, on to the sofa. She stepped back into the hall, and listened. There was no sound from any other part of the house. They were all too deeply engrossed to think of her. It was her chance!
She was very pale, and very resolute. The look which had come into her face for so short a time ago had had its meaning. The time for action had come. It was sooner than she had expected; but she was ready.
With swift noiseless step she crossed the hall and softly turned the handle of the door on the opposite side. It opened at once, and she stepped inside. She listened again. As yet she was undetected. She drew a little breath and glanced searchingly around her.
This room, too, was unfurnished, save that the floor was covered with cases full of books. Straight in front of her was another door, leading, as she knew, into a smaller apartment. Dare she go forward? She listened for a moment. There was no sound save the low muffled voices of the men who were lifting Sir Geoffrey on to the couch. Supposing she were discovered here? At the most, she would be suspected of a vulgar curiosity. It all flashed through her mind in a moment, and her decision was taken. Gathering her skirts in her hand lest they should catch against the edges of the cases, she threaded her way through them, and stood before the door of the inner room. She tried the handle. It yielded easily to her touch. She had gone too far to draw back now. In a moment she had passed the threshold, and the whole contents of the little room were disclosed to her.
Of all the senses, the eyes seem to carry the most lasting impression to the brain. One eager glance around, and the whole seemed photographed into her memory. A little strip of faded carpet only half covering the floor, piles upon piles of books, and a small table littered all over with foolscap, a few fine prints and etchings roughly hung upon the walls, a group of exquisite statuettes all huddled together, and an oak cabinet strongly bound with brass clasps—they were the things she chiefly remembered. The whole room was in the wildest disorder, as though the contents had been just shot inside and left to arrange themselves.
After that single cursory glance, Helen looked no more around her. Her whole attention was riveted upon the window exactly opposite. As she had seen from the outside, it was wide open, and several branches of a shrub growing up against it were broken off. From the leaves of the same shrub several drops of water were hanging, and on the ground below was a wet patch. She looked back into the room again. In one corner was an empty basin, and by its side, rolled up tightly, was a rough towel.
Before she could make any movement in that direction, another thing struck her. On a certain spot close by the side of the basin a pile of books was arranged in disorderly fashion enough, but with some little method. An idea flashed in upon her. They were arranged in that manner to hide something upon the floor.
She made a quick motion forward. Then she stopped short, and lifted her eyes to the door. Her cheeks burned, and her heart beat fast. Sir Allan Beaumerville was standing on the threshold, looking at her in mute amazement, and over his shoulder was the pale stern face of Mr. Brown.
CHAPTER VI
A TERRIBLE ENEMY
Afterwards Helen looked back upon those few moments as the most uncomfortable of her life. She was caught in the very act of a most unwarrantable and even immodest intrusion, which in the eyes of these two men could only appear like the attempted gratification of a reprehensible and vulgar curiosity. She made one spasmodic attempt to kindle her suspicions into a definite accusation, to stand upon her dignity, and demand an explanation of what she had seen. But she failed utterly. Directly she tried to clothe the shreds of this idea of hers with words, and to express them, she seemed to vividly realize the almost ludicrous improbability of the whole thing. One glance into the pale, dignified face which was bent upon her full of unconcerned surprise—and hateful to her with a gentle shade of pity at her confusion already creeping into it—and her attempt collapsed. She felt her cheeks burn with shame, and her eyes drooped before his steady gaze. She began to long feverishly for something to dissolve the situation. The silence was dreadful to her, but she could think of nothing to say. It was Mr. Brown, at last, who spoke.
"I was afraid you would not be able to find your way, Miss Thurwell," he said quietly. "I must apologize for asking you to come into such a den. The small engraving on the wall is the proof 'Bartolozzi' I spoke to you about. The head is perfect, is it not? Some day I should like to show you my 'Guido.' I am afraid, just now, I could not expect you to appreciate them."
She murmured something—what, she scarcely knew, and he did not appear to hear. The cold surprise disappeared from Sir Allan's face. Evidently he believed in Mr. Brown's mercifully offered explanation of her presence here.
"What! are you an enthusiast, Miss Thurwell?" he exclaimed. "Well, well, I was worse myself once in my younger days, before my profession made a slave of me. Surely, that is a genuine 'Velasquez,' Mr. Brown. Upon my word! Fancy coming across such a treasure here!"
He picked his way across the disorderly chamber, and, adjusting his eyeglass, stood looking at the picture. Helen made a hasty movement towards the door, and Mr. Brown followed her into the adjoining room.
"If I had known that I was to be honored by a visit from a lady," he said, "I would have endeavored——"
She turned suddenly round upon him with flaming cheeks.
"Don't," she interrupted, almost beseechingly. "Mr. Brown, you were very good to me just then. Thank you! I was most abominably rude to go into that room without your permission."
Her eyes were fixed upon the floor, and her distress was evident. It was clear that she felt her position acutely.
"Pray say no more about it," he begged earnestly. "It isn't worth a second thought."
She stopped with her back to one of the great cases filled with books, and hesitated. Should she confess to him frankly why she had gone there, and ask his pardon for such a wild thought? She raised her eyes slowly, and looked at him. Of course it was absurd. She has been out of her mind, she knew that now; and yet——
She looked at him more closely still. He had not seemed in any way disturbed when they had found her in that room—only a little surprised and bewildered. And yet, after all, supposing his composed demeanor had been only assumed. He was certainly very pale, very pale indeed, and there was a slight twitching of his hands which was out of character with his absolute impassiveness. Supposing it should be a forced composure. He looked like a man capable of exercising a strong control over his feelings. Supposing it should be so. Was there not, after all, just a chance that her former suspicions were correct?
The action of the mind is instantaneous. All these thoughts