THE IDIOT & THE GAMBLER. Fyodor Dostoyevsky
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“If, when in Moscow, you have no place where you can lay your head,” she added, “come and see me, and I will give you a recommendation. Now, Potapitch, get things ready.”
I ascended to my room, and lay down upon the bed. A whole hour I must have lain thus, with my head resting upon my hand. So the crisis had come! I needed time for its consideration. Tomorrow I would have a talk with Polina. Ah! The Frenchman! So, it was true? But how could it be so? Polina and De Griers! What a combination!
No, it was too improbable. Suddenly I leapt up with the idea of seeking Astley and forcing him to speak. There could be no doubt that he knew more than I did. Astley? Well, he was another problem for me to solve.
Suddenly there came a knock at the door, and I opened it to find Potapitch awaiting me.
“Sir,” he said, “my mistress is asking for you.”
“Indeed? But she is just departing, is she not? The train leaves in ten minutes’ time.”
“She is uneasy, sir; she cannot rest. Come quickly, sir; do not delay.”
I ran downstairs at once. The Grandmother was just being carried out of her rooms into the corridor. In her hands she held a roll of banknotes.
“Alexis Ivanovitch,” she cried, “walk on ahead, and we will set out again.”
“But whither, Madame?”
“I cannot rest until I have retrieved my losses. March on ahead, and ask me no questions. Play continues until midnight, does it not?”
For a moment I stood stupefied — stood deep in thought; but it was not long before I had made up my mind.
“With your leave, Madame,” I said, “I will not go with you.”
“And why not? What do you mean? Is every one here a stupid good-for-nothing?”
“Pardon me, but I have nothing to reproach myself with. I merely will not go. I merely intend neither to witness nor to join in your play. I also beg to return you your five hundred gulden. Farewell.”
Laying the money upon a little table which the Grandmother’s chair happened to be passing, I bowed and withdrew.
“What folly!” the Grandmother shouted after me. “Very well, then. Do not come, and I will find my way alone. Potapitch, you must come with me. Lift up the chair, and carry me along.”
I failed to find Mr. Astley, and returned home. It was now growing late — it was past midnight, but I subsequently learnt from Potapitch how the Grandmother’s day had ended. She had lost all the money which, earlier in the day, I had got for her paper securities — a sum amounting to about ten thousand roubles. This she did under the direction of the Pole whom, that afternoon, she had dowered with two ten-gulden pieces. But before his arrival on the scene, she had commanded Potapitch to stake for her; until at length she had told him also to go about his business. Upon that the Pole had leapt into the breach. Not only did it happen that he knew the Russian language, but also he could speak a mixture of three different dialects, so that the pair were able to understand one another. Yet the old lady never ceased to abuse him, despite his deferential manner, and to compare him unfavourably with myself (so, at all events, Potapitch declared). “You,” the old chamberlain said to me, “treated her as a gentleman should, but he — he robbed her right and left, as I could see with my own eyes. Twice she caught him at it, and rated him soundly. On one occasion she even pulled his hair, so that the bystanders burst out laughing. Yet she lost everything, sir — that is to say, she lost all that you had changed for her. Then we brought her home, and, after asking for some water and saying her prayers, she went to bed. So worn out was she that she fell asleep at once. May God send her dreams of angels! And this is all that foreign travel has done for us! Oh, my own Moscow! For what have we not at home there, in Moscow? Such a garden and flowers as you could never see here, and fresh air and apple-trees coming into blossom, — and a beautiful view to look upon. Ah, but what must she do but go travelling abroad? Alack, alack!”
CHAPTER XIII
Almost a month has passed since I last touched these notes — notes which I began under the influence of impressions at once poignant and disordered. The crisis which I then felt to be approaching has now arrived, but in a form a hundred times more extensive and unexpected than I had looked for. To me it all seems strange, uncouth, and tragic. Certain occurrences have befallen me which border upon the marvellous. At all events, that is how I view them. I view them so in one regard at least. I refer to the whirlpool of events in which, at the time, I was revolving. But the most curious feature of all is my relation to those events, for hitherto I had never clearly understood myself. Yet now the actual crisis has passed away like a dream. Even my passion for Polina is dead. Was it ever so strong and genuine as I thought? If so, what has become of it now? At times I fancy that I must be mad; that somewhere I am sitting in a madhouse; that these events have merely SEEMED to happen; that still they merely SEEM to be happening.
I have been arranging and re-perusing my notes (perhaps for the purpose of convincing myself that I am not in a madhouse). At present I am lonely and alone. Autumn is coming — already it is mellowing the leaves; and, as I sit brooding in this melancholy little town (and how melancholy the little towns of Germany can be!), I find myself taking no thought for the future, but living under the influence of passing moods, and of my recollections of the tempest which recently drew me into its vortex, and then cast me out again. At times I seem still to be caught within that vortex. At times, the tempest seems once more to be gathering, and, as it passes overhead, to be wrapping me in its folds, until I have lost my sense of order and reality, and continue whirling and whirling and whirling around.
Yet, it may be that I shall be able to stop myself from revolving if once I can succeed in rendering myself an exact account of what has happened within the month just past. Somehow I feel drawn towards the pen; on many and many an evening I have had nothing else in the world to do. But, curiously enough, of late I have taken to amusing myself with the works of M. Paul de Kock, which I read in German translations obtained from a wretched local library. These works I cannot abide, yet I read them, and find myself marvelling that I should be doing so. Somehow I seem to be afraid of any SERIOUS book — afraid of permitting any SERIOUS preoccupation to break the spell of the passing moment. So dear to me is the formless dream of which I have spoken, so dear to me are the impressions which it has left behind it, that I fear to touch the vision with anything new, lest it should dissolve in smoke. But is it so dear to me? Yes, it IS dear to me, and will ever be fresh in my recollections — even forty years hence….
So let me write of it, but only partially, and in a more abridged form than my full impressions might warrant.
First of all, let me conclude the history of the Grandmother. Next day she lost every gulden that she possessed. Things were bound to happen so, for persons of her type who have once entered upon that road descend it with ever-increasing rapidity, even as a sledge descends a toboggan-slide. All day until eight o’clock that evening did she play; and, though I personally did not witness her exploits, I learnt of them later through report.
All that day Potapitch remained in attendance upon her; but the Poles who directed her play she changed more than once. As a beginning she