we have our golden wedding," he said, "we shall come back here, and sit under this tree—" He paused; he would be—let's see: nineteen, plus fifty, makes sixty-nine. He did not go farther with his mental arithmetic, and say thirty-nine plus fifty; he was thinking only of himself, not of her. In fifty years he would be, he told himself, an old man.
And what would happen in all these fifty golden years? "You know, long before that time, perhaps it won't be—just us?" he said.
The color leaped to her face; she nodded, finding no words in which to expand that joyous "perhaps," which touched the quick in her. Instantly that sum in addition which he had not essayed in his own mind, became unimportant in hers. What difference did the twenty severing years make, after all? Her heart rose with a bound—she had a quick vision of a little head against her bosom! But she could not put it into words. She only challenged, him:
"I am not clever like you. Do you think you can love a stupid person for fifty years?"
"For a thousand years!—but you're not stupid."
She looked doubtful; then went on confessing: "Auntie says I'm a dummy, because I don't talk very much. And I'm awfully timid. And she says I'm jealous."
"You don't talk because you're always thinking; that's one of the most fascinating things about you, Eleanor—you keep me wondering what on earth you're thinking about. It's the mystery of you that gets me! And if you're 'timid'—well, so long as you're not afraid of me, the more scared you are, the better I like it. A man," said Maurice, "likes to feel that he protects his—his wife." He paused and repeated the glowing word … "his wife!" For a moment he could not go on with their careless talk; then he was practical again. That word "protect" was too robust for sentimentality. "As for being jealous, that, about me, is a joke! And if you were, it would only mean that you loved me—so I would be flattered. I hope you'll be jealous! Eleanor, promise me you'll be jealous?" They both laughed; then he said: "I've made up my mind to one thing. I won't go back to college."
"Oh, Maurice!"
He was very matter of fact. "I'm a married man; I'm going to support my wife!" He ran his fingers through his thick blond hair in ridiculous pantomime of terrified responsibility. "Yes, sir! I'm out for dollars. Well, I'm glad I haven't any near relations to get on their ear, and try and mind my business for me. Of course," he ruminated, "Bradley will kick like a steer, when I tell him he's bounced! But that will be on account of money. Oh, I'll pay him, all same," he said, largely. "Yes; I'm going to get a job." His face sobered into serious happiness. "My allowance won't provide bones for Bingo! So it's business for me."
She looked a little frightened. "Oh, have I made you go to work?" She had never asked him about money; she had plunged into matrimony without the slightest knowledge of his income.
"I'll chuck Bradley, and I'll chuck college," he announced, "I've got to! Of course, ultimately, I'll have plenty of money. Mr. Houghton has dry-nursed what father left me, and he has done mighty well with it; but I can't touch it till I'm twenty-five—worse luck! Father had theories about a fellow being kept down to brass tacks and earning his living, before he inherited money another man had earned—that's the way he put it. Queer idea. So, I must get a job. Uncle Henry'll help me. You may bet on it that Mrs. Maurice Curtis shall not wash dishes, nor yet feed the swine, but live on strawberries, sugar, and—What's the rest of it?"
"I have a little money of my own," she said; "six hundred a year."
"It will pay for your hairpins," he said, and put out his hand and touched her hair—black, and very soft and wavy "but the strawberries I shall provide."
"I never thought about money," she confessed.
"Of course not! Angels don't think about money."
"So they were married"; and in the meadow, fifty-four minutes later, the sun and wind and moving shadows, and the river—flowing—flowing—heralded the golden years, and ended the saying: "lived happy ever afterward."
CHAPTER II
It was three days after the young husband, lying in the grass, his cheek on his wife's hand, had made his careless prophecy about "whistling," that Henry Houghton, jogging along in the sunshine toward Grafton for the morning mail, slapped a rein down on Lion's fat back, and whistled, placidly enough. … (But that was before he reached the post office.) His wife, whose sweet and rosy bulk took up most of the space on the seat, listened, smiling with content. When he was placid, she was placid; when he wasn't, which happened now and then, she was an alertly reasonable woman, defending him from himself, and wrenching from his hand, with ironic gayety, or rallying seriousness, the dagger of his discontent with what he called his "failure" in life—which was what most people called his success—a business career, chosen because the support of several inescapable blood relations was not compatible with his own profession of painting. All his training and hope had been centered upon art. The fact that, after renouncing it, an admirably managed cotton mill provided bread and butter for sickly sisters and wasteful brothers, to say nothing of his own modest prosperity, never made up to him for the career of a struggling and probably unsuccessful artist—which he might have had. He ran his cotton mill, and supported all the family undesirables until, gradually, death and marriage took the various millstones from around his neck; then he retired, as the saying is—although it was really setting sail again for life—to his studio (with a farmhouse attached) in the mountains. There had been a year of passionate work and expectation—but his pictures were dead. "I sold my birthright for a bale of cotton," he said, briefly.
But he still stayed on the farm, and dreamed in his studio and tried to teach his little, inartistic Edith to draw, and mourned. As for business, he said, "Go to the devil!"—except as he looked after Maurice Curtis's affairs; this because the boy's father had been his friend. But it was the consciousness of the bartered birthright and the dead pictures in his studio which kept him from "whistling" very often. However, on this June morning, plodding along between blossoming fields, climbing wooded hills, and clattering through dusky covered bridges, he was not thinking of his pictures; so, naturally enough, he whistled; a very different whistling from that which Maurice, lying in the grass beside his wife of fifty-four minutes, had foreseen for him—when the mail should be distributed! Once, just from sheer content, he stopped his:
Did you ever ever ever
In your life life life
See the devil devil devil
Or his wife wife wife—"
and turned and looked at his Mary.
"Nice day, Kit?" he said; and she said, "Lovely!" Then she brushed her elderly rosy cheek against his shabby coat and kissed it. They had been married for thirty years, and she had held up his hands as he placed upon the altar of a repugnant duty, the offering of a great renunciation. She had hoped that the birth of their last, and only living, child, Edith, would reconcile him to the material results of the renunciation; but he was as indifferent to money for his girl as he had been for himself. … So there they were, now, living rather carefully, in an old stone farmhouse on one of the green foothills of the Allegheny Mountains. The thing that came nearest to soothing the bruises on his mind was the possibilities he saw in Maurice.
"The inconsequence of the scamp amounts to genius!" he used to tell his Mary with admiring displeasure at one or another of Maurice's scrapes. "Heaven knows what he'll do before he gets to the top of Fool Hill, and begins to run on the State Road! Look at this
