Duluth had an apartment up near the Park, the upper end of the Park, in fact, and to the east of it. She went up there, she said, so that she could be as near as possible to her husband and daughter. Besides, she hated taking the train at the Grand Central on Sundays. She always went to One Hundred and Twenty-fifth Street in her electric brougham. It didn’t seem so far to Tarrytown from One Hundred and Twenty-fifth. In making her calculations Nellie always went through the process of subtracting forty-two from one-twenty-five, seldom correctly. She had no difficulty in taking the two from the five, but it wasn’t so simple when it came to taking four from two with one to carry over. It was the one that confused her. For the life of her she couldn’t see what became of it. Figures of that sort were not in her line.
Nellie’s career had been meteoric. She literally 32 had leaped from the chorus into the rôle of principal comédienne—one of those pranks of fortune that cannot be explained or denied. She was one of the “Jack-in-the-Box” girls in a big New York production. On the opening night, when the lid of her box flew open and she was projected into plain view, she lost her bearings and missed the tiny platform in coming down. To save herself from an ignominious tumble almost to the footlights she hopped off the edge of her box, where she had been “teetering” helplessly, and did a brief but exceedingly graceful little “toe spin,” hopping back into the box an instant later with all the agility of a scared rabbit. She expected “notice” from the stage manager for her inexcusable slip.
But the spectators liked it. They thought it was in the play. She was so pretty, so sprightly, so graceful, and so astoundingly modest that they wanted more of her. After the performance no fewer than a dozen men asked the producer why he didn’t give that little girl with the black hair more of a chance.
The next night she was commanded to repeat the trick. Then they permitted her to do it 33 over in the “encore.” Before the end of a fortnight she was doing a dance with the comedian, exchanging lines with him. Then a little individual song-and-dance specialty was introduced. At the close of the engagement on Broadway she announced that she would not sign for the next season unless given a “ripping” part and the promise to be featured.
That was three years ago. Now she was the feature in the big, musical comedy success, “Up in the Air” and had New York at her feet. The critics admitted that she saved the “piece” in spite of composer and librettist. Some one is always doing that very thing for the poor wretches, Heaven pity them.
Nellie was not only pretty and sprightly, but as clever as they make them. She never drew the short straw. She had a brain that was quite as active as her feet. It was not a very big brain; for that matter, her feet were tiny. She had the good sense to realise that her brain would last longer than her feet, so she got as much for them as she could while the applause lasted. She drove shrewd bargains with the managers and shrewder ones with Wall Street admirers, who experienced a slim sense of gratification 34 in being able to give her tips on the market, with the assurance that they would see to it that she didn’t lose.
She put her money into diamonds as fast as she got it. Some one in the profession had told her that diamonds were safer than banks or railroad bonds. She could get her interest by looking at them and she could always sell them for what she paid for them.
The card on the door of her cosey apartment bore the name, “Miss Nellie Duluth.”
There was absolutely nothing inside or outside the flat to lead one to suspect that there was a Mr. Duluth. A husband was the remotest figure in her household. When the management concluded to put her name in the play-bill, after the memorable Jack-in-the-Box leap, she was requested to drop her married name, because it would not look well in print.
“Where were you born?” the manager had asked.
“Duluth.”
“Take Duluth for luck,” said he, and Duluth it was. She changed the baptismal name Ella to Nellie. At home in Blakeville she had been called Eller or Ell. 35
Her apartment was an attractive one. Her housemaid was a treasure. She was English and her name was Rachel. Nellie’s personal maid and dresser was French. Her name was Rebecca. When Miss Duluth and Rebecca left the apartment to go to the theatre in the former’s electric brougham, Rachel put the place in order. So enormous was the task that she barely had it finished when her mistress returned, tired and sleepy, to litter it all up again with petticoats, stockings, roses, orchids, lobster shells, and cigarette stubs. More often than otherwise Nellie brought home girls from the theatre to spend the night with her. Poor things, they were chorus girls, just as she had been, and they had so far to go. Besides, they served as excuses for declining unwelcome invitations to supper. Be that as it may, Rachel had to clean up after them, finding their puffs, rats, and switches in the morning and the telephone number at their lodgings in the middle of the night. She had her instructions to say that such young ladies were spending the night with Miss Duluth.
“If you don’t believe it, call up Miss Duluth’s number in the telephone book,” she always 36 concluded, as if the statement needed verification.
Nellie had not been in Tarrytown for a matter of three weeks; what with rehearsals, revisions, consultations, and suppers, she just couldn’t get around to it. The next day after Harvey’s inglorious stand before Bridget she received a letter from him setting forth the whole affair in a peculiarly vivid light. He said that something would have to be done about Bridget and advised her to come out on the earliest day possible to talk it over with him. He confessed to a hesitancy about discharging the cook, recalling the trouble she had experienced in getting her away from a neighbour in the first place. But Bridget was drinking and quarrelling with Annie and using strong language in the presence of Phoebe. He would have discharged her long ago if it hadn’t been for the fear of worrying her during rehearsals and all that. She wasn’t to be bothered with trifling household squabbles at such an important time as this. No, sir! Not if he could help it. But, just the same, he thought she’d better come out and talk it over before Bridget took it into her head to poison some one. 37
“I really, truly must go up to Tarrytown next Sunday,” said Nellie to the select company supping in her apartment after the performance that night. “Harvey’s going to discharge the cook.”
“Who is Harvey?” inquired the big blond man who sat beside her.
“My teenty-weenty hubby,” said she, airily.
There were two other men besides the big blond in the party, and the wife of one of them—a balance wheel.
The big blond man stared at his hostess. He expected her to laugh at her own joke, but she did not. The others were discussing the relative merits of the Packard and Peerless cars. He waited a moment and then leaned closer to Nellie’s ear.
“Are you in earnest?” he asked, in low tones.
“About what, Mr. Fairfax?”
“Hubby. Have you got one?”
“Of course I have. Had him for six years. Why?”
He swallowed hard. A wave of red crept up over his jowl and to the very roots of his hair. 38
“I’ve known you for over a month, Nellie,” he said, a hard light in his fishy grey eyes, “and you’ve never mentioned this husband of yours. What’s the game?”
“It’s a guessing game,” she said, coolly. “You might guess what I’m wearing this little plain gold ring on my left hand for. It’s there where everybody can see it, isn’t it? You just didn’t take the trouble to look, Mr. Fairfax. Women don’t wear wedding
