sometimes really touched her. Any one could cable 'Pleasant voyage,' and sign the telegram 'Tom,' which gave it a friendly and encouraging look, because somehow 'Tom' is a cheerful, plucky little name, very unlike 'Edmund.' But it was quite another matter, being in England, to take the trouble to have carnations of just the right shade fresh on her cabin table at the moment of her sailing from New York, and beside them the only sort of chocolates she liked. That was more than a message, it was a visit, a presence, a real reaching out of hand to hand.
Logotheti, on the contrary, behaved as if he had forgotten Margaret's existence as soon as he was out of her sight; and they now no longer met often, but when they did he had a way of taking up the thread as if there had been no interval, which was almost as effective as his rival's method; for it produced the impression that he had been thinking of her only, and of nothing else in the world since the last meeting, and could never again give a thought to any other woman. This also was flattering. He never wrote to her, he never telegraphed good wishes for a journey or a performance, he never sent her so much as a flower; he acted as if he were really trying to forget her, as perhaps he was. But when they met, he was no sooner in the same room with her than she felt the old disturbing influence she feared and yet somehow desired in spite of herself, and much as she preferred the companionship of Lushington and liked his loyal straightforward ways, and admired his great talent, she felt that he paled and seemed less interesting beside the vivid personality of the Greek financier.
He was vivid; no other word expresses what he was, and if that one cannot properly be applied to a man, so much the worse for our language. His colouring was too handsome, his clothes were too good, his shoes were too shiny, his ties too surprising, and he not only wore diamonds and rubies, but very valuable ones. Yet he was not vulgarly gorgeous; he was Oriental. No one would say that a Chinese idol covered with gold and precious stones was overdressed, but it would be out of place in a Scotch kirk; the minister would be thrown into the shade and the congregation would look at the idol. In society, which nowadays is far from a chiaroscuro, everybody looked at Logotheti. If he had come from any place nearer than Constantinople people would have smiled and perhaps laughed at him; as it was, he was an exotic, and besides, he had the reputation of being dangerous to women's peace, and extremely awkward to meddle with in a quarrel.
Margaret sat some time in her little sitting-room reflecting on these things, for she knew that before many days were past she must meet her two adorers; and when she had thought enough about both, she gave orders to her maids about arranging her belongings. By and by she went to luncheon and found herself alone at some distance from the other passengers, next to the captain's empty seat; but she was rather glad that her neighbours had not come to table, for she got what she wanted very quickly and had no reason for waiting after she had finished.
Then she took a book and went on deck again, and Alphonsine found her chair on the sunny side and installed her in it very comfortably and covered her up, and to her own surprise she felt that she was very sleepy; so that just as she was wondering why, she dozed off and began to dream that she was Isolde, on board of Tristan's ship, and that she was singing the part, though she had never sung it and probably never would.
When she opened her eyes again there was no land in sight, and the big steamer was going quietly with scarcely any roll. She looked aft and saw Paul Griggs leaning against the rail, smoking; and she turned her head the other way, and the chair next to her own on that side was occupied by a very pleasant-looking young woman who was sitting up straight and showing the pictures in a book to a beautiful little girl who stood beside her.
The lady had a very quiet healthy face and smooth brown hair, and was simply and sensibly dressed. Margaret at once decided that she was not the child's mother, nor an elder sister, but some one who had charge of her, though not exactly a governess. The child was about nine years old; she had a quantity of golden hair that waved naturally, and a spiritual face with deep violet eyes, a broad white forehead and a pathetic little mouth.
She examined each picture, and then looked up quickly at the lady, keeping her wide eyes fixed on the latter's face with an expression of watchful interest. The lady explained each picture to her, but in such a soft whisper that Margaret could not hear a sound. Yet the child evidently understood every word easily. It was natural to suppose that the lady spoke under her breath in order not to disturb Margaret while she was asleep.
'It is very kind of you to whisper,' said the Primadonna graciously, 'but I am awake now.'
The lady turned with a pleasant smile.
'Thank you,' she answered.
The child did not notice Margaret's little speech, but looked up from the book for the explanation of the next picture.
'It is the inside of the Colosseum in Rome, and you will see it before long,' said the lady very distinctly. 'I have told you how the gladiators fought there, and how Saint Ignatius was sent all the way from Antioch to be devoured by lions there, like many other martyrs.'
The little girl watched her face intently, nodded gravely, and looked down at the picture again, but said nothing. The lady turned to Margaret.
'She was born deaf and dumb,' she said quietly, 'but I have taught her to understand from the lips, and she can already speak quite well. She is very clever.'
'Poor little thing!' Margaret looked at the girl with increasing interest. 'Such a little beauty, too! What is her name?'
'Ida—'
The child had turned over the pages to another picture, and now looked up for the explanation of it. Griggs had finished his cigar and came and sat down on Margaret's other side.
CHAPTER III
The Leofric was three days out, and therefore half-way over the ocean, for she was a fast boat, but so far Griggs had not been called upon to hinder Mr. Van Torp from annoying Margaret. Mr. Van Torp had not been on deck; in fact, he had not been seen at all since he had disappeared into his cabin a quarter of an hour before the steamer had left the pier. There was a good deal of curiosity about him amongst the passengers, as there would have been about the famous Primadonna if she had not come punctually to every meal, and if she had not been equally regular in spending a certain number of hours on deck every day.
At first every one was anxious to have what people call a 'good look' at her, because all the usual legends were already repeated about her wherever she went. It was said that she was really an ugly woman of thirty-five who had been married to a Spanish count of twice that age, and that he had died leaving her penniless, so that she had been obliged to support herself by singing. Others were equally sure that she was a beautiful escaped nun, who had been forced to take the veil in a convent in Seville by cruel parents, but who had succeeded in getting herself carried off by a Polish nobleman disguised as a priest. Every one remembered the marvellous voice that used to sing so high above all the other nuns, behind the lattice on Sunday afternoons at the church of the Dominican Convent. That had been the voice of Margarita da Cordova, and she could never go back to Spain, for if she did the Inquisition would seize upon her, and she would be tortured and probably burnt alive to encourage the other nuns.
This was very romantic, but unfortunately there was a man who said he knew the plain truth about her, and that she was just a good-looking Irish girl whose father used to play the flute at a theatre in Dublin, and whose mother kept a sweetshop in Queen Street. The man who knew this had often seen the shop, which was conclusive.
Margaret showed herself daily and the myths lost value, for every one saw that she was neither an escaped Spanish
