The Collected Works of Charles Lamb and Mary Lamb. Charles Lamb

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The Collected Works of Charles Lamb and Mary Lamb - Charles  Lamb

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is condemned to dance, as the vulgar delight to express it, upon nothing. To see him whisking and wavering in the air,

      As the wind you know will wave a man;[6]

      [6] Hieronimo in the Spanish tragedy.

      to behold the vacant carcase, from which the life is newly dislodged, shifting between earth and heaven, the sport of every gust; like a weather-cock, serving to shew from which point the wind blows; like a maukin, fit only to scare away birds; like a nest left to swing upon a bough when the bird is flown: these are uses to which we cannot without a mixture of spleen and contempt behold the human carcase reduced. We string up dogs, foxes, bats, moles, weasels. Man surely deserves a steadier death.

      Suffer me, Mr. Editor, before I quit the subject, to say a word or two respecting the minister of justice in this country; in plain words, I mean the hangman. It has always appeared to me that, in the mode of inflicting capital punishments with us, there is too much of the ministry of the human hand. The guillotine, as performing its functions more of itself and sparing human agency, though a cruel and disgusting exhibition, in my mind, has many ways the advantage over our way. In beheading, indeed, as it was formerly practised in England, and in whipping to death, as is sometimes practised now, the hand of man is no doubt sufficiently busy; but there is something less repugnant in these downright blows than in the officious barber-like ministerings of the other. To have a fellow with his hangman's hands fumbling about your collar, adjusting the thing as your valet would regulate your cravat, valuing himself on his menial dexterity——

      I never shall forget meeting my rascal—I mean the fellow who officiated for me—in London last winter. I think I see him now—in a waistcoat that had been mine—smirking along as if he knew me——

      But it is time to quit a subject which teems with disagreeable images—

      Permit me to subscribe myself, Mr. Editor,

      Your unfortunate friend,

      Pensilis.

      ON THE DANGER OF CONFOUNDING MORAL WITH PERSONAL DEFORMITY; WITH A HINT TO THOSE WHO HAVE THE FRAMING OF ADVERTISEMENTS FOR APPREHENDING OFFENDERS

       Table of Contents

      (1810. Text of 1818)

      To the Editor of the Reflector

      Mr. Reflector—There is no science in their pretensions to which mankind are more apt to commit grievous mistakes, than in the supposed very obvious one of physiognomy. I quarrel not with the principles of this science, as they are laid down by learned professors; much less am I disposed, with some people, to deny its existence altogether as any inlet of knowledge that can be depended upon. I believe that there is, or may be, an art to "read the mind's construction in the face." But, then, in every species of reading, so much depends upon the eyes of the reader; if they are blear, or apt to dazzle, or inattentive, or strained with too much attention, the optic power will infallibly bring home false reports of what it reads. How often do we say, upon a cursory glance at a stranger, what a fine open countenance he has, who, upon second inspection, proves to have the exact features of a knave. Nay, in much more intimate acquaintances, how a delusion of this kind shall continue for months, years, and then break up all at once.

      Ask the married man, who has been so but for a short space of time, if those blue eyes where, during so many years of anxious courtship, truth, sweetness, serenity, seemed to be written in characters which could not be misunderstood—ask him if the characters which they now convey be exactly the same?—if for truth he does not read a dull virtue (the mimic of constancy) which changes not, only because it wants the judgment to make a preference?—if for sweetness he does not read a stupid habit of looking pleased at every thing;—if for serenity he does not read animal tranquillity, the dead pool of the heart, which no breeze of passion can stir into health? Alas! what is this book of the countenance good for, which when we have read so long, and thought that we understood its contents, there comes a countless list of heart-breaking errata at the end!

      But these are the pitiable mistakes to which love alone is subject. I have inadvertently wandered from my purpose, which was to expose quite an opposite blunder, into which we are no less apt to fall, through hate. How ugly a person looks upon whose reputation some awkward aspersion hangs, and how suddenly his countenance clears up with his character. I remember being persuaded of a man whom I had conceived an ill opinion of, that he had a very bad set of teeth; which, since I have had better opportunities of being acquainted with his face and facts, I find to have been the very reverse of the truth. That crooked old woman, I once said, speaking of an ancient gentlewoman, whose actions did not square altogether with my notions of the rule of right. The unanimous surprise of the company before whom I uttered these words, soon convinced me that I had confounded mental with bodily obliquity, and that there was nothing tortuous about the old lady but her deeds.

      This humour of mankind to deny personal comeliness to those with whose moral attributes they are dissatisfied, is very strongly shewn in those advertisements, which stare us in the face from the walls of every street, and, with the tempting bait which they hang forth, stimulate at once cupidity and an abstract love of justice in the breast of every passing peruser; I mean, the advertisements offering rewards for the apprehension of absconded culprits, strayed apprentices, bankrupts who have conveyed away their effects, debtors that have run away from their bail. I observe, that in exact proportion to the indignity with which the prosecutor, who is commonly the framer of the advertisement, conceives he has been treated, the personal pretensions of the fugitive are denied, and his defects exaggerated.

      A fellow, whose misdeeds have been directed against the public in general, and in whose delinquency no individual shall feel himself particularly interested, generally meets with fair usage. A coiner or

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