The Collected Works of Charles Lamb and Mary Lamb. Charles Lamb

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wonder, and doubtless combined with the mummery before-mentioned, to take off the edge of that horror which the naked historical mention of Guido's conspiracy could not have failed of exciting.

      Here, Moses, the King:—

       'Tis a scandalous thing

       That this Baskett should print for the Crown.

      To assist our imagination, let us take leave to suppose—and we do it in the harmless wantonness of fancy—to suppose that the tremendous explosion had taken place in our days;—we better know what a House of Commons is in our days, and can better estimate our loss;—let us imagine, then, to ourselves, the United Members sitting in full conclave above—Faux just ready with his train and matches below; in his hand a "reed tipt with fire"—he applies the fatal engine——

      To assist our notions still further, let us suppose some lucky dog of a reporter, who had escaped by miracle upon some plank of St. Stephen's benches, and came plump upon the roof of the adjacent Abbey, from whence descending, at some neighbouring coffee-house, first wiping his clothes and calling for a glass of lemonade, he sits down and reports what he had heard and seen (quorum pars magna fuit) for the Morning Post or the Courier—we can scarcely imagine him describing the event in any other words but some such as these:—

      "A Motion was put and carried, That this House do adjourn: That the Speaker do quit the Chair. The House ROSE amid clamours for Order."

      In some such way the event might most technically have been conveyed to the public. But a poetical mind, not content with this dry method of narration, cannot help pursuing the effects of this tremendous blowing up, this adjournment in the air sine die. It sees the benches mount—the Chair first, and then the benches, and first the Treasury Bench, hurried up in this nitrous explosion; the Members, as it were, pairing off; Whigs and Tories taking their friendly apotheosis together, (as they did their sandwiches below in Bellamy's room). Fancy, in her flight, keeps pace with the aspiring legislators, she sees the awful seat of order mounting till it becomes finally fixed a constellation, next to Cassiopeia's chair—the wig of him that sat in it taking its place near Berenice's curls. St. Peter, at Heaven's wicket—no, not St. Peter—St. Stephen, with open arms, receives his own.——

      From this dream of universal restitution, Reason and Fancy with difficulty awake to view the real state of things. But, blessed be Heaven, St. Stephen's walls are yet standing, all her seats firmly secured; nay, some have doubted (since the Septennial Act) whether gunpowder itself, or any thing short of a Committee above stairs, would be able to shake any one member from his seat;—that great and final improvement to the Abbey, which is all that seems wanting—the removing Westminster-hall and its appendages, and letting in the view of the Thames—must not be expected in our days. Dismissing, therefore, all such speculations as mere tales of a tub, it is the duty of every honest Englishman to endeavour, by means less wholesale than Guido's, to ameliorate, without extinguishing, Parliaments; to hold the lantern to the dark places of corruption; to apply the match to the rotten parts of the system only; and to wrap himself up, not in the muffling mantle of conspiracy, but in the warm, honest cloak of integrity and patriotic intention.

      Elia.

      NUGÆ CRITICÆ

       Table of Contents

      On a Passage in "The Tempest"

      (1823)

      As long as I can remember the play of the Tempest, one passage in it has always set me upon wondering. It has puzzled me beyond measure. In vain I strove to find the meaning of it. I seemed doomed to cherish infinite hopeless curiosity.

      It is where Prospero, relating the banishment of Sycorax from Argier, adds—

      —For one thing that she did

       They would not take her life—

      how have I pondered over this, when a boy! how have I longed for some authentic memoir of the witch to clear up the obscurity!—Was the story extant in the Chronicles of Algiers? Could I get at it by some fortunate introduction to the Algerine ambassador? Was a voyage thither practicable? The Spectator (I knew) went to Grand Cairo, only to measure a pyramid. Was not the object of my quest of at least as much importance?—The blue-eyed hag—could she have done any thing good or meritorious? might that Succubus relent? then might there be hope for the devil. I have often admired since, that none of the commentators have boggled at this passage—how they could swallow this camel—such a tantalising piece of obscurity, such an abortion of an anecdote.

      At length I think I have lighted upon a clue, which may lead to show what was passing in the mind of Shakspeare when he dropped this imperfect rumour. In the "accurate description of

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