by contiguous houses, and became Alfred Road, and was bounded on each side by brick and stucco villas. At first stood arm-in-arm, semi-detached, but presently they took on an air of greater spaciousness and stood square and singly, while the gardens that sandwiched them before and behind were large enough to contain a grass-plot and six or seven laurels in front, and a full-sized tennis-lawn and a small kitchen garden at the back. But perhaps they scarcely warranted such names as ‘Chatsworth,’ ‘Blenheim,’ ‘Balmoral,’ or ‘The Engadine,’ which appeared so prominently on their painted gates. ‘Blenheim’ had once been Mrs. Keeling’s home, and her mother, a tiny, venomous old lady in a Bath-chair, lived and was likely long to live there still, for she had admirable health, and the keen, spiteful temper which gives its possessor so indignant and absorbing an interest in life.
It was to a far narrower home than Blenheim that Emmeline had gone on her marriage with Mr. Keeling, and though the greater part of Alfred Road had shaken their heads over her mating herself with a man so much below her socially, her mother, wife, and now widow of a retired P. & O. captain, had formed a juster estimate of her future son-in-law’s chin. A silly, pretty girl like Emmeline, she thought, was very lucky to capture a man who was going to make his way upwards so obviously as that strapping young fellow with the square jaw. He was then but the proprietor of the fishmonger’s shop at the end of the High Street, but Mrs. Goodford knew very well, without being told so by young Keeling himself, that he was not of the sort which remain a small fishmonger. Events had justified her insight, and it was to a much bigger house than Mrs. Goodford’s that her daughter was being driven on this Sunday morning.
As the victoria pursued its leisurely way, the spaces between the Blenheims and Chatsworths grew larger, the villas ceased to have but one window on each side of the front door: they stood farther back from the road, and were approached by small carriage drives culminating in what was known as the ‘carriage sweep’ in front of the house, a gravelled space where a carriage could turn completely round. Two gates led to the carriage sweep, on one of which was painted ‘In,’ and on the other ‘Out,’ and the spaces surrounding the houses could justly be called ‘grounds’ since they embraced tennis lawns and kitchen gardens with ‘glass,’ and shrubberies with winding paths. Retired colonels must needs have private money of their own in addition to their pensions to live so spaciously, and Mr. Keeling, even thus housed, was putting by very considerable sums of money every year. Into one of those carriage drives, advertised to passers-by as the entrance of ‘The Cedars’ (probably because there were three prosperous larch trees planted near the ‘In’ gate), Mrs. Keeling’s carriage turned, and after passing some yards of shrubbery stopped before a wooden Gothic porch. Both ladies appeared unconscious of having reached home till a small boy covered with buttons came out of the house and removed the light carriage-rug that covered their knees.
It was but a few months ago that Mr. Keeling, taking advantage of a break in the lease of his own house, and the undoubted bargain that he had secured in this more spacious residence, had bought the freehold of ‘The Cedars,’ and had given the furnishing and embellishment of it (naming the total sum not to be exceeded) into the hands of his wife and the head of the furnishing department in his stores. The Gothic porch, already there, had suggested a ‘scheme’ to the artistic Mr. Bowman, and from it you walked into a large square hall of an amazing kind. On the floor were red encaustic tiles with blue fleurs-de-lis, and the walls and ceiling were covered with the most expensive and deeply-moulded Lincrusta-Walton paper of Tudor design with alternate crowns and portcullises. It was clearly inconvenient that visitors should be able to look in through the window that opened on the ‘carriage-sweep’; so Mr. Bowman had arranged that it should not open at all, but be filled with sham bottle-bottoms impervious to the eye. In front of it stood a large pitch-pine table to hold the clothings and impedimenta of out-of-doors, and on each side of it were chairs of Gothic design. The fireplace, also new, had modern Dutch tiles in it, and a high battlemented mantel-shelf, with turrets at the corners. For hats there was a mahogany hat-rack with chamois-horns tipped with brass instead of pegs, and on the Lincrusta-Walton walls were trophies of spears and battle-axes and swords. Mr. Bowman would have left the hall thus in classic severity, but his partner in decoration here intervened, and insisted on its being made more home-like. To secure this she added a second table on which stood a small stuffed crocodile rampant holding in his outstretched forelegs a copper tray for visitors’ calling cards. Mrs. Keeling was very much pleased with this, considering it so quaint, and when her friends called, it often served as the header-board from which they leaped into the sea of conversation. The grate of the fire-place, empty of fuel, in this midsummer weather, was filled with multitudinous strips of polychromatic paper with gilt threads among it, which streamed from some fixed point up in the chimney, and suggested that a lady with a skirt covered with ribbons had stuck in the chimney, her head and body being invisible. By the fireplace Mrs. Keeling had placed a painted wheelbarrow with a gilt spade, containing fuchsias in pots, and among the trophies of arms had inserted various Polynesian aprons of shells and leather thongs brought back by her father from his voyages; these the outraged Mr. Bowman sarcastically allowed ‘added colour’ about which there was no doubt whatever. Beyond this hall lay a farther inner one, out of which ascended the main staircase furnished (here again could be traced Mr. Bowman’s chaste finger) with a grandfather’s clock, and reproductions of cane-backed Jacobean chairs. From this opened a big drawing-room giving on the lawn at the back, and communicating at one end with Mrs. Keeling’s ‘boudoir.’ These rooms, as being more exclusively feminine, were inspired in the matter of their decoration by Mrs. Keeling’s unaided taste; about them nothing need be said beyond the fact that it would take any one a considerable time to ascertain whether they contained a greater number of mirrors framed in plush and painted with lilies, or of draped pictures standing at angles on easels. Saddlebag chairs, damask curtains, Landseer prints, and a Brussels carpet were the chief characteristics of the dining-room.
To the left of the Gothic and inner halls, a very large room had been built out to the demolition of a laurel shrubbery. This was Mr. Keeling’s study, and when he gave his house over to the taste of his decorators, he made the stipulation that they should not exercise their artistic faculties therein, but leave it entirely to him. In fact, there had been a short and violent scene of ejection when the card-holding crocodile had appeared on a table there owing to the inadvertence of a house-maid, for Mr. Keeling had thrown it out of the window on to the carriage sweep, and one of its hind legs had to be repaired. Here for furniture he had a gray drugget on the floor, a couple of easy chairs, half a dozen deal ones, an immense table and a step-ladder, while the wall space was entirely taken up with book shelves. These were but as yet half-filled, and stacks of books, some still in the parcels in which they had arrived from dealers and publishers, stood on the floor. This room with its books was Mr. Keeling’s secret romance: all his life, even from the days of the fish-shop, the collection of fine illustrated books had been his hobby, his hortus inclusus, where lay his escape from the eternal pursuit of money-making and from the tedium of domestic life. There he indulged his undeveloped love of the romance of literature, and the untutored joy with which design of line and colour inspired him. As an apostle of thoroughness in business and everything else, his books must be as well equipped as books could be: there must be fine bindings, the best paper and printing, and above all there must be pictures. When that was done you might say you had got a book. For rarity and antiquity he cared nothing at all; a sumptuous edition of a book of nursery rhymes was more desirable in his eyes than any Caxton. Here in his hard, industrious, Puritan life, was Keeling’s secret garden, of which none of his family held the key. Few at all entered the room, and into the spirit of it none except perhaps the young man who was at the head of the book department at Keeling’s stores. He had often been of use to the proprietor in pointing out to him the publication of some new edition he might wish to possess, and now and then, as on this particular Sunday afternoon, he was invited to spend an hour at the house looking over Mr. Keeling’s latest purchases. He came, of course, by the back door, and was conducted by the boy in buttons along the servants’ passage, for Mrs. Keeling would certainly not like to have the front door opened to him. That would have been far from proper, and he might have put his hat on one of the brass-tipped chamois horns. But there was no real danger of that, for it had never occurred to Charles Propert to approach ‘The Cedars’ by any but
