hand on the knob.
"For the love of mercy, let me in!" she said in a low tone.
She was leaning against the door, for when I opened it, she fell in. She was greenish-white, and she had a red and black barred flannel petticoat over her shoulders.
"Listen," she said, standing in the middle of the floor and holding on to me. "Oh, Miss Rachel, it's the ghost of that dead man hammering to get in!"
Sure enough, there was a dull thud—thud—thud from some place near. It was muffled: one rather felt than heard it, and it was impossible to locate. One moment it seemed to come, three taps and a pause, from the floor under us: the next, thud—thud—thud—it came apparently from the wall.
"It's not a ghost," I said decidedly. "If it was a ghost it wouldn't rap: it would come through the keyhole." Liddy looked at the keyhole. "But it sounds very much as though some one is trying to break into the house."
Liddy was shivering violently. I told her to get me my slippers and she brought me a pair of kid gloves, so I found my things myself, and prepared to call Halsey. As before, the night alarm had found the electric lights gone: the hall, save for its night lamp, was in darkness, as I went across to Halsey's room. I hardly know what I feared, but it was a relief to find him there, very sound asleep, and with his door unlocked.
"Wake up, Halsey," I said, shaking him.
He stirred a little. Liddy was half in and half out of the door, afraid as usual to be left alone, and not quite daring to enter. Her scruples seemed to fade, however, all at once. She gave a suppressed yell, bolted into the room, and stood tightly clutching the foot-board of the bed. Halsey was gradually waking.
"I've seen it," Liddy wailed. "A woman in white down the hall!"
I paid no attention.
"Halsey," I persevered, "some one is breaking into the house. Get up, won't you?"
"It isn't our house," he said sleepily. And then he roused to the exigency of the occasion. "All right, Aunt Ray," he said, still yawning. "If you'll let me get into something—"
It was all I could do to get Liddy out of the room. The demands of the occasion had no influence on her: she had seen the ghost, she persisted, and she wasn't going into the hall. But I got her over to my room at last, more dead than alive, and made her lie down on the bed.
The tappings, which seemed to have ceased for a while, had commenced again, but they were fainter. Halsey came over in a few minutes, and stood listening and trying to locate the sound.
"Give me my revolver, Aunt Ray," he said; and I got it—the one I had found in the tulip bed—and gave it to him. He saw Liddy there and divined at once that Louise was alone.
"You let me attend to this fellow, whoever it is, Aunt Ray, and go to Louise, will you? She may be awake and alarmed."
So in spite of her protests, I left Liddy alone and went back to the east wing. Perhaps I went a little faster past the yawning blackness of the circular staircase; and I could hear Halsey creaking cautiously down the main staircase. The rapping, or pounding, had ceased, and the silence was almost painful. And then suddenly, from apparently under my very feet, there rose a woman's scream, a cry of terror that broke off as suddenly as it came. I stood frozen and still. Every drop of blood in my body seemed to leave the surface and gather around my heart. In the dead silence that followed it throbbed as if it would burst. More dead than alive, I stumbled into Louise's bedroom. She was not there!
In the Early Morning
I stood looking at the empty bed. The coverings had been thrown back, and Louise's pink silk dressing-gown was gone from the foot, where it had lain. The night lamp burned dimly, revealing the emptiness of the place. I picked it up, but my hand shook so that I put it down again, and got somehow to the door.
There were voices in the hall and Gertrude came running toward me.
"What is it?" she cried. "What was that sound? Where is Louise?"
"She is not in her room," I said stupidly. "I think—it was she—who screamed."
Liddy had joined us now, carrying a light. We stood huddled together at the head of the circular staircase, looking down into its shadows. There was nothing to be seen, and it was absolutely quiet down there. Then we heard Halsey running up the main staircase. He came quickly down the hall to where we were standing.
"There's no one trying to get in. I thought I heard some one shriek. Who was it?"
Our stricken faces told him the truth.
"Some one screamed down there," I said. "And—and Louise is not in her room."
With a jerk Halsey took the light from Liddy and ran down the circular staircase. I followed him, more slowly. My nerves seemed to be in a state of paralysis: I could scarcely step. At the foot of the stairs Halsey gave an exclamation and put down the light.
"Aunt Ray," he called sharply.
At the foot of the staircase, huddled in a heap, her head on the lower stair, was Louise Armstrong. She lay limp and white, her dressing-gown dragging loose from one sleeve of her night-dress, and the heavy braid of her dark hair stretching its length a couple of steps above her head, as if she had slipped down.
She was not dead: Halsey put her down on the floor, and began to rub her cold hands, while Gertrude and Liddy ran for stimulants. As for me, I sat there at the foot of that ghostly staircase—sat, because my knees wouldn't hold me—and wondered where it would all end. Louise was still unconscious, but she was breathing better, and I suggested that we get her back to bed before she came to. There was something grisly and horrible to me, seeing her there in almost the same attitude and in the same place where we had found her brother's body. And to add to the similarity, just then the hall clock, far off, struck faintly three o'clock.
It was four before Louise was able to talk, and the first rays of dawn were coming through her windows, which faced the east, before she could tell us coherently what had occurred. I give it as she told it. She lay propped in bed, and Halsey sat beside her, unrebuffed, and held her hand while she talked.
"I was not sleeping well," she began, "partly, I think, because I had slept during the afternoon. Liddy brought me some hot milk at ten o'clock and I slept until twelve. Then I wakened and—I got to thinking about things, and worrying, so I could not go to sleep.
"I was wondering why I had not heard from Arnold since the—since I saw him that night at the lodge. I was afraid he was ill, because—he was to have done something for me, and he had not come back. It must have been three when I heard some one rapping. I sat up and listened, to be quite sure, and the rapping kept up. It was cautious, and I was about to call Liddy. Then suddenly I thought I knew what it was. The east entrance and the circular staircase were always used by Arnold when he was out late, and sometimes, when he forgot his key, he would rap and I would go down and let him in. I thought he had come back to see me—I didn't think about the time, for his hours were always erratic. But I was afraid I was too weak to get down the stairs. The knocking kept up, and just as I was about to call Liddy, she ran through the room and out into the hall. I got up then, feeling weak and dizzy, and put on my dressing-gown. If it was Arnold, I
