The Bat & The Circular Staircase. Mary Roberts Rinehart
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In the silence that followed Liddy stirred and snored again. I was exasperated: first she kept me awake by silly alarms, then when she was needed she slept like Joe Jefferson, or Rip,—they are always the same to me. I went in and aroused her, and I give her credit for being wide awake the minute I spoke.
"Get up," I said, "if you don't want to be murdered in your bed."
"Where? How?" she yelled vociferously, and jumped up.
"There's somebody in the house," I said. "Get up. We'll have to get to the telephone."
"Not out in the hall!" she gasped; "Oh, Miss Rachel, not out in the hall!" trying to hold me back. But I am a large woman and Liddy is small. We got to the door, somehow, and Liddy held a brass andiron, which it was all she could do to lift, let alone brain anybody with. I listened, and, hearing nothing, opened the door a little and peered into the hall. It was a black void, full of terrible suggestion, and my candle only emphasized the gloom. Liddy squealed and drew me back again, and as the door slammed, the mirror I had put on the transom came down and hit her on the head. That completed our demoralization. It was some time before I could persuade her she had not been attacked from behind by a burglar, and when she found the mirror smashed on the floor she wasn't much better.
"There's going to be a death!" she wailed. "Oh, Miss Rachel, there's going to be a death!"
"There will be," I said grimly, "if you don't keep quiet, Liddy Allen."
And so we sat there until morning, wondering if the candle would last until dawn, and arranging what trains we could take back to town. If we had only stuck to that decision and gone back before it was too late!
The sun came finally, and from my window I watched the trees along the drive take shadowy form, gradually lose their ghostlike appearance, become gray and then green. The Greenwood Club showed itself a dab of white against the hill across the valley, and an early robin or two hopped around in the dew. Not until the milk-boy and the sun came, about the same time, did I dare to open the door into the hall and look around. Everything was as we had left it. Trunks were heaped here and there, ready for the trunk-room, and through an end window of stained glass came a streak of red and yellow daylight that was eminently cheerful. The milk-boy was pounding somewhere below, and the day had begun.
Thomas Johnson came ambling up the drive about half-past six, and we could hear him clattering around on the lower floor, opening shutters. I had to take Liddy to her room up-stairs, however,—she was quite sure she would find something uncanny. In fact, when she did not, having now the courage of daylight, she was actually disappointed.
Well, we did not go back to town that day.
The discovery of a small picture fallen from the wall of the drawing-room was quite sufficient to satisfy Liddy that the alarm had been a false one, but I was anything but convinced. Allowing for my nerves and the fact that small noises magnify themselves at night, there was still no possibility that the picture had made the series of sounds I heard. To prove it, however, I dropped it again. It fell with a single muffled crash of its wooden frame, and incidentally ruined itself beyond repair. I justified myself by reflecting that if the Armstrongs chose to leave pictures in unsafe positions, and to rent a house with a family ghost, the destruction of property was their responsibility, not mine.
I warned Liddy not to mention what had happened to anybody, and telephoned to town for servants. Then after a breakfast which did more credit to Thomas' heart than his head, I went on a short tour of investigation. The sounds had come from the east wing, and not without some qualms I began there. At first I found nothing. Since then I have developed my powers of observation, but at that time I was a novice. The small card-room seemed undisturbed. I looked for footprints, which is, I believe, the conventional thing to do, although my experience has been that as clues both footprints and thumb-marks are more useful in fiction than in fact. But the stairs in that wing offered something.
At the top of the flight had been placed a tall wicker hamper, packed, with linen that had come from town. It stood at the edge of the top step, almost barring passage, and on the step below it was a long fresh scratch. For three steps the scratch was repeated, gradually diminishing, as if some object had fallen, striking each one. Then for four steps nothing. On the fifth step below was a round dent in the hard wood. That was all, and it seemed little enough, except that I was positive the marks had not been there the day before.
It bore out my theory of the sound, which had been for all the world like the bumping of a metallic object down a flight of steps. The four steps had been skipped. I reasoned that an iron bar, for instance, would do something of the sort,—strike two or three steps, end down, then turn over, jumping a few stairs, and landing with a thud.
Iron bars, however, do not fall down-stairs in the middle of the night alone. Coupled with the figure on the veranda the agency by which it climbed might be assumed. But—and here was the thing that puzzled me most—the doors were all fastened that morning, the windows unmolested, and the particular door from the card-room to the veranda had a combination lock of which I held the key, and which had not been tampered with.
I fixed on an attempt at burglary, as the most natural explanation—an attempt frustrated by the falling of the object, whatever it was, that had roused me. Two things I could not understand: how the intruder had escaped with everything locked, and why he had left the small silver, which, in the absence of a butler, had remained down-stairs over night.
Under pretext of learning more about the place, Thomas Johnson led me through the house and the cellars, without result. Everything was in good order and repair; money had been spent lavishly on construction and plumbing. The house was full of conveniences, and I had no reason to repent my bargain, save the fact that, in the nature of things, night must come again. And other nights must follow—and we were a long way from a police-station.
In the afternoon a hack came up from Casanova, with a fresh relay of servants. The driver took them with a flourish to the servants' entrance, and drove around to the front of the house, where I was awaiting him.
"Two dollars," he said in reply to my question. "I don't charge full rates, because, bringin' 'em up all summer as I do, it pays to make a special price. When they got off the train, I sez, sez I, 'There's another bunch for Sunnyside, cook, parlor maid and all.' Yes'm—six summers, and a new lot never less than once a month. They won't stand for the country and the lonesomeness, I reckon."
But with the presence of the "bunch" of servants my courage revived, and late in the afternoon came a message from Gertrude that she and Halsey would arrive that night at about eleven o'clock, coming in the car from Richfield. Things were looking up; and when Beulah, my cat, a most intelligent animal, found some early catnip on a bank near the house and rolled in it in a feline ecstasy, I decided that getting back to nature was the thing to do.
While I was dressing for dinner, Liddy rapped at the door. She was hardly herself yet, but privately I think she was worrying about the broken mirror and its augury, more than anything else. When she came in she was holding something in her hand, and she laid it on the dressing-table carefully.
"I found it in the linen hamper," she said. "It must be Mr. Halsey's, but it seems queer how it got there."
It was the half of a link cuff-button of unique design, and I looked at it carefully.