The Son of Clemenceau, A Novel of Modern Love and Life. Alexandre Dumas

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The Son of Clemenceau, A Novel of Modern Love and Life - Alexandre Dumas

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one of those prolific centenarians, truly a mother of the tribe, a gypsy queen to whom allegiance went undisputed and who rules the subterranean strata of society with fewer revolts against them than their sister rulers know, who sit on thrones in the fierce white light?

      In any case, he was given no leisure for deciding the question, for an active urchin had whispered a word of caution which led the feminine general to direct a piercing glance toward him, and hasten to conclude her arrangements. The line broke up into little groups, though most of the men went singly, and all tramped over the little foot-bridge, which swung under the unusual mass.

      Left alone, the vagrants' queen, placing her yellow and skinny hand on a weapon, perhaps, among her rags, resolutely moved toward the spy. He expected to be interrogated, for an attack was unlikely from a lone old woman; but he grasped his cane firmly.

      Luckily, a noise of steps at the other end of the street checked the hag; she thrust back out of sight what had momentarily gleamed like the steel of a knife or brass of a pistol-barrel; listened again and stared; then, muttering what was probably no prayer for the stranger's welfare, she crossed the street with amazing rapidity. The student, hearing a heavy military tread at the mouth of the street, expected to see her vanish down her burrow, but, to his astonishment, she proceeded toward the new-comer.

      "The Schutzmaun," muttered he, as there loomed into sight a decidedly soldier-like man in a long cloak, thrown back to show the scarlet lining, and dragging a clanking sabre.

      Relying on her good angel, apparently, the witch boldly passed him, and it seemed to the watcher that a sign of understanding was rapidly exchanged between them. Baboushka seemed to enjoin caution for the stranger hooked up his trailing sabre, wrapped his cloak around him and came on less noisily. Certainly the old hag did not beg of him, but hastened to leave the street.

      If the new-comer had been the night guardian coming on duty, the student might have lost any misgiving about the vagrants or their ruler; but he was not sure that in him was a friend.

      This was an officer, not a gendarme or military policeman. Cloak and uniform were dark blue and fine. He bore himself with the swagger of a personage of no inconsiderable rank, and also of some degree in the nobility. Tall, burly, overbearing, the stranger took a dislike to him from this one glance, and would have hesitated to appeal to him for assistance had he felt in danger.

      But the beggars had flocked into the rich quarter, and their chieftainess vanished. He allowed the military gentleman to pass, and was not sorry to see him cross the bridge with a steady, haughty step, which made his heel ring on each plank. But, on reaching the farther end, to the surprise of the watcher, his carriage immediately altered; his step became cautious and, like the other whom he had not noticed, he skulked in a doorway. He might have been thought a visitor there, but, at the next moment, his red whiskers reappeared between the turned-up collar of his mantle as he showed his head under the cornice of oak.

      For what motive had the officer and nobleman stooped to skulking and prying. One alone would amply exonerate the son of Mars—devotion to Venus. And the architectural student, not fearing to pass the soldier in his excusable ambush for a sweetheart, since his route over the bridge into the new city, and not wishful to spoil the lover's sport, since he was of the age to sympathize, prepared to leave his nook.

      But it was fated that continual impediments were to be thrown in his path on this eventful night. He had hardly taken two steps out of his covert, which kept him hidden from the officer but revealed him to any one approaching in the street, before a third individual of singular mien caught his view and transfixed him with a thrill so sharp, poignant and profound that a stroke of lightning would not have more dreadfully affected him.

      And yet, it was a woman—young by her step, light and quick as the antelope's, graceful by her movements, charming by her outlines which a poor, thin woolen wrapper imperfectly shrouded. She enchanted by the mere contour; it was her weird burden which appalled the watcher. In one hand, suspended horizontally, lengthwise parallel to her course, she held what seemed by shape and somber hue to be an infant's coffin.

      Her dark and brilliant eyes had descried him from the distance, but, in an instant recognizing that he was neither one of the usual nocturnal denizens nor another sort of whom she need entertain dread, she came on apace.

      Indeed, he was far from resembling the vagrants. He was clad without any attention to the toilette, after the manner of the German student, who likes to affront the Pharisee but without overmuch eccentricity. Under the voluminous cloak, warranted by the chilly wind, a tight-fitting tunic of dark green cloth, caught in by a broad buff leather belt with the clasp of a University, admirably defined the shapeliness of a slight but manly form. His hair, black as the raven's wing, was worn long and came curling down on his shoulders; his complexion was dark but clear. But the whole appearance was of a marvel in physical excellencies; a physiologist would have pointed to him as a model and result of the combination of all desirable traits in both his progenitors. His attitude, checked in the advance, denoted this perfection. The young woman, set at ease by her glances and that peace which true symmetry inspires, continued her way, averting her head with calculation, but he felt sure that she was not offended.

      He could laugh at the mistake he had made for, at this close encounter, he perceived that what in the tragic mood originated by the review of beggars in the shades of night, he had taken to be a child's casket, was a violin-case. The girl—she was perhaps but sixteen—had the artist's eye, black, fiery, deep and winning, while haughty for the vulgar worshiper; her hair was treated in a fantastic fashion as unlike that of the staid German maiden as its hue of black was the opposite of the traditional flaxen. Even in the feeble street-lamplight, she appeared, with her finely chiseled features of an Oriental type, handsome enough to melt an anchorite, and in the beholder a flood of passion gushed up and expanded his heart—devoid of such a mastering emotion before. He believed this was love! Perhaps it was love—real, true, indubitable love—but there is a mock-love with so much to advance in its favor that it has won many a battle where the genuine feeling has fought long in vain.

      Sharing some shock not unlike his own in extent and sharpness, the girl with the violin-case had paused just perceptibly in an unconscious attitude which kept in the lamplight her bust, tightly encased in a faded but elegant Genoa brocade jacket, with copper lace ornamentation, coming down upon a promising curve, clothed in a similarly theatrical skirt of flowered satin and China silk braid. On her wrists were bracelets and on her ungloved hands many rings, with stones rather too large to be taken for genuine on a woman promenading alone at such an hour. Conjoined with the musical instrument, the attire confirmed the student in his first impression after the tragic one, that this was a performer in one of the numerous dance-houses of the popular region, bordering the fashionable one.

      He almost regretted this conclusion, for the girl's forehead was so high, her eyes so lofty and her delicate mouth so impressed with a proud and energetical curl that no ambition would seem beyond the flight of one thus beautiful and high-spirited.

      Whatever the revolution she had exercised over him, he dared not avow it, such respect did she inspire, and on her recovering from her fleeting emotion, he let her resume her way without a word to detain her.

      She had not reached the first plank of the bridge before he suddenly remembered the officer, like himself, in ambush; and in the same manner as love—if that were love—had clutched his heart with the swiftness of an eagle seizing its quarry, another sentiment, as fierce and overpowering, jealousy, stung him to the quick.

      As he glanced—but he had not taken his eyes off her, not even to look if the military officer were still at his post—she had swept her worsted wrapper round to set her foot on the first board of the bridge; and he caught a glimpse, delightful and bewildering, of a foot, long but slim and delicately modeled, and of a faultless ankle, in a vermilion

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