The Collected Works of Algernon Blackwood. Algernon Blackwood

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The Collected Works of Algernon Blackwood - Algernon  Blackwood

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to hear a more detailed explanation.

      "But presently you shall," was all the clergyman vouchsafed.

      The clue thus provided by chance he had followed up, but by methods hard to describe apparently. A corner of the veil, momentarily lifted, had betrayed the value that lies in the repetition of certain sounds—the rhythmic reiteration of syllables—in a word, of chanting or incantation. By diving down into his subconscious region, already prepared by long spiritual training, he gradually succeeded in drawing out further details piece by piece, and finally by infinite practice and prayer welding them together into an intelligible system. The science of true-naming slowly, with the efforts of years, revealed itself. His mind slipped past the deceit of mere sensible appearances. Clair-audiently he heard the true inner names of things and persons….

      Mr. Skale rose from his chair. With thumbs in the armholes of his waistcoat and fingers drumming loudly on his breast he stood over the secretary, who continued making frantic notes.

      "That chance discovery, then, made during a moment's inner vision," he continued with a grave excitement, "gave me the key to a whole world of new knowledge, and since then I have made incredible developments. Listen closely, Mr. Spinrobin, while I explain. And take in what you can."

      The secretary laid down his pencil and notebook. He sat forward in an attitude of intense eagerness upon the edge of his chair. He was trembling. This strange modern confirmation of his early Heaven of wonder before the senses had thickened and concealed it, laid bare again his earliest world of far-off pristine glory.

      "The ordinary name of a person, understand then, is merely a sound attached to their physical appearance at birth by the parents—a meaningless sound. It is not their true name. That, however, exists behind it in the spiritual world, and is the accurate description of the soul. It is the sound you express visibly before me. The Word is the Life."

      Spinrobin surreptitiously picked up his pencil; but the clergyman spied the movement. "Never mind the notes," he said; "listen closely to me." Spinrobin obeyed meekly.

      "Your ordinary outer name, however," continued Mr. Skale, speaking with profound conviction, "may be made a conductor to your true, inner one. The connection between the two by a series of subtle interior links forms gradually with the years. For even the ordinary name, if you reflect a moment, becomes in time a sound of singular authority—inwoven with the finest threads of your psychical being, so that in a sense you become it. To hear it suddenly called aloud in the night—in a room full of people, in the street unexpectedly—is to know a shock, however small, of increased vitality. It touches the imagination. It calls upon the soul built up around it."

      He paused a moment. His voice boomed musically about the room, even after he ceased speaking. Bewildered, wondering, delighted, Spinrobin drank in every word. How well he knew it all.

      "Now," resumed the clergyman, lowering his tone unconsciously, "the first part of my discovery lies in this: that I have learned to pronounce the ordinary names of things and people in such a way as to lead me to their true, inner ones—"

      "But," interrupted Spinrobin irrepressibly, "how in the name of—?"

      "Hush!" cried Skale quickly. "Never again call upon a mighty name—in vain. It is dangerous. Concentrate your mind upon what I now tell you, and you shall understand a part, at least, of my discovery. As I was saying, I have learned how to find the true name by means of the false; and understand, if you can, that to pronounce a true name correctly means to participate in its very life, to vibrate with its essential nature, to learn the ultimate secret of its inmost being. For our true names are the sounds originally uttered by the 'Word' of God when He created us, or 'called' us into Being out of the void of infinite silence, and to repeat them correctly means literally—to—speak—with—His—Voice. It is to speak the truth." The clergyman dropped his tone to an awed whisper. "Words are the veils of Being; to speak them truly is to lift a corner of the veil."

      "What a glory! What a thing!" exclaimed the other under his breath, trying to keep his mind steady, but losing control of language in the attempt. The great sentences seemed to change the little room into a temple where sacred things were about to reveal themselves. Spinrobin now understood in a measure why Mr. Skale's utterance of his own name and that of Miriam had sounded grand. Behind each he had touched the true name and made it echo.

      The clergyman's voice brought his thoughts back from distances in that inner prairie of his youth where they had lost themselves.

      "For all of us," he was repeating with rapt expression in his shining eyes, "are Sounds in the mighty music the universe sings to God, whose Voice it was that first produced us, and of whose awful resonance we are echoes therefore in harmony or disharmony." A look of power passed into his great visage. Spinrobin's imagination, in spite of the efforts that he made, fluttered with broken wings behind the swift words. A flash of the former terror stirred in the depths of him. The man was at the heels of knowledge it is not safe for humanity to seek….

      "Yes," he continued, directing his gaze again upon the other, "that is a part of my discovery, though only a part, mind. By repeating your outer name in a certain way until it disappears in the mind, I can arrive at the real name within. And to utter it is to call upon the secret soul—to summon it from its lair. 'I have redeemed thee; I have called thee by name.' You remember the texts? 'I know thee by name,' said Jehovah to the great Hebrew magician, 'and thou art mine.' By certain rhythms and vibratory modulations of the voice it is possible to produce harmonics of sound which awaken the inner name into life—and then to spell it out. Note well, to spell it,—spell—incantation—the magical use of sound—the meaning of the Word of Power, used with such terrific effect in the old forgotten Hebrew magic. Utter correctly the names of their Forces, or Angels, I am teaching you daily now," he went on reverently, with glowing eyes and intense conviction; "pronounce them with full vibratory power that awakens all their harmonics, and you awaken also their counterpart in yourself; you summon their strength or characteristic quality to your aid; you introduce their powers actively into your own psychical being. Had Jacob succeeded in discovering the 'Name' of that 'Angel' with whom he wrestled, he would have become one with its superior power and have thus conquered it. Only, he asked instead of commanded, and he found it not…"

      "Magnificent! Splendid!" cried Spinrobin, starting from his chair, seizing with his imagination potently stirred, this possibility of developing character and rousing the forces of the soul.

      "We shall yet call upon the Names, and see," replied Skale, placing a great hand upon his companion's shoulder, "not aloud necessarily, but by an inner effort of intense will which sets in vibration the finer harmonics heard only by the poet and magician, those harmonics and overtones which embody the psychical element in music. For the methods of poet and magician, I tell you, my dear Spinrobin, are identical, and all the faiths of the world are at the heels of that thought. Provided you have faith you can—move mountains! You can call upon the very gods!"

      "A most wonderful idea, Mr. Skale," faltered the other breathlessly, "quite wonderful!" The huge sentences deafened him a little with their mental thunder.

      "And utterly simple," was the reply, "for all truth is simple."

      He paced the floor like a great caged animal. He went down and leaned against the dark bookcase, with his legs wide apart, and hands in his coat pockets. "To name truly, you see, is to evoke, to create!" he roared from the end of the room. "To utter as it should be uttered any one of the Ten Words, or Creative Powers of the Deity in the old Hebrew system, is to become master of the 'world' to which it corresponds. For these names are still in living contact with the realities behind. It means to vibrate with the powers that called the universe into being and—into form."

      A

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