out his hand cautiously and touched her. He rose a little on tiptoe to be on a level with her face, taking a fold of her cloak in each hand. The soul-knowledge was in his eyes just then, not the mere curiosity of the child.
"And are you—dead?" he asked, sinking his voice to a whisper.
For a moment the woman's eyes wavered. She turned white and tried to move away; but the boy seized her hand and peered more closely into her face.
"I mean, if we escape and I get back into my body," he whispered, "will you get back into yours too?"
The governess made no reply, and shifted uneasily on her feet. But the boy would not let her go.
"Please answer," he urged, still in a whisper.
"Jimbo, what funny questions you ask!" she said at last, in a husky voice, but trying to smile.
"But I want to know," he said. "I must know. I believe you are giving up everything just to save me—everything; and I don't want to be saved unless you come too. Tell me!"
The colour came back to her cheeks a little, and her eyes grew moist. Again she tried to slip past him, but he prevented her.
"You must tell me," he urged; "I would rather stay here with you than escape back into my body and leave you behind."
Jimbo knew it was his Older Self speaking—the freed spirit rather than the broken body—but he felt the strain was very great; he could not keep it up much longer; any minute he might slip back into the child again, and lose interest, and be unequal to the task he now saw so clearly before him.
"Quick!" he cried in a louder voice. "Tell me! You are giving up everything to save me, aren't you? And if I escape you will be left alone——quick, answer me! Oh, be quick, I'm slipping back——"
Already he felt his thoughts becoming confused again, as the spirit merged back into the child; in another minute the boy would usurp the older self.
"You see," began the governess at length, speaking very gently and sadly, "I am bound to make amends whatever happens. I must atone——"
But already he found it hard to follow.
"Atone," he asked, "what does 'atone' mean?" He moved back a step, and glanced about the room. The moment of concentration had passed without bearing fruit; his thoughts began to wander again like a child's. "Anyhow, we shall escape together when the chance comes, shan't we?" he said.
"Yes, darling, we shall," she said in a broken voice. "And if you do what I tell you, it will come very soon, I hope." She drew him towards her and kissed him, and though he didn't respond very heartily, he felt he liked it, and was sure that she was good, and meant to do the best possible for him.
Jimbo asked nothing more for some time; he turned to the bed where he found a mattress and a blanket, but no sheets, and sat down on the edge and waited. The governess was standing by the window looking out; her back was turned to him. He heard an occasional deep sigh come from her, but he was too busy now with his own sensations to trouble much about her. Looking past her he saw the sea of green leaves dancing lazily in the sunshine. Something seemed to beckon him from beyond the high wall, and he longed to go out and play in the shade of the elms and hawthorns; for the horror of the Empty House was closing in upon him steadily but surely, and he longed for escape into a bright, unhaunted atmosphere, more than anything else in the whole world.
His thoughts ran on and on in this vein, till presently he noticed that the governess was moving about the room. She crossed over and tried first one door and then the other; both were fastened. Next she lifted the trap-door and peered down into the black hole below. That, too, apparently was satisfactory. Then she came over to the bedside on tiptoe.
"Jimbo, I've got something very important to ask you," she began.
"All right," he said, full of curiosity.
"You must answer me very exactly. Everything depends on it."
"I will."
She took another long look round the room, and then, in a still lower whisper, bent over him, and asked:
"Have you any pain?"
"Where?" he asked, remembering to be exact.
"Anywhere."
He thought a moment.
"None, thank you."
"None at all—anywhere?" she insisted.
"None at all—anywhere," he said with decision.
She seemed disappointed.
"Never mind; it's a little soon yet, perhaps," she said. "We must have patience. It will come in time."
"But I don't want any pain," he said, rather ruefully.
"You can't escape till it comes."
"I don't understand a bit what you mean." He began to feel alarmed at the notion of escape and pain going together.
"You'll understand later, though," she said soothingly, "and it won't hurt very much. The sooner the pain comes, the sooner we can try to escape. Nowhere can there be escape without it."
And with that she left him, disappearing without another word into the hole below the trap, and leaving him, disconsolate yet excited, alone in the room.
CHAPTER VIII
THE GALLERY OF ANCIENT MEMORIES
With every one, of course, the measurement of time depends largely upon the state of the emotions, but in Jimbo's case it was curiously exaggerated. This may have been because he had no standard of memory by which to test the succession of minutes; but, whatever it was, the hours passed very quickly, and the evening shadows were already darkening the room when at length he got up from the mattress and went over to the window.
Outside the high elms were growing dim; soon the stars would be out in the sky. The afternoon had passed away like magic, and the governess still left him alone; he could not quite understand why she went away for such long periods.
The darkness came down very swiftly, and it was night almost before he knew it. Yet he felt no drowsiness, no desire to yawn and get under sheets and blankets; sleep was evidently out of the question, and the hours slipped away so rapidly that it made little difference whether he sat up all night or whether he slept.
It was his first night in the Empty House, and he wondered how many more he would spend there before escape came. He stood at the window, peering out into the growing darkness and thinking long, long thoughts. Below him yawned the black gulf of the yard, and the outline of the enclosing wall was only just visible, but beyond the elms rose far into the sky, and he could hear the wind singing softly in their branches. The sound was very sweet; it suggested freedom, and the flight of birds, and all that was wild and unrestrained. The wind could never really be a prisoner; its voice sang of open spaces and unbounded distances, of flying clouds and mountains, of mighty woods and dancing waves; above all,
