The Collected Works of Algernon Blackwood. Algernon Blackwood

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The Collected Works of Algernon Blackwood - Algernon  Blackwood

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he drew aside a corner of the curtain and peered out.

      "Oh!" he said, drawing in his breath with delight, and again "oh!"

      It was difficult to understand why the sea of white moonlight that covered the lawn should fill him with such joy, and at the same time bring a lump into his throat. It made him feel as if he were swelling out into something very much greater than the actual limits of his little person. And the sensation was one of mingled pain and delight, too intense for him to feel for very long. The unhappiness passed gradually away, he always noticed, and the happiness merged after a while into a sort of dreamy ecstasy in which he neither thought nor wished much, but was conscious only of one single unmanageable yearning.

      The huge cedars on the lawn reared themselves up like giants in silver cloaks, and the horse-chestnut—the Umbrella Tree, as the children called it—loomed with motionless branches that were frosted and shining. Beyond it, in a blue mist of moonlight and distance, lay the kitchen-garden; he could just make out the line of the high wall where the fruit-trees grew. Immediately below him the gravel of the carriage drive sparkled with frost.

      The bars of the windows were cold to his hands, yet he stood there for a long time with his nose flattened against the pane and his bare feet on the cane chair. He felt both happy and sad; his heart longed dreadfully for something he had not got, something that seemed out of his reach because he could not name it. No one seemed to believe all the things he knew in quite the same way as he did. His brothers and sisters played up to a certain point, and then put the things aside as if they had only been assumed for the time and were not real. To him they were always real. His father's words, too, that evening had sorely puzzled him when he came to think over them afterwards: "They're a baby's notions.... They're silly, silly, silly." Were these things real or were they not? And, as he pondered, yearning dumbly, as only these little souls can yearn, the wistfulness in his heart went out to meet the moonlight in the air. Together they wove a spell that seemed to summon before him a fairy of the night, who whispered an answer into his heart: "We are real so long as you believe in us. It is your imagination that makes us real and gives us life. Please, never, never stop believing."

      Jimbo was not quite sure that he understood the message, but he liked it all the same, and felt comforted. So long as they believed in one another, the rest did not matter very much after all. And when at last, shivering with cold, he crept back to bed, it was only to find through the Gates of Sleep a more direct way to the things he had been thinking about, and to wander for the rest of the night, unwatched and free, through the wonders of an Enchanted Land.

      Jimbo, as his father had said, was an imaginative child. Most children are—more or less; and he was "more," at least, "more" than his brothers and sisters. The Colonel thought he had made a penetrating discovery, but his wife had known it always. His head, indeed, was "full of things,"—things that, unless trained into a channel where they could be controlled and properly schooled, would certainly interfere with his success in a practical world, and be a source of mingled pain and joy to him all through life. To have trained these forces, ever bursting out towards creation, in his little soul,—to have explained, interpreted, and dealt fairly by them, would perhaps have been the best and wisest way; to have suppressed them altogether, cleaned them out by the process of substitution, this might have succeeded too in less measure; but to turn them into a veritable rout of horror by the common method of "frightening the nonsense out of the boy," this was surely the very worst way of dealing with such a case, and the most cruel. Yet, this was the method adopted by the Colonel in the robust good-nature of his heart, and the utter ignorance of his soul.

      So it came about that three months later, when May was melting into June, Miss Ethel Lake arrived upon the scene as a result of the Colonel's blundering good intentions. She brought with her a kind disposition, a supreme ignorance of unordinary children, a large store of self-confidence—and a corded yellow tin box.

      CHAPTER II

       MISS LAKE COMES—AND GOES

       Table of Contents

      The conversation took place suddenly one afternoon, and no one knew anything about it except the two who took part in it: the Colonel asked the governess to try and knock the nonsense out of Jimbo's head, and the governess promised eagerly to do her very best. It was her first "place"; and by "nonsense" they both understood imagination. True enough, Jimbo's mother had given her rather different instructions as to the treatment of the boy, but she mistook the soldier's bluster for authority, and deemed it best to obey him. This was her first mistake.

      In reality she was not devoid of imaginative insight; it was simply that her anxiety to prove a success permitted her better judgment to be overborne by the Colonel's boisterous manner.

      The wisdom of the mother was greater than that of her husband. For the safe development of that tender and imaginative little boy of hers, she had been at great pains to engage a girl—a clergyman's daughter—who possessed sufficient sympathy with the poetic and dreamy nature to be of real help to him; for true help, she knew, can only come from true understanding. And Miss Lake was a good girl. She was entirely well-meaning—which is the beginning of well-doing, and her principal weakness lay in her judgment, which led her to obey the Colonel too literally.

      "She seems most sensible," he declared to his wife.

      "Yes, dear."

      "And practical."

      "I think so."

      "And firm and—er—wise with children."

      "I hope so."

      "Just the sort for young Jimbo," added the Colonel with decision.

      "I trust so; she's a little young, perhaps."

      "Possibly, but one can't get everything," said her husband, in his horse-and-dog voice. "A year with her should clean out that fanciful brain of his, and prepare him for school with other boys. He'll be all right once he gets to school. My dear," he added, spreading out his right hand, fingers extended, "you've made a most wise selection. I congratulate you. I'm delighted."

      "I'm so glad."

      "Capital, I repeat, capital. You're a clever little woman. I knew you'd find the right party, once I showed you how the land lay."

      The Empty House, that stood in its neglected garden not far from the Park gates, was built on a point of land that entered wedgewise into the Colonel's estate. Though something of an eyesore, therefore, he could do nothing with it.

      To the children it had always been an object of peculiar, though not unwholesome, mystery. None of them cared to pass it on a stormy day—the wind made such odd noises in its empty corridors and rooms—and they refused point-blank to go within hailing distance of it after dark. But in Jimbo's imagination it was especially haunted, and if he had ceased to reveal to the others what he knew went on under its roof, it was only because they were unable to follow him, and were inclined to greet his extravagant recitals with "Now, Jimbo, you know perfectly well you're only making up."

      The House had been empty for many years; but, to the children, it had been empty since the beginning of the world, since what they called the "very beginning." They believed—well, each child believed according to his own mind and powers, but there was at least one belief they all held in common: for it was generally accepted as an article of faith that the Indians, encamped among the shrubberies on the back lawn, secretly buried their dead behind the crumbling walls of its weedy garden—the "dead" provided by the children's

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