he understood this, it would have meant that he was already old. For with the majority such dreams die young, brushed rudely from the soul by the iron hand of experience, whereas in his case it was their persistent survival that lent such a childlike quality to his shyness, and made him secretly ashamed of not feeling as grown-up as he realised he ought to feel.
Paul Rivers, in a word, belonged to a comprehensible though perhaps not over common type, and one not often recognised owing to the elaborate care with which its 'specimens' conceal themselves from the world under all manner of brave disguises. He was destitute of that nameless quality that constitutes a human being, not mature necessarily, but grown up. Sources of inner enthusiasm that most men lose when life brings to them the fruit of the Tree of Good and Evil, had kept alive; and though on the one hand he was secretly ashamed of the very simplicity of his great delights, on the other hand he longed intensely for some means by which he could express them and relieve his burdened soul.
He envied the emigrant who could let fall hot tears on the deck without further ado, while at the same time he dreaded the laughter of the world into which he was about to move when they learned the cause of the emotions that produced them. A boy at forty-five! A dreamer of children's dreams with fifty in sight—and no practical results!
These were some of the thoughts still tumbling vaguely about his mind when the tug brought letters aboard at Queenstown, and on the dining-room table where they were spread out he found one for himself in a handwriting that he both welcomed and dreaded.
CHAPTER III
He welcomed it, because for years it had been the one remaining link with the life of his old home—these formal epistles that reached him at long intervals; and he dreaded it, because he knew it would contain a definite invitation of an embarrassing description.
'She's bound to ask me,' he reflected as he opened it in his cabin; 'she can't help herself. And I am bound to accept, for I can't help myself either.' He was far too honest to think of inventing elaborate excuses. 'I've got to go and spend a month with her right away whether I like it or not.'
It was not by any means that he disliked his sister, for indeed he hardly knew her; after all these years he barely remembered what she looked like, the slim girl of eighteen he had left behind. It was simply that in his mind she stood for the conventional life, so alien to his vision, to which he had returned.
He would try to like her, certainly. Very warm impulses stirred in his heart as he thought of her—his only near relative in the world, and the widow of his old school and Cambridge friend, Dick Messenger. It was in her handwriting that he first learned of Dick's love for her, as it was in hers that the news of his friend's death reached him—after his long tour—two months old. The handwriting was a symbol of the deepest human emotions he had known. And for that reason, too, he dreaded it.
He never realised quite what kind of woman she had become; in his thoughts she had always remained simply the girl of eighteen—grown up—married. Her letters had been very kind and gentle, if in the nature of the case more and more formal. She became shadowy and vague in his mind as the years passed, and more and more he had come to think of her as wholly out of his own world. Reading between the lines it was not difficult to see that she attached importance to much in life that seemed to him unreal and trivial, whereas the things that he thought vital she never referred to at all. It might, of course, be merely restraint concealing great depths. He could not tell. The letters, after a few years, had become like formal government reports. He had written fully, however, to announce his home-coming, and her reply had been full of genuine pleasure.
'I don't think she'll make very much of me,' was the thought in his mind whenever he dwelt upon it. 'I'm afraid my world must seem foreign—unreal to her; the things I know rubbish.'
So, in the privacy of his cabin, his heart already strangely astir by the emotion of that blue line on the horizon, he read his sister's invitation and found it charming. There was spontaneous affection in it.
'We shall fix things up between us so that no one would ever know.' He did not explain what it was 'no one would ever know,' but went on to finish the letter. He was to make his home with her in the country, he read, until he decided what to do with himself. The tone of the letter made his heart bound. It was a real welcome, and he responded to it instantly like a boy. Only one thing in it seriously disturbed his equanimity. Absurd as it may seem, the fact that his sister's welcome included also that of the children, had a subtly disquieting effect upon him.
... for they are dying to see you and to find out for themselves what the big old uncle they have heard so much about is really like. All their animals are being cleaned and swept so as to be ready for your arrival, and, in anticipation of your stories of the backwoods, no other tales find favour with them any more.
An expression of perplexity puckered his face. 'I declare, I'm afraid of those children—Dick's children!' he thought, holding the open letter to his mouth and squinting down the page, while his eyebrows rose and his forehead broke into lines. 'They'll find out what I am. They'll betray me. I shall never be able to hold out against them. 'He knew only too well how searching was the appeal that all growing and immature life made to him. It touched the very centre of him that had refused to grow up and that made him young with itself. 'I can no more resist them than I could resist the baby bears, or that little lynx that used to eat out' of my hand.' He shrugged his big shoulders, looking genuinely distressed. 'And then every one will know what I am—an overgrown boy—a dumb poet—a dreamer of dreams that bear no fruit!'
He was not morbidly introspective. He was merely trying to face the little problem squarely. He got up and staggered across the cabin, steadying himself against the rolling of the ship in front of the looking-glass.
'Big Old Uncle!'
He stuffed the letter into his pocket and surveyed himself critically. Big he certainly was, but that other adjective brought with it a sensation of weariness that had never yet troubled him in his wilderness existence. He was only a little, just a very little, on the shady side of forty-five, but to the children he might seem really old, aged^ and to his sister, who was considerably his junior, as elderly, "and perhaps in need of the comforts of the elderly. He squared his shoulders and looked more closely into the glass. There, opposite to him, stood a tall, dignified man in a blue suit, with a spotless linen collar and a neat tie passing through a gold ring, instead of the unkempt fellow he was accustomed to in a flannel shirt, red handkerchief and big sombrero hat pulled over his eyes; a man weighing the best part of fifteen stones, lean, well-knit, vigorous, and nearly six feet three in his socks. A pair of brown eyes, kindly brown eyes he thought, met his own questioningly, and a brown beard—yes, it was still brown—covered the lower part of the face. He put up a hand to stroke it, and noticed that it was a strong, muscular hand, sunburnt but well kept, with neat finger-nails, and a heavy signet ring on one finger. It brushed across the rather deep lines on the bronzed forehead, without brushing them away, however, and then travelled higher to the rough parting in the dark-brown hair, and the hair, he noticed, was brushed in a particular way evidently, a way he thought no one would notice but himself and the lumber-camp barber who first taught him, so as to cover up a few places where the wind made little chilly feelings in winter-time under his fur cap.
Old? No, not old yet—but "getting on" was a gentler phrase he could not deny, and there were certainly odd traces where the crows had walked on his skin while he slept in the forest, and had hopped up even to the corners of his eyes to see if he were really asleep. There were other lines, too—lines of exposure, traced by wind and sun, and one or two queer marks that are said only to come from prolonged hardship and severest want. For he had known both sides of
