such an Aventure out of that Wind - Vision,' he exclaimed, 'that they'll fairly shiver with delight. And if they shiver, why shouldn't all the children in the world shiver too?'
He no longer made the mistake of thinking trivial; if he could find an audience of children a about the world, children known or unknown, to whom he could show his little gallery of pictures what could be more reasonable or delightful? What could be more useful and worth doing than to show the adventuring mind some meaning in all the beauty that filled his heart? And the Wind-Vision might be a small—a very small, beginning. It might be the first of a series of modern fairy tales. The idea thrilled him with pleasure. 'A safety-valve at last!' he cried. 'An audience that won't laugh!'
For, in reality, there was also a queer motherly quality in him which he had always tried more or less successfully to hide, and of which, perhaps, he was secretly half ashamed—a feeling that made him long to give of his strength and sympathy to all that was helpless, weary, immature.
He went about the house like a new man, for in proportion as he allowed his imagination to use its wings, life became extraordinarily alive. He sang, and the world sang with him. Everything turned up little smiling faces to him, whispering fairy contributions to his tale.
'The more I give out, the more I get in,' he laughed. 'I declare it's quite wonderful,' as though he had really discovered a new truth all for himself. New forces began to course through his veins like fire. As in a great cistern tapped for the first time, this new outlet produced other little cross-currents everywhere throughout his being. Paul began to find a new confidence. Another stone had shifted in the fabric of his soul. He moved one stage nearer to the final pattern that it had been intended from the beginning of time he should assume.
A world within a world began to grow up in the old grey house under the hill, one consisting of Nixie and her troupe, with Paul trailing heavily in the rear, very eager; and the other, of the grownup members of the household, with Mile. Fleury belonging to neither, yet in a sense belonging to both. The cats and animals again were in the former—an inner division of it, so that it was like a series of Chinese boxes, each fitting within the next in size.
And this admission of Paul into the innermost circle produced a change in the household, as well as in himself. After all, the children had not betrayed him; they had only divined his secret and put him right with himself. But this was everything; and who is there with a vestige of youth in his spirit that will not understand the cause of his mysterious exhilaration?
Outwardly, of course, no definite change was visible in the doings of the little household. The children said little; they made no direct reference to his conversion; but the change, though not easily described, was felt by all. Paul recognised it in every fibre of his being. Every one, hi noticed, understood by some strange freemasonry that he had been initiated, for every one, he fancied, treated him a little differently. It was natural that the children should give signs of increased admiration and affection for their huge new member, but there was no obvious reason why his sister, and the servants, and the very animals into the bargain should regard him with a strain of something that hesitated between tolerance and tenderness.
If truth were told, they probably did nothing of the sort; it was his own point of view that had changed. His imagination was responsible for the rest; yet he felt as though he had been caught into the heart of a great conspiracy, and the silent, unobtrusive way every one played his, her, or its part contrived to make him think it was all very real indeed.
The cats, furry and tender magicians that they are, perhaps interpreted the change more skilfully and easily than any one else. Without the least fuss or ceremony they made him instantly free of their world, and the way their protection and encouragement were extended to him in a hundred gentle ways gave him an extraordinarily vivid impression that they, too, had their plans and conferences just as much as the children had. They made everything seem alive and intelligent, from the bushes where they hunted to the furniture where they slept. They brought the whole world, animate and inanimate, into his scheme of existence. Everything had life, though not the same degree of life. It was all very subtle and wonderful. He, and the children, and the cats, all had imagination according to their kind and degree, and all equally used it to make the world haunted and splendid. Formerly, for instance, he had often surprised Mrs. Tompkyns going about in the passages on secret business of her own, perhaps not altogether good, yet looking up with an assumption of innocence that made it quite impossible to chide or interfere. (It was, of course, only an assumption of innocence. A cat's eyes are too intent and purposeful for genuine innocence; they are a mask, a concealment of a thousand plans.) But now, when he met her, she at once stopped and sent her; tail aloft by way of signal, and came to rub against his legs. Her eyes smiled—that pregnant, significant smile of the feline, shown by mere blinking of the lids—and she walked slowly by his side with arched back, as an invitation that he might—nay, that he; should—accompany her.
On her great, dark journeys he might not of course yet go, but on the smaller, less important expeditions he was welcome, and she showed it plainly every time they met. He was led politely to numerous cupboards, corners, attics, and cellars, whose existence he had not hitherto suspected. There were wonderful and terrible places among the book-shelves and under massive pieces of furniture which she showed to him when no one was about; and she further taught him how to sit and stare for long periods until out of vacancy there issued a series of fascinating figures and scenes of strange loveliness. And he, laughing, obeyed. All this, and much else besides, they taught him cleverly.
Some of them, too, came to visit him in his own quarters. They came into his study, and into his bedroom, and one of them—that black, thick-haired fellow called Smoke—the one with the ghostly eyes and very furry trousers—even took to tapping at his door late at night (by standing on tip-toe he could just reach the knob), and thus established the right to sleep on the sofa or even to curl up on the foot of the bed.
And all that the kittens, the puppies, and the out-of-door animals did to teach him as an equal is better left untold, since this is a story and not a work on natural history.
Mlle. Fleury, the little French governess, alone seemed curiously out of the picture. She made difficulties here and there, though not insuperable ones. The fact was, he saw, that she was not properly in either of the two worlds. She wanted to be in both at once, but, from the very nature of her position, succeeded in getting into neither; and to fall between two worlds is far more perplexing than to fall between two stools. Paul made allowances for her just as he might have made allowances for an over-trained animal that had learned too many human-taught tricks to make its presence quite acceptable to its own four-footed circle. The charming little person—he, at least, always thought her voice and her manners and her grace charming after a life where these were unknown—had to! justify herself to the grown-up world where his sister belonged, as well as to the world of the children whom she taught. And, consequently, she was often compelled to scold when, perhaps, her soul cried out that she should bless.
His heart always hammered, if ever so slightly, when he made his way, as he now did more and more frequently, to the schoolroom or the nursery. Schoolroom-tea became a pleasure of almost irresistible attractions, and when it was over and the governess was legitimately out of the way, Nixie sometimes had a trick of announcing a Regular Meeting to which Paul was called upon to read out his latest 'Aventure.'
'Hulloa! Having tea, are you?' he exclaimed, looking in at the door one afternoon shortly after the wind episode. This feigned surprise, which deceived nobody, he felt was admirable. It was exactly the way Mrs. Tompkyns did it.
'Come in, Uncle Paul. Do stay. You must stay,' came the chorus, while Mile. Fleury half smiled, half frowned at him across the table. 'Here's just the stodgy kind of cake you like, with jam and honey!'
'Well,' he said hesitatingly, as though he scorned such things, while Mademoiselle poured out a cup, and the children piled up a plate for him. He stayed,
