"There, there," she said. "Who is it? Who are coming?"
But the child hid her face, drawing at the kindly skirts; and the next moment came the roar of voices and the trampling of footsteps.
It was not more than a few seconds before the heralds of that grim procession came past. First came a flying squadron of children, laughing, terrified, fascinated, screaming, turning their heads as they ran, with a dog or two yelping among them, and a few women drifting sideways along the pavements. A face of a man, Mabel saw as she glanced in terror upwards, had appeared at the windows opposite, pale and eager—some invalid no doubt dragging himself to see. One group—a well-dressed man in grey, a couple of women carrying babies, a solemn-faced boy—halted immediately before her on the other side of the railings, all talking, none listening, and these too turned their faces to the road on the left, up which every instant the clamour and trampling grew. Yet she could not ask. Her lips moved; but no sound came from them. She was one incarnate apprehension. Across her intense fixity moved pictures of no importance of Oliver as he had been at breakfast, of her own bedroom with its softened paper, of the dark sanctuary and the white figure on which she had looked just now.
They were coming thicker now; a troop of young men with their arms linked swayed into sight, all talking or crying aloud, none listening—all across the roadway, and behind them surged the crowd, like a wave in a stone-fenced channel, male scarcely distinguishable from female in that pack of faces, and under that sky that grew darker every instant. Except for the noise, which Mabel now hardly noticed, so thick and incessant it was, so complete her concentration in the sense of sight—except for that, it might have been, from its suddenness and overwhelming force, some mob of phantoms trooping on a sudden out of some vista of the spiritual world visible across an open space, and about to vanish again in obscurity. That empty street was full now on this side and that so far as she could see; the young men were gone—running or walking she hardly knew—round the corner to the right, and the entire space was one stream of heads and faces, pressing so fiercely that the group at the railings were detached like weeds and drifted too, sideways, clutching at the bars, and swept away too and vanished. And all the while the child tugged and tore at her skirts.
Certain things began to appear now above the heads of the crowd—objects she could not distinguish in the failing light—poles, and fantastic shapes, fragments of stuff resembling banners, moving as if alive, turning from side to side, borne from beneath.
Faces, distorted with passion, looked at her from time to time as the moving show went past, open mouths cried at her; but she hardly saw them. She was watching those strange emblems, straining her eyes through the dusk, striving to distinguish the battered broken shapes, half-guessing, yet afraid to guess.
Then, on a sudden, from the hidden lamps beneath the eaves, light leaped into being—that strong, sweet, familiar light, generated by the great engines underground that, in the passion of that catastrophic day, all men had forgotten; and in a moment all changed from a mob of phantoms and shapes into a pitiless reality of life and death.
Before her moved a great rood, with a figure upon it, of which one arm hung from the nailed hand, swinging as it went; an embroidery streamed behind with the swiftness of the motion.
And next after it came the naked body of a child, impaled, white and ruddy, the head fallen upon the breast, and the arms, too, dangling and turning.
And next the figure of a man, hanging by the neck, dressed, it seemed, in a kind of black gown and cape, with its black-capped head twisting from the twisting rope.
II
The same night Oliver Brand came home about an hour before midnight.
For himself, what he had heard and seen that day was still too vivid and too imminent for him to judge of it coolly. He had seen, from his windows in Whitehall, Parliament Square filled with a mob the like of which had not been known in England since the days of Christianity—a mob full of a fury that could scarcely draw its origin except from sources beyond the reach of sense. Thrice during the hours that followed the publication of the Catholic plot and the outbreak of mob-law he had communicated with the Prime Minister asking whether nothing could be done to allay the tumult; and on both occasions he had received the doubtful answer that what could be done would be done, that force was inadmissible at present; but that the police were doing all that was possible.
As regarded the despatch of the volors to Rome, he had assented by silence, as had the rest of the Council. That was, Snowford had said, a judicial punitive act, regrettable but necessary. Peace, in this instance, could not be secured except on terms of war—or rather, since war was obsolete—by the sternness of justice. These Catholics had shown themselves the avowed enemies of society; very well, then society must defend itself, at least this once. Man was still human. And Oliver had listened and said nothing.
As he passed in one of the Government volors over London on his way home, he had caught more than one glimpse of what was proceeding beneath him. The streets were as bright as day, shadowless and clear in the white light, and every roadway was a crawling serpent. From beneath rose up a steady roar of voices, soft and woolly, punctuated by cries. From here and there ascended the smoke of burning; and once, as he flitted over one of the great squares to the south of Battersea, he had seen as it were a scattered squadron of ants running as if in fear or pursuit…. He knew what was happening…. Well, after all, man was not yet perfectly civilised.
He did not like to think of what awaited him at home. Once, about five hours earlier, he had listened to his wife's voice through the telephone, and what he had heard had nearly caused him to leave all and go to her. Yet he was scarcely prepared for what he found.
As he came into the sitting-room, there was no sound, except that far-away hum from the seething streets below. The room seemed strangely dark and cold; the only light that entered was through one of the windows from which the curtains were withdrawn, and, silhouetted against the luminous sky beyond, was the upright figure of a woman, looking and listening….
He pressed the knob of the electric light; and Mabel turned slowly towards him. She was in her day-dress, with a cloak thrown over her shoulders, and her face was almost as that of a stranger. It was perfectly colourless, her lips were compressed and her eyes full of an emotion which he could not interpret. It might equally have been anger, terror or misery.
She stood there in the steady light, motionless, looking at him.
For a moment he did not trust himself to speak. He passed across to the window, closed it and drew the curtains. Then he took that rigid figure gently by the arm.
"Mabel," he said, "Mabel."
She submitted to be drawn towards the sofa, but there was no response to his touch. He sat down and looked up at her with a kind of despairing apprehension.
"My dear, I am tired out," he said.
Still she looked at him. There was in her pose that rigidity that actors simulate; yet he knew it for the real thing. He had seen that silence once or twice before in the presence of a horror—once at any rate, at the sight of a splash of blood on her shoe.
"Well, my darling, sit down, at least," he said.
She obeyed him mechanically—sat, and still stared at him. In the silence once more that soft roar rose and died from the invisible world of tumult outside the windows. Within here all was quiet. He knew perfectly that
