had tried to draw, but there was no one to help her.
'Do you read?'
No, she seldom read. In the best parlour there was a bookcase full of books, but she never looked at them. As for the old lady and Dorcas, they had never learned to read. She had been at school over at St. Mary's, till she was thirteen, but she hardly cared to read.
'And the newspapers—do you ever read them?'
She never read them. She knew nothing that went on.
As for her ambitions and her hopes—if he could get at them. Fond youth!—as if a girl would ever tell her ambitions! But Armorel, apparently, had none to tell. She lived in the present; it was joy enough for her to wander in the soft warm air of her island home, upon the hills and round the coast, to cruise among the rocks while the breeze filled out the sail and the sparkling water leaped above the bow.
So far she told: nay, she hid nothing, because there was nothing to hide. She told no more because, as yet, her ambitions and her dreams of the future had no shape: they were vague and misty—she was only aware of their existence when restlessness seized her and impelled her to get up and run over the hills to Porth Bay and back again.
But at night, when she went to bed, she experienced quite a new and disquieting sensation. It showed at least that she was no longer a child, but already on the threshold of womanhood. With blushing cheek and beating heart she remembered that for an hour and more she had been talking about nothing but herself! What would Mr. Roland Lee think of a girl who could waste his time in talking about nothing but herself?
CHAPTER VI
THE FLOWER-FARM
Roland, startled out of sleep by the sudden feeling of danger which always seizes us in a strange bed—except a bed at an inn—sat up and looked around him. His room was small and low and simply furnished. He was lying on a feather bed of the old-fashioned kind; the bedstead was of wood, but without curtains. He presently remembered where he was: on Samson Island—the guest of a child, a girl of fifteen.
He sprang out of bed and threw open the window. His room was over the porch. The fragrance of the lemon-verbena tree arose like steam from a haystack, and filled his chamber. Below him, and beyond the garden, the geese waddled on the green, the ducks splashed in the pond, and in the farmyard Peter walked about slowly, carrying a pitchfork in his hands, but, apparently, for amusement rather than use, as if it had been a court sword.
He looked at his watch. It was half-past seven. At this time in London he would have been still in the first long slumber of the night. Now he was eager to be up and dressed, if only for a better understanding of the situation. To be the guest of a child has the freshness of novelty; but it is a situation which might lead to complications. Suppose a guardian, or a lawyer, or a cousin of some kind were to cross over in a boat and ask what he was doing there. And suppose he had no better reply than the plain truth—that this young lady had been so good as to invite him. Would a man go down to stay at a country house on the simple invitation of a school-girl? At the same time, this girl appeared to be the mistress of the establishment. There was an ancient lady—too old for superintendence—and there were servants. Well, if no guardian challenged his presence, why, then, for a single day—he must not stay more—it surely mattered little. The girl was but a child. Yet he must not stay longer. Perhaps they were not too well off: he must not be a burden. And, again, though the girl invited him to stay she named no limit of time. She did not invite him to stay, for a week or for a fortnight. Perhaps she expected him to go away that very morning.
He proceeded—with somewhat thoughtful countenance, considering these things—to dress, paying as much attention to his personal appearance as a young man should, and an old man must. It is the privilege of middle-aged men to go slovenly if they please: no one regardeth him of middle age. While their locks are turning grey and their children are growing up they are in the thick of the day's work, and they may disregard, if they choose, the mysteries of the toilette. Apollo, however, must be as jealous about his apparel and adornment as the Graces themselves, who are always represented at the moment before the choice is made. A velvet jacket and a white waistcoat are trifles in themselves, but they become a youthful figure and a face which has finely-cut features and is decorated with a promising silky beard, pointed withal, and the brown shading of a young moustache. Besides, he who is an artist thinks more than other young men about such things. Dress, to him, as to a woman, becomes costume. Colour has to be considered; such picturesqueness as is possible in modern fashion is aimed at; the artistic craving for fitness and beauty must be satisfied. Roland did what he could: and with his velvet coat, a clean white waistcoat, a crimson scarf, a good figure, and a handsome face, he was as handsome a youth of twenty-one as one is likely to find anywhere.
Again, as he opened his door and began to descend the narrow stairs, there came over him that curious feeling of having been in the place before. He had felt it in the evening when Armorel played 'Dissembling Love.' Now he felt it again. And when he stood in the porch he seemed to remember standing there once—long ago, long ago—but how long he could not tell; nor, as happened to him before, could he remember what had happened on that occasion.
Armorel herself was in the garden looking for some flowers for the breakfast-table. She greeted him with a smile of welcome and a friendly grasp of the hand. There was also a look of kindly solicitude on her face which would have suited a châtelaine of forty years. Had he slept well? Had he really been provided with everything he wanted? Was there anything at all lacking? If so, would he speak to Chessun? Breakfast, she said, leaving him in the garden, would be served in a few minutes.
Would he speak to Chessun? Then, it seemed as if she meant him to stay another night. What should he do?
Then Armorel came back.
'Breakfast is quite ready,' she said. 'Come in, Roland Lee. It is a beautiful morning. There is a fresh breeze and a smooth sea. We can go anywhere this morning. I have spoken to Peter, and he will be ready to go with us in an hour or so. I think we may even get out to Scilly and Maiden Bower.'
Yes; the morning was bright and the sky was clear. In the golden sunshine of September the islets across the water showed like creations of a poet's dream.
Roland drew a deep breath of admiration. 'Everybody,' he said, 'ought to come to Scilly and to stay a long time.'
He turned from the view to the girl beside him. She had changed her blue flannel dress for a daintier and a prettier costume—think not that there are no shops at Hugh Town—of grey nun's cloth, daintily embroidered in front. Still at her throat she wore a red flower, and round her neck clung the golden torque found in the old king's grave. Her dark eyes glowed: her lips were parted in a smile: her cheek showed the dewy bloom that some girls, fortunate above their sisters, can exhibit when they first appear in the morning: her long tresses were now tied up and confined; she looked as if she had just stepped forth from her chamber, fresh from her sleep. No one certainly could have guessed that she had been up since six; nor that the fish which had been hissing in the frying-pan, and were now lying meekly side by side in a dish on the breakfast-table, were of her own catching. An hour's sitting in the boat off Samson Ledge with hook and line had procured this splendid contribution to the morning banquet. Fish fragrant with the salt sea: fish that had not been packed tight in boxes, nor travelled in railway trains, nor been slapped about on counters, nor been packed in ice; fish that can never lie on a London table—these were set out before Roland's hungry gaze.
The ancient dame did not appear. The two breakfasted, as they had supped,
