The Story of a Whim (Musaicum Romance Classics). Grace Livingston Hill

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The Story of a Whim (Musaicum Romance Classics) - Grace Livingston Hill

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Fla."

      The man who owned the name could scarcely believe his eyes. He knew of no one who would send him anything. An old neighbor had forwarded the few things he had saved from the sale of the old farm after his father and mother died, and the neighbor had since died himself; so this could not be something forgotten.

      He felt annoyed at the arrival of the mystery, and did not know what to do with the things, but at last brought over the wagon and reluctant pony, and with the help of the other men got them loaded on, the pony meanwhile eying his load with dislike and meditating how slow he could make his gait on account of his burden.

      Christie Bailey did not wait at the store that night as long as he usually did. He had intended going home by moonlight, but decided to try to make it before the sun went down. He wanted to understand about that freight at once. He found when he went back to the post-office that he could not sit with the same pleasure on a nail-keg and talk as usual. His mind was on the wagonload. He bought a few things, and started home.

      The sun had brought the short winter-day suddenly to a close, as it has a habit of doing in Florida, by dropping out of sight and leaving utter darkness with no twilight.

      Christie lighted an old lantern, and got the things into the cabin at once. Then he took his hatchet and screwdriver, and set to work.

      First the packing-case, for he instinctively felt that herein lay the heart of the matter. But not until he had taken the entire front off the case and taken out the handsome organ did he fully realize what had come to him.

      More puzzled than ever, he stood back with his arms folded, and whistled. He saw the key attached to a card, and, unlocking the organ, touched gently one of the ivory keys with his rough finger, as one might touch a being from another world.

      “HE STOOD BACK WITH HIS ARMS FOLDED, AND WHISTLED"

      Then he glanced about to see where he should put it; and suddenly, even in the dull, smoky lamplight, the utter gloom and neglect of the place burst upon him. Without more ado he selected the freest side of the room, and shoved everything out of the way.

      Then he brought a broom and swept it clean. After that he set the organ against the wall, and stood back to survey the effect. The disorderly table and the rusty stove were behind him, and the organ gave the spot a strange, cleared-up appearance.

      He did not feel at home. He turned to the confusion behind him. Something must be done before he opened anything more. He felt somehow as if the organ was a visitor, and must not see his poor housekeeping.

      He seized the frying-pan, scraped the contents into the yard, and called the dog. The dishes he put into a wooden tub outside the door, and pumped water over them. Then the mass of papers and boxes on table and chairs he piled into the darkest corner on the floor, straightened the row of boots and shoes, and, having done all that he could, he came back to the roll and box still unopened.

      The roll came first. He undid the strings with awkward fingers, and stood back in admiration once more when he brought to light a thick, bright rug and a Japanese screen.

      He spread the rug down, and puzzled sometime over the screen, as to its use, but finally stood it up in front of the worst end of the room and began on his box.

      There, at last, on the top was a letter in a fine, unknown hand. He opened it slowly, the blood mounting into his face, he knew not why, and read:

      "Dear Christie:—You see I am so sure you are a girl of my own age that I have concluded to begin my letter informally, and wish you a very merry Christmas and a glad, bright New Year. Of course you may be an old lady or a nice, comfortable, middle-aged one; and then perhaps you will think we are very silly; but we hope and believe you are a girl like ourselves, and so our hearts have opened to you, and we are sending you some things for Christmas."

      There followed an account of the afternoon at the freight-station, written in Hazel's most winning way, in which the words and ways and almost the voices and faces of Victoria Landis and Ruth and Esther and Marion and all the rest were shadowed forth.

      The color on the young man's face deepened as he read, and he glanced up uneasily at his few poor chairs and miserable couch; then before he read further he went and pulled the screen along to hide more of the confusion.

      He read the letter through, his heart waking up to the world and to longings he had never known he possessed before,—to the world in which Christmas has a place and in which young, bright life gives forth glad impulses; read to the end even, where Hazel inscribed her bit of a sermon full of good wishes and a little tender prayer that the spirit of Christmas might reign in that home and that the organ might be a help and a blessing to all around.

      There was a pitiful look of almost helpless misery on the young man's face when he had finished. The good old times when God had been a reality were suddenly brought into his reckless, isolated life, and he knew that God was God, even though he had neglected Him so long, and that to-morrow was Christmas Day.

      As a refuge from his own thoughts he turned back to the brimming box.

      The first article he took out was a pair of dainty knit lavender bedroom slippers with black and white ermine edges and delicate satin bows. Emily Whitten's aunt had knit them for her to take to college with her; and, Emily's feet being many sizes smaller than her aunt supposed, she had never worn them, and had tucked them in at the last minute to make a safe resting-place for a delicate glass vase, which she said would be lovely to hold flowers, on the organ, Sundays.

      They had written their nonsense thoughts on bits of labels all over the things, these gay young girls; and the young man read and smiled, and finally laughed aloud. He felt like a little boy just opening his first Christmas stocking.

      He unpinned the paper on the couch-cover, and read in Victoria's large, stylish, angular hand full directions for putting it on the couch. He glanced with a twinge of shame at the old lounge, and realized that these gay girls had seen all his shabby belongings and pitied him, and he half-resented the whole thing, until the delight of being pitied and cared for overcame his bitterness, and he laughed again.

      Green, soft and restful, had been chosen for the couch-cover; and it could not have fitted better if Victoria Landis had secretly had a tape-measure in her pocket and measured the couch, which perhaps she did on her second trip to the freight-house.

      Ruth Summers had made the pillows—there were two of them, and they were large and comfortable and sensible, of harmonizing greens and browns and a gleam of gold here and there.

      With careful attention to the directions, the new owner arrayed his old lounge, and placed the pillows as directed, "with a throw and a pat, not laid stiffly," from a postscript in Ruth's clear feminine hand. Then he stood back in awe that a thing so familiar and so ugly could suddenly assume such an air of ease and elegance. Would he ever be able to bring the rest of the room up to the same standard?

      But the box invited further investigation. There was a bureau set of dainty blue and white, a cover for the top and a pincushion to match. There were also a few yards of the material and a rough sketch with directions for a possible dressing-table, to be made of a wooden box in case Christie had no bureau.

      It was from Emily Whitten, and she said she could not remember seeing a bureau among the things, but she was sure any girl would know how to fix one up, and perhaps be glad of some new fixings for it.

      At these things the young

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