The Influence of Beaumarchais in the War of American Independence. Elizabeth Sarah Kite

Чтение книги онлайн.

Читать онлайн книгу The Influence of Beaumarchais in the War of American Independence - Elizabeth Sarah Kite страница 4

The Influence of Beaumarchais in the War of American Independence - Elizabeth Sarah Kite

Скачать книгу

man was Beaumarchais, that it is no wonder that he failed to receive recognition for his serious labors, or that many people refused to believe him in earnest at all. If his own nation regarded him somewhat in the light of an adventurer, surely the men of the New World, bred in stern necessity, accustomed to deal only with hard facts and unyielding realities, may be judged with less severity if they failed in comprehending the true nature of their benefactor and friend. He himself was the first to forgive them, and no spirit of enmity or personal resentment was ever to be observed in his subsequent attitude towards them. To the end he called them “My friends, the free men of America.”

      When, during the French Revolution, Beaumarchais, finding himself an exile, reduced to a beggarly garret in an obscure quarter of Hamburg while his wife, his daughter, and his sisters were languishing in a French prison, his property confiscated, and his credit ruined, addressed a final desperate appeal to the American people, begging for justice, not a voice was raised in his favor. Since Robert Morris, the Philadelphia financier, was allowed to remain for years in a debtor’s prison, it is not surprising that little interest was roused by the claims of a foreigner, in whose existence even, people refused seriously to believe.

      Tardy and very partial justice was at last rendered the heirs of Beaumarchais by the United States Government, when in 1835 their claims were settled by the payment of a portion of the debt owed to him; but as a personality he still remains unknown to us. The study which follows aims at portraying this unusual character in its true colors; it does not attempt to make of him an ideal hero, faultless and blameless; but it endeavors to show him as he was, full of violent contrasts, of limitless resource and energy, raising constantly about him a whirlwind of opposition, loved by his family and friends, hated by those whom he outstripped in the rapidity of his advancement, plunging from one gigantic enterprise into another, never at rest; ready at all times to come to the aid of distress which presented itself in any form, entering with sympathetic interest into the minutest details, always with time for everything, but above all, with persistent determination demanding justice, and in the pursuit of this aim, rousing the antagonism of all classes; attacking fearlessly time-honored institutions—literary, social and judicial—so that he becomes one of the most powerful undermining forces which finally brought about the total collapse of the old regime.

      In his adventurous career, the part which he played in the War of American Independence forms but an incident. Though the primary object of this book is to show what that part really was, yet it is necessary to study his life and character in order to understand why Beaumarchais was interested in our cause, and how it came about that he was able to render us such signal service.

      FOOTNOTES:

      [1] See Bancroft, Vol. III, p. 62.

      [2] See John Fiske’s American Revolution, Vol. I, p. 244.

      CHAPTER I

       Table of Contents

      “Je passe encore sous silence la scène dégoûtante entre deux hommes où vous vous êtes égaré jusqu’à me reprocher que je n’étais que le fils d’un horloger. Moi qui m’honore de mes parents. …”

       Beaumarchais au Duc de Chaulnes, 1771

      Early life—Trained by his Father to the Trade of Watchmaker—Invents an Escapement for Watches—First Lawsuit—Horloger du Roi—Enters the Court of Versailles as Contrôleur clerc d’office—First Marriage—Assumes the Name of Beaumarchais—Death of his Wife—Becomes Music Master to the Princesses of France—Attracts the Attention of Paris du Verney

      IT was on the twenty-fourth day of January, 1732, in an inconspicuous watchmaker’s shop on the rue St. Denis in Paris, that the child first saw the light who was baptized Pierre-August and whose family name was Caron. He was the seventh of ten children, six of whom were girls, but as his brothers all died in infancy he was the only son of the household and consequently its idol.

      Formed by nature for fun and frolic, the little “Pierrot” as he was called had the merriest possible childhood. His mother gentle, loving, and indulgent shielded her favorite from his father, who at times was somewhat stern, while his elder sisters petted and spoiled him, and the younger ones entered heartily into his games and pastimes. Two of the girls were younger than he, the one nearest his age, Julie, was his favorite, and was also the one who most resembled him by her talents and her native wit and gaiety. It is from her pen that we have most of the details of their early life. In some of her youthful rhymes Julie tells us how “Pierrot” commanded a band of little good-for-nothings, roving about either to plunder the larder of Margot, the cook, or returning at night to disturb the slumber of the peaceful inhabitants of the rue St. Denis. Again in inharmonious verse she recounts how—

      “Upon an incommodious seat Arranged in form of a pagoda Caron presents a magistrate, By his huge wig and linen collar. Each one pleads with might and main, Before that judge inexorable That nothing will appease, Whose only pleasure is to rain Upon his clients ever pleading Blows of fist and tongs and shovel;

Скачать книгу