to share in their merrymakings; to have the right to laugh and cry with them. The wives used to say when your father intimated visiting, 'I wish the mistress wad come wi' the minister, she's a graund cracker.' Your father was sometimes ill-off knowing what to talk about in the different houses; he wasn't one of those glib men with a fund of easy phrases, but when they got to know him they liked him the better for his quietness, and valued his few words more than other people's eloquence. How he would have enjoyed this, Ann! He loved the Green Glen, and the burn, and the whaups crying."
There was a silence, and Mrs. Douglas sat looking into the fire. She was far away from the little house among the hills. She was young again, and the husband of her youth was once more at her side. Pictures, softened and beautified by time, unrolled themselves before her eyes. Children played in a garden among flowers, their laughter and shouting came to her ears, she could see their faces lifted to hers; but no beckoning could bring them to her, for long ago they had grown up and gone away; they were but dream children who played in that garden.
Ann watched her mother with a soft look in her grey eyes. "I've been thinking, Mums, you ought to write your Life."
Mrs. Douglas came back to the present with an effort. "Write my life? But I did—don't you remember? On that yachting cruise we went, when the sea never stayed calm except for a few hours. There was nothing much to do, so I wrote my life in a twopenny pass-book, with a pencil, and none of you were at all encouraging about it. I read it aloud to you somewhere about the Azores, when you were lying seasick in your berth, and you said it made you feel worse; and Charlotte cried from the next cabin, 'Ann, what is wrong with Gran that she is making that curious, whining sound?' and Mark printed on the cover, 'The Life of auld Mistress Douglas written by herself,' and then it got lost."
"I remember," said Ann. "But this time it must be done properly. You'll tell it to me and I'll write it down, and we'll have it typed and perhaps printed, so that the children when they grow up will know what a queer little grandmother was theirs. Let me see—we'll be here alone until the Moncrieffs come about the middle of December; that will give us a month to work at it. Two hours every night, perhaps more. Does that please you, Motherkin?"
"Ann, you are trying to humour an old woman. I don't suppose the children would ever trouble to read my Life, except perhaps Alison—that child has a strong sense of duty; but I must say I would enjoy remembering it all.... Here are Marget and Mysie."
The two servants came into the room accompanied by a large Persian cat, grey, the colour of a November sky. This beautiful creature had been named by Ann the "Tatler," because his genius for falling into photographic attitudes reminded her, she said, of those ladies, fair and fashionable, whose pictures adorn the weekly pages of that popular journal.
Marget seated herself majestically. She was a tall woman, with a broad, honest face, and hair pulled straight back and covered by a cap—not the flippant scrap of muslin with a bow generally worn, but an erection of coffee-coloured lace, with touches of crimson velvet, which she alluded to as a "kep," and which gave her almost a regal air.
Marget had been thirty-five years with the Douglas family, and was so thoroughly a Douglas that there was never any thought of keeping her in her "place." Mysie, who was her niece, she kept under iron control, but she allowed herself much latitude. No one knew Marget's age. It was a subject on which she had always been excessively touchy. When the Census came round she had said, "I'll no' pit it doon till a' the bairns are oot, an' naebody but the maister'll ken, an' he'll no' tell."
She met all questions with "I'm as auld as ma little finger an' I'm aulder than ma teeth." In revenge the Douglases had intimated to their friends that they had inside knowledge that Marget was at least eighty.
After prayers Mysie left the room, but Marget generally remained for a "crack," delighting to bandy words with "Miss Ann"—a diversion which to-night ended in Ann being called "a daft lassie."
"Lassie!" cried Ann.
"Ye'll aye be a lassie to me," Marget told her; "but," turning to her mistress, "is it true, Mem, that she's gaun to write yer Life? I never ken when Miss Ann's speakin' the truth and when she's juist haverin'.... It wad be rale interestin'. Ye wad need to pit in aboot thon daft man wha cam' to see the maister and the pollis efter him, an' that awfu' fricht we got wi' the big fire in the linoleum factory, and aboot the man wha drooned hissel in the Panny Pond and floatit...."
"Yes, Marget," said Ann, "we'll need your help to decide what is to be put in. One thing, of course, must go in—your age."
Marget rose from her chair with a we-are-not-amused look, put the Bibles back in their proper places, dropped her delightful, old-fashioned curtsey, walked to the door, and said before she closed it behind her:
"Ye wadna daur. An', what's mair, ye dinna ken it."
CHAPTER II
Two nights later, when the stars had come out to look down at the Green Glen and the curtains were drawn in Dreams, Ann sat down before a small table on which lay a pile of paper and a fountain-pen, and told her mother that she was now ready to write her Life.
"But how do you begin a Life?" Mrs. Douglas asked. She was sitting in her favourite low chair, doing what she called her "reading." Beside her was a pile of devotional books, from each of which she read the portion for the day. Nothing would make her miss this ceremony, and she carted the whole pile about with her wherever she went.
"Shall I give you the date of my birth and say that I was the child of poor but honest parents? I seem to remember that beginning."
"No," Ann decided, "we'll leave dates alone; they are 'chiels that winna ding.' The point is, what style would you like me to write it in? We might begin like The Arabian Nights—'It is related (but God alone is all-knowing, as well as all-wise and all-mighty and all-bountiful) that there was in ancient times a fair virgin, Helen....' But I think, perhaps, your history is too tame and domestic for such a highly coloured style."
"I should think so, indeed," said her mother, as she laid down Hours of Silence and took up Come ye Apart.
"What about the Russian touch?" Ann asked, waving her pen. "Like this: 'She turned upon her pillow, tearing at its satin cover with her nails, then, taking a spoonful of bromide, she continued——'"
"Oh, Ann—don't be ridiculous!"
"Or shall I dispense entirely with commas, inverted and otherwise, and begin without a beginning at all, as the very best people do? It does make Aunt Agatha so angry, that sort of book, where no explanations are offered, and you suddenly find yourself floundering among a lot of Christian names. Anyway, it's much too clever for me to attempt! I'm afraid we must confine ourselves to a plain narrative, with no thoughts, only incidents. I think I'll begin: 'In my youth I wasna what you would ca' bonnie, but I was pale, penetratin', and interestin'.' How is that?"
Mrs. Douglas shook her head. She had reached From Day to Day, and would soon be at the apex of the pile, Golden Grain. "If you are going to describe my appearance you might at least be accurate."
"Well," said her daughter, "I only know you from a very old photograph as a moon-faced child with tight curls, and then, later, with two babies and a cap! What were you really like?"
Mrs. Douglas sat very upright, with a becoming pink flush on her face and a little smile
