eye Johnny from head to foot, his boy's clothing somewhat spotted, his bulging pockets, his always dusty shoes, and when he twisted uneasily, not understanding why, she had a thrill of purely feminine delight. It was on one such occasion that she first noticed Amelia Wheeler particularly.
It was a lovely warm morning in May, and Lily was a darling to behold—in a big hat with a wreath of blue flowers, her hair tied with enormous blue silk bows, her short skirts frilled with eyelet embroidery, her slender silk legs, her little white sandals. Madame's maid had not yet struck the Japanese gong, and all the pupils were out on the lawn, Amelia, in her clean, ugly gingham and her serviceable brown sailor hat, hovering near Lily, as usual, like a common, very plain butterfly near a particularly resplendent blossom. Lily really noticed her. She spoke to her confidentially; she recognized her fully as another of her own sex, and presumably of similar opinions.
“Ain't boys ugly, anyway?” inquired Lily of Amelia, and a wonderful change came over Amelia. Her sallow cheeks bloomed; her eyes showed blue glitters; her little skinny figure became instinct with nervous life. She smiled charmingly, with such eagerness that it smote with pathos and bewitched.
“Oh yes, oh yes,” she agreed, in a voice like a quick flute obbligato. “Boys are ugly.”
“Such clothes!” said Lily.
“Yes, such clothes!” said Amelia.
“Always spotted,” said Lily.
“Always covered all over with spots,” said Amelia.
“And their pockets always full of horrid things,” said Lily.
“Yes,” said Amelia.
Amelia glanced openly at Johnny Trumbull; Lily with a sidewise effect.
Johnny had heard every word. Suddenly he arose to action and knocked down Lee Westminster, and sat on him.
“Lemme up!” said Lee.
Johnny had no quarrel whatever with Lee. He grinned, but he sat still. Lee, the sat-upon, was a sharp little boy. “Showing off before the gals!” he said, in a thin whisper.
“Hush up!” returned Johnny.
“Will you give me a writing-pad—I lost mine, and mother said I couldn't have another for a week if I did—if I don't holler?” inquired Lee.
“Yes. Hush up!”
Lee lay still, and Johnny continued to sit upon his prostrate form. Both were out of sight of Madame's windows, behind a clump of the cedars which graced her lawn.
“Always fighting,” said Lily, with a fine crescendo of scorn. She lifted her chin high, and also her nose.
“Always fighting,” said Amelia, and also lifted her chin and nose. Amelia was a born mimic. She actually looked like Lily, and she spoke like her.
Then Lily did a wonderful thing. She doubled her soft little arm into an inviting loop for Amelia's little claw of a hand.
“Come along, Amelia Wheeler,” said she. “We don't want to stay near horrid, fighting boys. We will go by ourselves.”
And they went. Madame had a headache that morning, and the Japanese gong did not ring for fifteen minutes longer. During that time Lily and Amelia sat together on a little rustic bench under a twinkling poplar, and they talked, and a sort of miniature sun-and-satellite relation was established between them, although neither was aware of it. Lily, being on the whole a very normal little girl, and not disposed to even a full estimate of herself as compared with others of her own sex, did not dream of Amelia's adoration, and Amelia, being rarely destitute of self-consciousness, did not understand the whole scope of her own sentiments. It was quite sufficient that she was seated close to this wonderful Lily, and agreeing with her to the verge of immolation.
“Of course,” said Lily, “girls are pretty, and boys are just as ugly as they can be.”
“Oh yes,” said Amelia, fervently.
“But,” said Lily, thoughtfully, “it is queer how Johnny Trumbull always comes out ahead in a fight, and he is not so very large, either.”
“Yes,” said Amelia, but she realized a pang of jealousy. “Girls could fight, I suppose,” said she.
“Oh yes, and get their clothes all torn and messy,” said Lily.
“I shouldn't care,” said Amelia. Then she added, with a little toss, “I almost know I could fight.” The thought even floated through her wicked little mind that fighting might be a method of wearing out obnoxious and durable clothes.
“You!” said Lily, and the scorn in her voice wilted Amelia.
“Maybe I couldn't,” said she.
“Of course you couldn't, and if you could, what a sight you'd be. Of course it wouldn't hurt your clothes as much as some, because your mother dresses you in strong things, but you'd be sure to get black and blue, and what would be the use, anyway? You couldn't be a boy, if you did fight.”
“No. I know I couldn't.”
“Then what is the use? We are a good deal prettier than boys, and cleaner, and have nicer manners, and we must be satisfied.”
“You are prettier,” said Amelia, with a look of worshipful admiration at Lily's sweet little face.
“You are prettier,” said Lily. Then she added, equivocally, “Even the very homeliest girl is prettier than a boy.”
Poor Amelia, it was a good deal for her to be called prettier than a very dusty boy in a fight. She fairly dimpled with delight, and again she smiled charmingly. Lily eyed her critically.
“You aren't so very homely, after all, Amelia,” she said. “You needn't think you are.”
Amelia smiled again.
“When you look like you do now you are real pretty,” said Lily, not knowing or even suspecting the truth, that she was regarding in the face of this little ardent soul her own, as in a mirror.
However, it was after that episode that Amelia Wheeler was called “Copy-Cat.” The two little girls entered Madame's select school arm in arm, when the musical gong sounded, and behind them came Lee Westminster and Johnny Trumbull, surreptitiously dusting their garments, and ever after the fact of Amelia's adoration and imitation of Lily Jennings was evident to all. Even Madame became aware of it, and held conferences with two of the under teachers.
“It is not at all healthy for one child to model herself so entirely upon the pattern of another,” said Miss Parmalee.
“Most certainly it is not,” agreed Miss Acton, the music-teacher.
“Why, that poor little Amelia Wheeler had the rudiments of a fairly good contralto. I had begun to wonder if the poor child might not be able at least to sing a little, and so make up for—other things; and now she tries to sing high like Lily Jennings, and I simply cannot prevent it. She has heard Lily play, too, and has lost her own touch, and now it is neither one thing nor the other.”
“I
