True Tilda. Arthur Quiller-Couch

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True Tilda - Arthur Quiller-Couch

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the hospital bedclothes. A tress of her hair had come uncoiled and looped itself across the pillow—reddish auburn hair, streaked with grey. She had been brought in, three nights ago, drenched, bedraggled, chattering in a high fever; a case of acute pneumonia. Her delirium had kept Tilda—who was preternaturally sharp for her nine years—awake and curious during the better part of two night-watches. Thereafter, for a day and a night and half a day, the patient had lain somnolent, breathing hard, at intervals feebly conscious. In one of these intervals her eyes had wandered and found the child; and since then had painfully sought her a dozen times, and found her again and rested on her.

      Tilda, meeting that look, had done her best. The code of the show-folk, to whom she belonged, ruled that persons in trouble were to be helped. Moreover, the long whitewashed ward, with its seven oblong windows set high in the wall—the smell of it, the solitude, the silence—bored her inexpressibly. She had lain here three weeks with a hurt thigh-bone bruised, but luckily not splintered, by the kick of a performing pony.

      The ward reeked of yellow soap and iodoform. She would have exchanged these odours at the price of her soul—but souls are not vendible, and besides she did not know she possessed one—for the familiar redolences of naphtha and horse-dung and trodden turf. These were far away: they had quite forsaken her, or at best floated idly across her dreams. What held her to fortitude had been the drone and intermittent hoot of a steam-organ many streets away. It belonged to a roundabout, and regularly tuned up towards evening; so distant that Tilda could not distinguish one tune from another; only the thud of its bass mingled with the buzz of a fly on the window and with the hard breathing of the sick woman.

      Sick persons must be amused: and Tilda, after trying the patient unsuccessfully with a few jokes from the repertoire of her own favourite clown, had fallen back upon "I love my love"—about the only game known to her that dispensed with physical exertion.

      "Sleepin', are you? … Well, I'll chance it and go on. I 'ate 'im because he's 'aughty—or 'igh-born, if you like—"

      The figure beneath the bedclothes did not stir. Tilda lifted herself an inch higher on the elbow; lifted her voice too as she went on:

      "And I'll take 'im to—'OLMNESS—"

      She had been watching, expecting some effect. But it scared her when, after a moment, the woman raised herself slowly, steadily, until half-erect from the waist. A ray of the afternoon sun fell slantwise from one of the high windows, and, crossed by it, her eyes blazed like lamps in their sockets.

      "—And feed 'im on 'am!" concluded Tilda hurriedly, slipping down within her bedclothes and drawing them tight about her. For the apparition was stretching out a hand. The hand drew nearer.

      "It's—it's a name came into my 'ead," quavered the child.

      "Who … told … you?" The fingers of the hand had hooked themselves like a bird's claw.

      "Told me yerself. I 'eard you, night before last, when you was talkin' wild. … If you try to do me any 'arm, I'll call the Sister."

      "Holmness?"

      "You said it. Strike me dead if you didn'!" Tilda fetched a grip on herself; but the hand, its fingers closing on air, drew back and dropped, as though cut off from the galvanising current. She had even presence of mind to note that the other hand—the hand on which the body propped itself, still half-erect, wore a plain ring of gold. "You talked a lot about 'Olmness—and Arthur. 'Oo's Arthur?"

      But the patient had fallen back, and lay breathing hard. When she spoke again all the vibration had gone out of her voice.

      "Tell them … Arthur … fetch Arthur. … " The words tailed off into a whisper. Still the lips moved as though speech fluttered upon them; but no speech came.

      "You just tell me where he is, and maybe we'll fetch 'im," said Tilda encouragingly.

      The eyes, which had been fixed on the child's, and with just that look you may note in a dog's eyes when he waits for his master's word, wandered to the table by the bedside, and grew troubled, distressful.

      "Which of 'em?" asked Tilda, touching the medicine bottles and glasses there one by one.

      But the patient seemed to shake her head, though with a motion scarcely perceptible.

      She could talk no more.

      Tilda lay back thinking.

      "Sister!" she said, twenty minutes later, when the Second Nurse entered the ward. The Second Nurse had charge just now, the matron being away on her August holiday.

      "Well, dear?"

      "She wants something." Tilda nodded towards the next bed.

      "To be sure she does, and I'm going to give it to her." The Second

       Nurse, composed in all her movements, bent over the medicine table.

      "Garn!" retorted Tilda. "It's easy seen you wasn' brought up along with animals. Look at the eyes of her."

      "Well?" The Second Nurse, after a long look at the patient, turned to

       Tilda again.

      "You mind my tellin' you about Black Sultan?"

      "Of course I do. He was the one with the bearing rein and the white martingale. Miss Montagu rode him."

      "Right-O!" Tilda nodded. "Well, they used to come on next turn to mine, which was the Zambra Fambly, as before the Crowned 'eads—only there wasn' no fambly about it, nor yet no 'eads. Me bein' 'andy an' dressed up, with frizzy 'air, they stood me on a tub with a 'oop, makin' believe 'twas for Miss Montagu to jump through; but of course she didn', reely. When she came round to me she'd only smile and touch me playful under the chin; and that made the sixpenny seats say, ''Ow womanly!' or, 'Only think! able to ride like that and so fond of children!' Matter of fact, she 'ad none; and her 'usband, Mike O'Halloran, used to beat her for it sometimes, when he'd had a drop of What-killed-Aunty. He was an Irishman."

      "You didn't start to tell me about Mr. O'Halloran."

      "No. He wasn' your sort at all; and besides, he's dead. But about Black Sultan—Miss Montagu used to rest 'im, 'alf-way in his turn, while the clown they called Bimbo—but his real name was Ernest Stanley—as't a riddle about a policeman and a red 'errin' in a newspaper. She always rested alongside o' me; and I always stood in the same place, right over a ring-bolt where they made fast one of the stays for the trapeze; and regular as Black Sultan rested, he'd up with his off hind foot and rub the pastern-bone, very soft, on the ring-bolt. So one day I unscrewed an' sneaked it, jus' to see what he'd do. When he felt for it an' missed it, he gave me a look. That's all. An' that's what's the matter with 'er."

      "But what can she be missing?" asked the Second Nurse. "She had nothing about her but an old purse, and nothing in the purse but a penny-ha'penny."

      "It don't sound much, but we might try it."

      "Nonsense!" said the Second Nurse; but later in the evening she brought the purse, and set it on the table where the patient's eyes might rest on it. For aught she could detect, they expressed no thanks, gave no flicker of recognition. But the child had been watching them too, and was quicker—by one-fifth of a second, perhaps.

      It was half-past eight, and the sister turned low the single gas-jet.

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