became swift sword-thrusts of blinding light that seemed to stab deep the earth. Lorraine ran awkwardly, her hands over her ears, crying out at each lightning flash, her voice drowned in the thunder that followed it close. Then, as she neared the somber group of buildings, the clouds above them split with a terrific, rending crash, and the whole place stood pitilessly revealed to her, as if a spotlight had been turned on. Lorraine stood aghast. The buildings were not buildings at all. They were rocks, great, black, forbidding boulders standing there on a narrow ridge, having a diabolic likeness to houses.
The human mind is wonderfully resilient, but readjustment comes slowly after a shock. Dumbly, refusing to admit the significance of what she had seen, Lorraine went forward. Not until she had reached and had touched the first grotesque caricature of habitation did she wholly grasp the fact that she was lost, and that shelter might be miles away. She stood and looked at the orderly group of boulders as the lightning intermittently revealed them. She saw where the road ran on, between two square-faced rocks. She would have to follow the road, for after all it must lead somewhere—to her father's ranch, probably. She wondered irrelevantly why her mother had never mentioned these queer rocks, and she wondered vaguely if any of them had caves or ledges where she could be safe from the lightning.
She was on the point of stepping out into the road again when a horseman rode into sight between the two rocks. In the same instant of his appearance she heard the unmistakable crack of a gun, saw the rider jerk backward in the saddle, throw up one hand—and then the darkness dropped between them.
Lorraine crouched behind a juniper bush close against the rock and waited. The next flash, came within a half-minute. It showed a man at the horse's head, holding it by the bridle. The horse was rearing. Lorraine tried to scream that the man on the ground would be trampled, but something went wrong with her voice, so that she could only whisper.
When the light came again the man who had been shot was not altogether on the ground. The other, working swiftly, had thrust the injured man's foot through the stirrup. Lorraine saw him stand back and lift his quirt to slash the horse across the rump. Even through the crash of thunder Lorraine heard the horse go past her down the hill, galloping furiously. When she could see again she glimpsed him running, while something bounced along on the ground beside him.
She saw the other man, with a dry branch in his hand, dragging it across the road where it ran between the two rocks. Then Lorraine Hunter, hardened to the sight of crimes committed for picture values only, realized sickeningly that she had just looked upon a real murder—the cold-blooded killing of a man. She felt very sick. Queer little red sparks squirmed and danced before her eyes. She crumpled down quietly behind the juniper bush and did not know when the rain came, though it drenched her in the first two or three minutes of downpour.
CHAPTER FOUR
"SHE'S A GOOD GIRL WHEN SHE AIN'T CRAZY"
When the sun has been up just long enough to take the before-dawn chill from the air without having swallowed all the diamonds that spangle bush and twig and grass-blade after a night's soaking rain, it is good to ride over the hills of Idaho and feel oneself a king—and never mind the crown and the scepter. Lone Morgan, riding early to the Sawtooth to see the foreman about getting a man for a few days to help replace a bridge carried fifty yards downstream by a local cloudburst, would not have changed places with a millionaire. The horse he rode was the horse he loved, the horse he talked to like a pal when they were by themselves. The ridge gave him a wide outlook to the four corners of the earth. Far to the north the Sawtooth range showed blue, the nearer mountains pansy purple where the pine trees stood, the foothills shaded delicately where canyons swept down to the gray plain. To the south was the sagebrush, a soft, gray-green carpet under the sun. The sky was blue, the clouds were handfuls of clean cotton floating lazily. Of the night's storm remained no trace save slippery mud when his horse struck a patch of clay, which was not often, and the packed sand still wet and soggy from the beating rain.
Rock City showed black and inhospitable even in the sunlight. The rock walls rose sheer, the roofs slanted rakishly, the signs scratched on the rock by facetious riders were pointless and inane. Lone picked his way through the crooked defile that was marked Main Street on the corner of the first huge boulder and came abruptly into the road. Here he turned north and shook his horse into a trot.
A hundred yards or so down the slope beyond Rock City he pulled up short with a "What the hell!" that did not sound profane, but merely amazed. In the sodden road were the unmistakable footprints of a woman. Lone did not hesitate in naming the sex, for the wet sand held the imprint cleanly, daintily. Too shapely for a boy, too small for any one but a child or a woman with little feet, and with the point at the toes proclaiming the fashion of the towns, Lone guessed at once that she was a town girl, a stranger, probably—and that she had passed since the rain; which meant since daylight.
He swung his horse and rode back, wondering where she could have spent the night. Halfway through Rock City the footprints ended abruptly, and Lone turned back, riding down the trail at a lope. She couldn't have gone far, he reasoned, and if she had been out all night in the rain, with no better shelter than Rock City afforded, she would need help—"and lots of it, and pretty darn quick," he added to John Doe, which was the ambiguous name of his horse.
Half a mile farther on he overtook her. Rather, he sighted her in the trail, saw her duck in amongst the rocks and scattered brush of a small ravine, and spurred after her. It was precarious footing for his horse when he left the road, but John Doe was accustomed to that. He jumped boulders, shied around buckthorn, crashed through sagebrush and so brought the girl to bay against a wet bank, where she stood shivering. The terror in her face and her wide eyes would have made her famous in the movies. It made Lone afraid she was crazy.
Lone swung off and went up to her guardedly, not knowing just what an insane woman might do when cornered. "There, now, I'm not going to hurt yuh at all," he soothed. "I guess maybe you're lost. What made you run away from me when you saw me coming?"
Lorraine continued to stare at him.
"I'm going to the ranch, and if you'd like a ride, I'll lend you my horse. He'll be gentle if I lead him. It's a right smart walk from here." Lone smiled, meaning to reassure her.
"Are you the man I saw shoot that man and then fasten him to the stirrup of the saddle so the horse dragged him down the road? If you are, I—I——"
"No—oh, no, I'm not the man," Lone said gently. "I just now came from home. Better let me take you in to the ranch."
"I was going to the ranch—did you see him shoot that man and make the horse drag him—make the horse—he slashed that horse with the quirt—and he went tearing down the road dragging—it—it was—horrible!"
"Yes—yes, don't worry about it. We'll fix him. You come and get on John Doe and let me take you to the ranch. Come on—you're wet as a ducked pup."
"That man was just riding along—I saw him when it lightened. And he shot him—oh, can't you do something?"
"Yes, yes, they're after him right now. Here. Just put your foot in the stirrup—I'll help you up. Why, you're soaked!" Perseveringly Lone urged her to the horse. "You're soaking wet!" he exclaimed again.
"It rained," she muttered confusedly. "I thought it was the ranch—but they were rocks. Just rocks. Did you see him shoot that man? Why—why it shouldn't be allowed! He ought to be arrested right away—I'd have called a policeman but—isn't
