steam and steel would be drawn back to me, instead of bearing you away. Ah, my Eugene! You wondered why I put my hands behind me, and would not see your out-stretched arms! Now that you are gone, and will not return for so long—until so near the day when I may be all that I am capable of becoming to you, let me tell you—I was afraid!
"Not of you, dearest, not of you—for with all your ardor of wooing (and no girl ever had a more perfect lover—I shall always thank God for that mixture of Lancelot and Sir Galahad in you which makes every moment in your presence a delight), I always knew that you could leave me like a sensible boy, and, while longing for me, stay away. But I—whom you have sometimes complained of a little for my coldness—had I not looked above your eyes, and put my hands behind me, I should have clung to you, dear, I was afraid, and never have allowed you to go as you are now going, and made you feel that I am not the perfect woman that you describe to me, as me. Even now, I fear that this letter will do me harm in your heart; but all the lover in me—and girls inherit from their fathers as well as from their mothers—cries out in me to woo you; and you must forget this, only at such times of tenderness as you will sometimes have while you are gone, when one embrace would be worth a world. Then read or remember this, as my return-clasp for such thoughts.
"Besides, may I not, now that you are away from me, give you a glimpse of that side of my soul which a girl is taught to hide? This was the 'swan's nest among the reeds' which Little Ellie meant to show to that lover who, maybe, never came. Ah, Mrs. Browning was a woman, and knew! (Mind, dear, it's Mrs. Browning I speak of!)
"Sometimes, when the Knight has come, and the wife wishes to show the glories of her soul, 'the wild swan has deserted, and a rat has gnawed the reed.' Let the wild and flowery little pool of womanhood which is yours—yours, dearest—grow somewhat less strange to you than it would have been—last evening—so that when you see me again you will see it as a part of me, and, without a word or look from me, know me, even more than you now do,
"Yours,
"Elizabeth."
Florian read it again and again. Sometimes he blushed—not with shame, but with the embarrassment of a girl—at the fervid eloquence. And then he would feel a twinge of envy for this Eugene Brassfield who could be to such a girl "a perfect lover."
"From one soon to be a bride," said he to himself, "to the man she loves: it's the sweetest letter ever written. I wonder how long ago she wrote it! Here's the date: 7th January, 1901. Odd, that she should mistake the year! But it was the 7th, no doubt. By the way, I don't know the day of the week or month, or what month it is! Here, boy! Is that the morning paper?"
He seized the paper feverishly, held it crushed in his hand until the boy left him, and then spread it out, looking for the date. It was January the 8th, 1901! The letter had been written the preceding evening. Whatever had happened to this man Brassfield, had occurred within the past sixteen hours. And, great God! where had Florian Amidon been since June, 1896? All was dark; and, in sympathy with it, blackness came over his eyes, and he rode into New York in a dead faint.
III
ANY PORT IN A STORM
Cosimo: Join us, Ludovico! Our plans are ripe, Our enterprise as fairly lamped with promise As yon steep headland, based, 'tis true, with cliff, But crowned with waving palms, and holding high Its beaconing light, as holds its jewel up, Your lady's tolling finger! Come, the stage Is set, your cue is spoke.
Ludovico: And all the lines Are stranger to my lips, and alien quite To car and eye and mind. I tell thee, Cosimo, This play of thine is one in which no man Should swagger on, trusting the prompter's voice; For mountains tipped with fire back up the scene, Out of the coppice roars the tiger's voice: The lightning's touch is death; the thunder rends The very rocks whereon its anger lights, The paths are mined with gins; and giants wait To slay me should I speak with faltering tongue Their crafty shibboleth! Most dearest coz, This part you offer bids me play with death! I'll none of it. —Vision of Cosimo.
"Comin' round all right, now, suh?" said the learned-looking porter. "Will you go to the Calumet House, as usual, suh? Ca'iage waitin', if you feel well enough to move, suh."
"I'm quite well," said Mr. Amidon, though he did not look it, "and will go to the—what hotel did you say?"
"Calumet, suh; I know you make it yo' headquahtahs thah."
"Quite right," said Mr. Amidon; "of course. Where's the carriage and my grips?"
He had never heard of the Calumet; but he wanted, more than anything else then, privacy in which he might collect his faculties and get himself in hand, for his whole being was in something like chaos. On the way, he stopped the cab several times to buy papers. All showed the fatal date. He arrived at the palatial hotel in a cab filled with papers, from which his bewildered countenance peered forth like that of a canary-bird in the nesting-season. He was scarcely within the door, when obsequious servants seized his luggage, and vied with one another for the privilege of waiting on him.
"Why, how do you do?" said the clerk, in a manner eloquent of delighted recognition. "Your old room, I suppose?"
"Yes, I think so," said Mr. Amidon.
The clerk whirled the register around, and pointing with his pen, said:
"Right there, Mr. Brassfield."
Mr. Amidon's pen stopped midway in the downward stroke of a capital F.
"I think," said he, "that I'll not register at present. Let me have checks for my luggage, please—I may not stay more than an hour or so."
"As you please," said the clerk. "But the room is entirely at your service, always, you know. Here are some telegrams, sir. Came this morning."
He took and eyed the yellow envelopes with "E. Brassfield" scrawled on them, as if they had been infernal machines; but he made no movement toward opening them. Something in the clerk's look admonished him that his own was extraordinary. He felt that he must seek solitude. To be called by this new and strange name; to have thrust on him the acting of a part in which he knew none of the lines and dared not refuse the character; and all these circumstances made dark and sinister by the mysterious maladjustment of time and place; the possession of another man's property; the haunting fear that in it somewhere were crime and peril—these things, he thought, would drive him out of his senses, unless he could be alone.
"I think I'll take the room," said he.
"If any one calls?" queried the clerk.
"I'm not in," said Amidon, gathering up the telegrams. "I do not wish to be disturbed on any account."
Five years! What did it mean? There must be some mistake. But the break in the endless chain of time, the change from summer to winter, and from the dropping to sleep at Elm Springs Junction to the awakening in the car—there could be no mistake about these. He sat in the room to which he had been shown, buried in the immense pile in the strange city, as quiet as a heron in a pool, perhaps the most solitary man on earth, these thoughts running in a bewildering circle through his mind. The dates of
