Captain Fracasse. Theophile Gautier

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Captain Fracasse - Theophile Gautier

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unusual luxury at that epoch—in the numerous lofty windows, through which the rich hangings within were visible; and a projecting porch, reached by an imposing flight of broad stone steps, in the centre of the facade, marked the main entrance. The high, steep roof was of slate, in several shades, wrought into a quaint, pretty pattern, and the groups of tall chimneys were symmetrically disposed and handsomely ornamented. There was a look of gaiety and luxury about this really beautiful chateau which gave the idea of great prosperity, but not the slightest approach to vulgar pretension. There was nothing meretricious or glaring; everything was substantial and in perfect taste, and an indescribably majestic, dignified air, if we may be allowed the expression, pervaded the whole establishment, which spoke of ancient wealth and nobility under all this modern splendour.

      Behind the chateau, its gardens and terraces, was a veritable forest of lofty, venerable trees, forming the magnificent park, which was of great extent, and for centuries had been the pride of the Bruyeres.

      Although our high-minded young hero had never been envious of any one in his life, he could not altogether suppress the melancholy sigh with which he remembered that in former years the de Sigognacs had stood higher than the de Bruyeres in the province, and had taken precedence of them at court; nor could he help contrasting in his own mind this fresh, new chateau, replete with every beauty and luxury that a cultivated taste could devise and plentiful wealth procure, with his own desolate, dilapidated mansion—the home of owls and rats—which was gradually but surely crumbling into dust, and a keen pang shot through his heart at the thought. He recalled the dreary, solitary, hopeless life he had led there, and said to himself that the Marquis de Bruyeres ought to be a very happy man, with so much to make his existence delightful. The stopping of the chariot at the foot of the broad stone steps in the front of the chateau aroused him from his reverie; he dismissed as quickly as he could the sad thoughts that had engrossed him, endeavoured to dismiss also the dark shadow from his brow, and jumping lightly to the ground turned and held out his hand to help Isabelle to descend, before any one else could offer her that little service.

      The Marquis de Bruyeres, who had seen the chariot advancing slowly up the avenue, stood in the porch to receive them. He was superbly dressed, and looked very handsome, as both Serafina and the soubrette secretly remarked. He descended two or three steps as the chariot stopped, and welcomed his guests with a friendly wave of the hand—doing them as much honour as if they had been of his own rank—which act of courtesy, let us hasten to explain, was because of the Baron de Sigognac’s presence among them; but for that they would not have been brought to the main entrance at all.

      At this moment the wily soubrette, seeing her opportunity for a bold stroke, prepared to alight; and as de Sigognac was fully occupied with Isabelle, and nobody else thought of paying any attention to her—for she always jumped to the ground as lightly as a bird, disdaining assistance—she hesitated for a moment, with an adorable little air of timidity, and then raised an appealing glance to the marquis. He could not resist it, and, rushing down the steps to her aid, held out both hands to her. With wonderful art the clever little actress managed to slip and lose her balance, so as to fall into his extended arms, clasping him around the neck as she did so.

      “Pardon me, my lord,” said she, breathlessly, to the marquis, feigning a confusion she was far from really feeling, “I thought I was going to fall, and grasped your collar, just as a drowning man clutches at the nearest object. A fall is a bad omen, you know, as well as a serious matter, for a poor actress.”

      “Permit me to look upon this little accident as a favour,” the marquis replied, giving her a most significant glance, and lightly pressing her yielding form in his arms before he released her.

      Serafina had watched this little by-play out of the corner of her eye, though her face was apparently turned away from them, and she bit her lip till it bled, with vexation; so after all the soubrette had succeeded, by an abominably bold action, in compelling the marquis to neglect her betters and give his warmest welcome to a low intrigante, said the “leading lady” to herself, swelling with righteous indignation, and abusing the offender roundly in her thoughts—wishing that she could do it aloud, and expose her outrageous, unmannerly artifice.

      “Jean,” said the marquis to a servant in livery who stood near, “have this chariot taken into the court, and see that the decorations, scenery, etc., are carefully put in some convenient place; have the luggage of these ladies and gentlemen carried to the rooms that I ordered to be made ready for them, and take care that they have everything they want;” then in a lower tone, but very emphatically, “I desire that they should be treated with the utmost courtesy and respect.”

      These orders being given, the marquis gravely ascended the steps, followed by the comedians, and having consigned them to his major-domo to show them to their respective rooms and make them comfortable, he gracefully bowed and left them; darting an admiring glance at the soubrette as he did so, which she acknowledged by a radiant smile, that Serafina, raging inwardly, pronounced “abominably bold.”

      The chariot meantime had made its way into a back court, accompanied by the tyrant, the pedant and Scapin, who superintended the unloading of the various articles that would be needed—a strange medley, which the supercilious servants of the chateau, in their rich liveries, handled with a very lofty air of contempt and condescension, feeling it quite beneath their dignity to wait upon a band of strolling players. But they dared not rebel, for the marquis had ordered it, and he was a severe master, as well as a very generous one.

      The major-domo, however, conducted his charges to their appointed chambers with as profound an air of respect as if they had been real princes and princesses; for the marquis himself had visited the left wing of the chateau, where they were to be lodged, had specified the room for each guest, and ordered that they should want for nothing—a very unusual proceeding on his part, as he was in the habit of leaving all such minor details to his trusty major-domo. A beautiful chamber, hung with tapestry which represented the loves of Cupid and Psyche, was given to the soubrette, the pretty, dainty, blue one to Isabelle, and the luxurious red one to Serafina, whilst the more sober brown one was assigned to the duenna. The Baron de Sigognac was installed in a magnificent apartment, whose panelled walls were covered with richly embossed Spanish leather. It was close to Isabelle’s room—a delicate attention on the part of the marquis. This superb chamber was always reserved for his most honoured guests, and in giving it to our young hero he desired to testify that he recognised and appreciated his rank, though he religiously respected his incognito.

      When de Sigognac was left alone, and at liberty to think over quietly the odd situation in which he found himself, he looked at his magnificent surroundings with surprise as well as admiration—for he had never in his life seen, or even imagined, such splendour and luxury. The rich glowing colours of the chimerical flowers and foliage embossed on a golden ground of the Spanish leather on the walls, the corresponding tints in the frescoed ceiling and the heavy, silken hangings at the windows and doors and round the bed, the elaborately carved and gilded furniture, the luxurious easy-chairs and sofas, the large mirrors with bevelled edges, and the dainty dressing-table, lavishly furnished with all the accessories of the toilet, with its oval glass draped with lace which was tied back with knots of gay ribbon, certainly did make up a charming whole, and the wood fire burning brightly in the open fireplace gave a cheerful, cosy air to it all.

      Our poor young baron blushed painfully as he caught sight of his own figure in one of the long mirrors—his shabby, ill-fitting clothes looked so sadly out of place amidst all this magnificence—and for the first time in his life he felt ashamed of his poverty. Highly unphilosophical this, but surely excusable in so young a man as our hero. With a natural desire to improve his forlorn appearance if he could, he unpacked the scanty supply of clothing that his faithful Pierre had put up for him—hoping that he might come across something a little less thread-bare than the suit he actually had on his back—but the inspection was not satisfactory, and he groaned as he discarded one faded, shabby garment after another. The linen was not any better—worn

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