over the entrance without. This one was in somewhat better preservation than the other, and seemed to bear something resembling three golden storks (cigognes) on an azure field; though it was so much in shadow, and so faded and dingy, that it was impossible to make it out clearly. Fastened to the wall, at a convenient height from the ground, were great iron extinguishers, blackened by the smoke from torches in long by-gone years, and also iron rings, to which the guests’ horses were made fast in the olden times, when the castle was in its glory. The dust that lay thick upon them now showed that it was long since they had been made use of.
From this portico—whence a door on either side opened into the main building; one leading into a long suite of apartments on the ground floor, and the other into what had probably been a guard-room—the explorer passed into an interior court, dismal, damp, and bare. In the corners nettles and various rank weeds were growing riotously amid the great heaps of rubbish fallen from the crumbling cornice high above, and grass had sprung up everywhere in the crevices of the stone pavement. Opposite the entrance a flight of dilapidated, shaky steps, with a heavy stone balustrade, led down into a neglected garden, which was gradually becoming a perfect thicket. Excepting in one small bed, where a few cabbages were growing, there was no attempt at cultivation, and nature had reasserted her rights everywhere else in this abandoned spot, taking, apparently, a fierce delight in effacing all traces of man’s labour. The fruit trees threw out irregular branches without fear of the pruning knife; the box, intended to form a narrow border to the curiously shaped flower-beds and grass-plots, had grown up unchecked into huge, bushy shrubs, while a great variety of sturdy weeds had usurped the places formerly devoted to choice plants and beautiful, fragrant flowers. Brambles, bristling with sharp thorns, which had thrown their long, straggling arms across the paths, caught and tried to hold back any bold adventurer who attempted to penetrate into the mysterious depths of this desolate wilderness. Solitude is averse to being surprised in dishabille, and surrounds herself with all sorts of defensive obstacles.
However, the courageous explorer who persisted in following the ancient, overgrown alley, and was not to be daunted by formidable briers that tore his hands and clothing, nor low-hanging, closely interlaced branches that struck him smart blows in the face as he forced his way through them, would have reached at last a sort of rocky niche, fancifully arranged as a grotto. Besides the masses of ivy, iris and gladiolus, that had been carefully planted long ago in the interstices of the rock, it was draped with a profusion of graceful wild vines and feathery ferns, which half-veiled the marble statue, representing some mythological divinity, that still stood in this lonely retreat. It must have been intended for Flora or Pomona, but now there were tufts of repulsive, venomous-looking mushrooms in the pretty, graceful, little basket on her arm, instead of the sculptured fruit or flowers that should have filled it. Although her nose was broken, and her fair body disfigured by many dark stains, and overgrown in part with clinging mosses, it could still plainly be seen that she had once been very lovely. At her feet was a marble basin, shaped like a shell, half full of discoloured, stagnant water; the lion’s head just above it, now almost entirely concealed by a thick curtain of leaves, no longer poured forth the sparkling stream that used to fall into it with a musical murmur. This little grotto, with its fountain and statue, bore witness to former wealth; and also to the aesthetic taste of some long-dead owner of the domain. The marble goddess was in the Florentine style of the Renaissance, and probably the work of one of those Italian sculptors who followed in the train of del Rosso or Primaticcio, when they came to France at the bidding of that generous patron of the arts, Francis I; which time was also, apparently, the epoch of the greatest prosperity of this noble family, now so utterly fallen into decay.
Behind the grotto rose a high wall, built of stone, crumbling and mouldy now, but still bearing some broken remains of trellis-work, evidently intended to be covered with creepers that would entirely conceal the wall itself with a rich tapestry of verdure. This was the limit of the garden; beyond stretched the wide expanse of the sandy, barren Landes, flecked here and there with patches of scanty heather, and scattered groves of pine trees.
Turning back towards the chateau it became apparent that this side of it was even more neglected and ruinous than the one we have already described; the recent poverty-stricken owners having tried to keep up appearances as far as possible, and concentrated their efforts upon the front of their dilapidated abode. In the stable, where were stalls for twenty horses, a miserable, old, white pony stood at an empty manger, nibbling disconsolately at a scanty truss of hay, and frequently turning his sunken, lack-lustre eyes expectantly towards the door. In front of an extensive kennel, where the lord of the manor used to keep a whole pack of hounds, a single dog, pathetically thin, lay sleeping tranquilly and soundly, apparently so accustomed to the unbroken solitude of the place that he had abandoned all habits of watchfulness.
Entering the chateau the visitor found himself in a broad and lofty hall, containing a grand old staircase, with a richly carved, wooden balustrade—a good deal broken and defaced now, like everything else in this doleful Castle Misery. The walls had been elaborately frescoed, representing colossal figures of Hercules supporting brackets upon which rested the heavily ornamented cornice. Springing from it fantastic vines climbed upward on the arched ceiling, and above them the blue sky, faded and dingy, was grotesquely variegated with dark spots, caused by the water filtering through from the dilapidated roof. Between the oft-repeated figures of Hercules were frescoed niches, wherein heads of Roman emperors and other illustrious historical characters had been depicted in glowing tints; but all were so vague and dim now that they were but the ghosts of pictures, which should be described with the shadows of words—ordinary terms are too substantial to apply to them. The very echoes in this deserted hall seemed startled and amazed as they repeated and multiplied the unwonted sound of footsteps.
A door near the head of the first flight of stairs opened into what had evidently been the great banqueting hall in the old days when sumptuous repasts and numerous guests were not uncommon things in the chateau. A huge beam divided the lofty ceiling into two compartments, which were crossed at regular intervals by smaller joists, richly carved, and retaining some traces of gilding. The spaces between had been originally of a deep blue tint, almost lost now under the thick coating of dust and spiders’ webs that no housemaid’s mop ever invaded. Above the grand old chimney-piece was a noble stag’s head, with huge, spreading antlers, and on the walls hung rows of ancient family portraits, so faded and mouldy now that most of the faces had a ghastly hue, and at night, by the dim, flickering lamp-light, they looked like a company of spectres. Nothing in the world is sadder than a collection of old portraits hanging thus, neglected and forgotten, in deserted halls—representations, half obliterated themselves, of forms and faces long since returned to dust. Yet these painted phantoms were most appropriate inhabitants of this desolate abode; real living people would have seemed out of place in the death-stricken house.
In the middle of the room stood an immense dining-table of dark, polished wood, much worm-eaten, and gradually falling into decay. Two tall buffets, elaborately carved and ornamented, stood on opposite sides of the room, with only a few odd pieces of Palissy ware, representing lizards, crabs, and shell-fish, reposing on shiny green leaves, and two or three delicate wine-glasses of quaint patterns remaining upon the shelves where gold and silver plate used to glitter in rich profusion, as was the mode in France. The handsome old chairs, with their high, carved backs and faded velvet cushions, that had been so firm and luxurious once, were tottering and insecure; but it mattered little, since no one ever came to sit in them now round the festive board, and they stood against the wall in prim order, under the rows of family portraits.
A smaller room opened out of this one, hung round with faded, moth-eaten tapestry. In one corner stood a large bed, with four tall, twisted columns and long, ample curtains of rich brocade, which had been delicate green and white, but now were of a dingy, yellowish hue, and cut completely through from top to bottom in every fold. An ebony table, with some pretty gilded ornaments still clinging to it, a mirror dim with age, and two large arm-chairs, covered with worn and faded embroidery, that had been wrought by the fair fingers of some noble dame long since dead and forgotten, completed the furniture of this dismal chamber.
In
