The Shadow of the Cathedral. Vicente Blasco Ibanez

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The Shadow of the Cathedral - Vicente Blasco Ibanez

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went out into the cloister, and, resting his elbows on the balustrade, looked down into the garden.

      The Claverias seemed quite deserted. The children who had enlivened them in the early morning had gone to school, the women were inside their houses preparing their mid-day meal, there seemed to be no one in the cloister except himself; the sunlight bathed all one side, and the shadow of the pillars cut obliquely the great golden spaces flooding the pavement. The majestic silence, the holy calm of the Cathedral overpowered the agitator like a gentle narcotic. The seven centuries surrounding those stones seemed to him like so many veils hiding him from the rest of the world. In one of the dwellings of the Claverias you could hear the incessant tap, tap, of a hammer; it was that of a shoemaker whom Gabriel had seen through the window-panes, bending over his bench. In the square of sky framed by the roofs some pigeons were flying, lazily moving their wings, soaring in the vault of intense blue; some flew down into the cloister, and, perching on the balustrade, broke the religious silence with their gentle cooing; now and again the heavy door-curtains of the church were lifted, and a breath of air charged with incense floated over the garden of the Claverias, together with the deep notes of the organ, and the sound of voices chanting Latin words and solemnly prolonging the cadences.

      Gabriel looked at the garden surrounded by its arcades of white stone, with its rough buttresses of dark granite, in the chinks of which the rain had left an efflorescence of fungus, like little tufts of black velvet. The sun struck on one angle of the garden, leaving the rest in cool green shade, a conventual twilight. The bell-tower hid one portion of the sky, displaying on its reddish sides, ornamented with Gothic tracery and salient buttresses, the fillets of black marble with heads of mysterious personages, and the shields with the arms of the different archbishops who had assisted at its building; above, near the pinnacles of white stone, were seen the bells behind enormous gratings; from below they looked like three bronze birds in a cage of iron.

      Three deep strokes from a bell, echoing round the Cathedral, announced that the High Mass had arrived at its most solemn moment, the mountain of stone seemed to tremble with the vibration, which was transmitted through the naves and galleries, to the arcades and down to the lowest foundations.

      Again there was silence, which seemed even deeper after the bronze thunders; the cooing of the pigeons could again be heard, and, down in the garden, the twittering of the birds, warmed by the sun's rays that began to gild its cool twilight.

      Gabriel felt himself deeply moved; the sweet silence, the absolute calm, the feeling almost of non-existence overpowered him; and beyond those walls was the world, but here it could not be seen, it could not be felt; it remained respectful but indifferent before that monument of the past, that splendid sepulchre, in whose interior nothing excited its curiosity. Who would ever imagine he was there? That growth of seven centuries, built by vanished greatness for a dying faith, should be his last refuge. In the full tide of unbelief the church should be his sanctuary, as it had been in former days to those great criminals of the Middle Ages, who, from the height of the cloister mocked at justice, detained at the doors like the beggars. Here should be consummated in silence and calm the slow decay of his body, here he would die with the serene satisfaction of having died to the world long before. At last he realised his hope of ending his days in a corner of the sleepy Spanish Cathedral, the only hope that had sustained him as he wandered on foot along the highways of Europe, hiding himself from the civil guards and the police, spending his nights in ditches, huddled up, his head on his knees, fearing every moment to die of cold.

      He clung to the Cathedral as a shipwrecked and drowning man clings to the spar of a sinking ship; this had been his hope, and he was beginning to realise it. The church would receive him, like an old and infirm mother, unable to smile, but who could still stretch out her arms.

      "At last! At last!" murmured Luna.

      And he smiled, thinking of the world of sorrows and persecutions that he was leaving behind him, as though he were going to some remote place, situated in another planet, from which he would never return; the Cathedral would shelter him for ever.

      In the profound stillness of the cloister, that the sound of the street could not reach, the "companion" Luna thought he heard far off, very far off, the shrill sound of a trumpet and the muffled roll of drums, then he remembered the Alcazar of Toledo, dominating the Cathedral from its height, intimidating it with the enormous mass of its towers; they were the drums and trumpets of the Military Academy.

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