"And where will you be going for the winter?" Big Malcolm had asked.
"She'll not know," said Old Farquhar, glancing tremulously over the great stretches of dying forest, "she'll not know."
"Hooch!" cried his host angrily, "sit down with ye!" He snatched up Old Farquhar's carpet-bag and flung it into a corner, and there it had lain ever since.
And in another corner, the warm one by the chimney, Old Farquhar had sat every winter since, too, smoking his pipe in utter content. Always in summer his Bohemian nature asserted itself again, and he would take his stick and wander away, remaining, perhaps, for months; but as soon as the silver maple beside the house began to turn to gold he would come hobbling back, sure of a warm welcome in the home where there was no stint.
The family gathered about the cheerful hearth: every one of them, to Scotty's great delight, for there was not half the fun at home when "the boys" went off in the evenings. At one side of the fire sat his grandmother, her peaceful face bent over her knitting, and opposite her Big Malcolm smoking and happy. Hamish, as usual, retired to the old bench behind the table, and with the one candle close to him, was soon absorbed in a book. In some miraculous way Hamish always managed to have reading material at hand, though the luxury sometimes cost him a tramp half-way across the township of Oro. Near the fire, balanced uneasily on the woodbox and whittling a stick, sat Callum; for Callum could never sit down quietly, even at home. Callum Fiach, or Wild Malcolm, they called him in this land of many MacDonalds, where the dearth of names necessitated a descriptive title. Unfortunately, Callum's especial cognomen was quite appropriate and the cause of much anxiety to his gentle mother. But Scotty thought it was fine; he intended to be just like Callum when he grew up. He would stand up straight and grand and cut down great trees and fight the Murphys, and go off in the evenings and be chaffed about having a sweetheart. Rory was always teasing Callum about Long Lauchie's Mary, and Scotty was resolved that, when he was big, he would go to see Mary's sister, Betty; for then he and Callum could go together. He cordially despised the chosen Betty as a girl and a cry-baby, who gave her brother, Peter, endless trouble; but he was determined to shirk no task, however unpleasant, that would make him more like his hero.
When they were all ready to listen to him, the boy seated himself upon a bench beside Rory, and proceeded to relate once more to his admiring family the wonderful experiences of the day; the greatness of the schoolmaster; the magnificence of the school itself; the prowess of Peter Lauchie and Roarin' Sandy's Archie, how they declared they weren't afraid of even the master; the number of boys old McAllister could thrash in a day, and the amount he knew; such fearsome long words as he could spell, and the places he could point out on the map! He chattered on to his delighted audience; but for some strange reason he made no further allusion to his fight.
When there was no more to tell, Rory crossed the room and with elaborate care took down a box from a shelf above the bed. From it he tenderly took out a violin, and after much strumming and tuning up he seated himself upon a chair in the middle of the room and struck up the lively air of "The MacDonalds' Reel." Scotty leaped to the floor; Rory's fiddle could do anything with him, make him dance with mad joy until he was exhausted, stir him up to a wild longing to go away and do deeds of impossible prowess, or even make him creep into the shadows behind Granny's chair and weep heart-broken tears into her ample skirts.
To-night the tune was gay, and Callum came out into the ring of light, and sitting astride a chair with his arms crossed over its back, put his nephew through the intricacies of the Highland Fling until he was gasping for breath. Granny saw, and stopped the dance by a nod and smile to Rory; the music instantly changed to a slow, wailing melody, and the boy dropped into a chair and sat gazing into the fire, dreaming dreams of mystery and wonder.
Then they all sang old-fashioned Scottish songs; songs that were old before Burns came to give Scotland a new voice. And Old Farquhar struck in, during a short pause, with one of Ossian's songs of war-like doings and glorious deaths. He sang in a cracked, weird voice to a wild Gaelic air that had neither melody nor rhythm, but somehow contained the poetic fire of the impromptu songs of the old bards. Rory followed, putting in a note here and there; but as the song wavered on and showed no signs of coming to an end, he struck up, "The Hundred Pipers an' a' an' a'," and drowned out the old man's wail. Then Burns was not forgotten, and they were all in the midst of "Ye Banks and Braes o' Bonnie Doon," a song that always made Scotty's heart ache as though it would burst, he knew not why, when the door opened suddenly, letting in a rush of frosty air, and a visitor.
No one ever knocked at a neighbour's door in the Canadian backwoods, and James MacDonald, or Weaver Jimmie, as he was called, was such a familiar figure at Big Malcolm's that even Bruce merely raised his eyes as he entered. Mrs. MacDonald smiled her welcome, Big Malcolm shoved forward a chair, and the music flowed on uninterrupted.
Weaver Jimmie was a young man, short, and thick-set. He was something of an anomaly; for, while he was the coolest fighter in the township of Oro, and gloried in strife, he was nervous and embarrassed to the verge of distraction when in company, particularly if it consisted of the fair sex. This diffidence partly arose from the fact that poor Jimmie was hopelessly ugly, and painfully aware of his shortcomings. His chief characteristics were a brilliant and bristling red beard and a pair of long, flat feet. He realised to the full that these obtrusive features were anything but things of beauty, and found them a sorrow forever in his vain attempts to conceal them.
At Big Malcolm's invitation he moved up to the fire in nervous haste, and with a deprecating smile; dropped suddenly into a chair, and tilted it back in imitation of Callum's easy nonchalance; but finding the character difficult to maintain in view of his feet, he suddenly came down to the horizontal once more, and in so doing descended upon poor Bruce's tail. That unoffending canine uttered a yelp of pain, echoed by Scotty, who sprang to comfort him; and Rory, whose musical ear had been irritated by the disturbance, suddenly drew his bow with a discordant rasp across the strings, and ended the melodious song with a long, wolf-like howl.
"Hoots, toots, Rory lad!" cried his mother reproachfully. "Come away, Jimmie man, come away to the fire, it will be a cold night indeed."
But Weaver Jimmie was so overcome by his embarrassing mistake that, instead of obeying, he backed away into the shadows like a restive horse.
"And how will all the folk in the glen be, Jimmie?" asked Big Malcolm.
Under cover of the conversation that ensued, Rory gently drew his bow across the strings, and softly sang an old ditty that had an especial meaning for their guest—
"Oh, Jinny banged, Jinny banged, Jinny banged the Weaver!
Ah cackled like a clockin' hen,
When Jinny banged the Weaver!"
Callum Fiach's eyes danced, and Weaver Jimmie laughed sheepishly. He took off his cap, replaced it again, smoothed his whiskers furiously, and then gazed around as if seeking a means of escape.
"Don't you be heedin' the lad, Jimmie," cried Mrs. MacDonald. "It is jist his foolishness."
"Hooch," cried Weaver Jimmie, with a fine assumption of disdain, "it's little I'll be carin' for the likes o' him, whatever."
"D'ye think she'll ever have you, Jimmie?" inquired the musician with great seriousness.
"I'll not be knowing for sure," replied the Weaver, throwing one knee over the other in a vain attempt to appear at ease. "She would be lookin' a deal better these days, though!" he added, hopefully, as though the young lady of his choice had been suffering from some wasting disease.
"Hang me, but I believe I'll go sparkin' Kirsty John myself!" said Callum resolutely. "I'll be wantin'
