printed. It gave a voice to the silent appeal of pictures and posters and illustrated weeklies all over the town; it disturbed the silence of the most secret groves in the vast, undiscovered hearts of men and women young and old. The half-clad lovely were protected from the satyrs in the [8] audience by an impalpable screen made of light and of ascending music in which strings, brass, and concussion exemplified the naïve sensuality of lyrical niggers. The guffaw which, occasionally leaping sharply out of the dim, mysterious auditorium, surged round the silhouetted conductor and drove like a cyclone between the barriers of plush and gilt and fat cupids on to the stage—this huge guffaw seemed to indicate what might have happened if the magic protection of the impalpable screen had not been there.
Behind the audience came the restless Promenade, where was the reality which the stage reflected. There it was, multitudinous, obtainable, seizable, dumbly imploring to be carried off. The stage, very daring, yet dared no more than hint at the existence of the bright and joyous reality. But there it was, under the same roof.
Christine entered with Madame Larivaudière. Between shoulders and broad hats, as through a telescope, she glimpsed in the far distance the illusive, glowing oblong of the stage; then the silhouetted conductor and the tops of instruments; then the dark, curved concentric rows of spectators. Lastly she took in the Promenade, in which she stood. She surveyed the Promenade with a professional eye. It instantly shocked her, not as it might have shocked one ignorant of human nature and history, but by reason of its frigidity, its constraint, its solemnity, its pretence. In one glance she embraced all the figures, moving or stationary, against the hedge of shoulders in front and against the mirrors behind—all of them: the programme girls, the cigarette girls, the chocolate [9] girls, the cloak-room girls, the waiters, the overseers, as well as the vivid courtesans and their clientèle in black, tweed, or khaki. With scarcely an exception they all had the same strange look, the same absence of gesture. They were northern, blond, self-contained, terribly impassive. Christine impulsively exclaimed—and the faint cry was dragged out of her, out of the bottom of her heart, by what she saw:
"My god! How mournful it is!"
Lise Larivaudière, a stout and benevolent Bruxelloise, agreed with uncomprehending indulgence. The two chatted together for a few moments, each ceremoniously addressing the other as "Madame," "Madame," and then they parted, insinuating themselves separately into the slow, confused traffic of the Promenade.
[10]
Chapter 2
THE POWER
Christine knew Piccadilly, Leicester Square, Regent Street, a bit of Oxford Street, the Green Park, Hyde Park, Victoria Station, Charing Cross. Beyond these, London, measureless as the future and the past, surrounded her with the unknown. But she had not been afraid, because of her conviction that men were much the same everywhere, and that she had power over them. She did not exercise this power consciously; she had merely to exist and it exercised itself. For her this power was the mystical central fact of the universe. Now, however, as she stood in the Promenade, it seemed to her that something uncanny had happened to the universe. Surely it had shifted from its pivot! Her basic conviction trembled. Men were not the same everywhere, and her power over them was a delusion. Englishmen were incomprehensible; they were not human; they were apart. The memory of the hundreds of Englishmen who had yielded to her power in Paris (for she had specialised in travelling Englishmen) could not re-establish her conviction as to the sameness of men. The presence of her professed rivals of various nationalities in [11] the Promenade could not restore it either. The Promenade in its cold, prim languor was the very negation of desire. She was afraid. She foresaw ruin for herself in this London, inclement, misty and inscrutable.
And then she noticed a man looking at her, and she was herself again and the universe was itself again. She had a sensation of warmth and heavenly reassurance, just as though she had drunk an anisette or a crême de menthe. Her features took on an innocent expression; the characteristic puckering of the brows denoted not discontent, but a gentle concern for the whole world and also virginal curiosity. The man passed her. She did not stir. Presently he emerged afresh out of the moving knots of promenaders and discreetly approached her. She did not smile, but her eyes lighted with a faint amiable benevolence—scarcely perceptible, doubtful, deniable even, but enough. The man stopped. She at once gave a frank, kind smile, which changed all her face. He raised his hat an inch or so. She liked men to raise their hats. Clearly he was a gentleman of means, though in morning dress. His cigar had a very fine aroma. She classed him in half a second and was happy. He spoke to her in French, with a slight, unmistakable English accent, but very good, easy, conversational French—French French. She responded almost ecstatically:
"Ah, you speak French!"
She was too excited to play the usual comedy, so flattering to most Englishmen, of pretending that she thought from his speech that he was a Frenchman. The French so well spoken from a man's mouth in London most marvellously [12] enheartened her and encouraged her in the perilous enterprise of her career. She was candidly grateful to him for speaking French.
He said after a moment:
"You have not at all a fatigued air, but would it not be preferable to sit down?"
A man of the world! He could phrase his politeness. Ah! There were none like an Englishman of the world. Frenchmen, delightfully courteous up to a point, were unsatisfactory past that point. Frenchmen of the south were detestable, and she hated them.
"You have not been in London long?" said the man, leading her away to the lounge.
She observed then that, despite his national phlegm, he was in a state of rather intense excitation. Luck! Enormous luck! And also an augury for the future! She was professing in London for the first time in her life; she had not been in the Promenade for five minutes; and lo! the ideal admirer. For he was not young. What a fine omen for her profound mysticism and superstitiousness!
[13]
Chapter 3
THE FLAT
Her flat was in Cork Street. As soon as they entered it the man remarked on its warmth and its cosiness, so agreeable after the November streets. Christine only smiled. It was a long, narrow flat—a small sitting-room with a piano and a sideboard, opening into a larger bedroom shaped like a thick L. The short top of the L, not cut off from the rest of the room, was installed as a cabinet de toilette, but it had a divan. From the divan, behind which was a heavily curtained window, you could see right through the flat to the curtained window of the sitting-room. All the lights were softened by paper shades of a peculiar hot tint between Indian red and carmine, giving a rich, romantic effect to the gleaming pale enamelled furniture, and to the voluptuous engravings after Sir Frederick Leighton, and the sweet, sentimental engravings after Marcus Stone, and to the assorted knicknacks. The flat had homogeneity, for everything in it, except the stove, had been bought at one shop in Tottenham Court Road by a landlord who knew his business. The stove, which was large, stood in the bedroom fireplace, and thence radiated celestial comfort and security throughout the home; the stove was the divinity of the home and Christine the [14] priestess; she had herself bought the stove, and she understood its personality—it was one of your finite gods.
"Will you take something?" she asked, the hostess.
Whisky
