a Spanish dancer in vogue the previous winter. A tiny woman, who might have been a girl of fifteen from her figure, but whose face was marked with the lines of dissipation, ran into him and Fandor promptly put his arm round her waist.
"Hello, if it isn't little Souppe!"
"Paws down or I'll scratch," was the sharp reply.
The next moment he was shaking hands with Daisy Kissmi, an English girl who had become quite a feature of Raxim's.
Further on he noticed a pale, bald, and already pot-bellied young man, who was staring with lack-lustre eyes at his whiskey and soda. This premature ruin was listening distraitly to a waiter who murmured mysteriously into his ear.
At the end of the room, surrounded by pretty women, sat the old Duke de Pietra, descendant of a fine old Italian family, and near him Arnold, an actor from the music halls.
The patrons had no choice in regard to the supper, which was settled by the head waiter. Each received a bottle of champagne, Ostend oysters, and, later, large slices of pâté de foie gras, and as the bottles were emptied, intoxication became general, while even the waiters seemed to catch the spirit of abandon. When the Hungarian band had played their most seductive waltzes, the leader came forward to the middle of the room and announced a new piece of his own composition, called "The Singing Fountains." This met with instant applause and laughter.
As the night wore on the noise became positively deafening. A young Jew named Weil invented a new game. He seized two plates and began scraping them together. Many of the diners followed his example.
"Look here," exclaimed Conchita Conchas, leaning familiarly upon Fandor's shoulder, "why don't you give us tickets for to-morrow to hear these famous Fountains?"
Fandor started to explain that the young woman would be in bed and sound asleep when that event took place, but the Spanish girl, without waiting for the answer, had strolled away.
The journalist rose with the intention of making his escape, when a voice directly behind him made him pause.
"Excuse me, but you seem to know all about these 'Singing Fountains.' Will you kindly explain to me what they are? I am a stranger in the city."
Fandor turned and saw a man of about thirty, fair-haired, with a heavy moustache, seated alone at a small table. The stranger was well built and of distinguished appearance. The journalist suppressed a start of amazement.
"Why, it's not surprising that you have not heard of them, they are quite unimportant. On the Place de la Concorde there are two bronze monuments representing Naiads emerging from the fountains. You probably have seen them yourself?"
The stranger nodded, and poured out another glass of champagne.
"Well," continued Fandor, "recently passers-by have fancied they heard sounds coming from these figures. In fact, they declare that the Naiads have been singing. A delightfully poetic and thoroughly Parisian idea, isn't it?"
"Very Parisian indeed."
"The papers have taken it up, and one you probably know by name, La Capitale, has decided to investigate this strange phenomenon."
"What was Conchita asking you just now?"
"Oh, nothing, merely to give her a card for the ceremony."
The conversation continued and turned to other subjects. The stranger ordered more wine and insisted on Fandor joining him. He seemed to be particularly interested in the subject of women and the night life of Paris.
"If only I could persuade him to come with me," thought Fandor. "I'd show him a stunt or two, and what a scoop it would make … if it could be printed! He certainly is drunk, very drunk, and that may help me."
On the Place de la Concorde, deserted at this late hour, two men, arm in arm, were taking their devious way. They were Fandor and the stranger he had met at Raxim's.
The journalist, with the aid of an extra bottle, had persuaded his new friend to finish the night among the cafés of Montmartre. The sudden change from the overheated restaurant to the cold outside increased the effects of the alcohol and Fandor realized that he himself was far from sober. As his companion seemed to be obsessed with the idea of seeing the Fountains, the journalist piloted him to the Place de la Concorde.
"There you are," he exclaimed, "but you see they're closed. No more singing to-night. Now come and have a drink."
"Good idea, some more champagne."
Fandor hailed a taxi, and ordered the chauffeur to drive to the Place Pigalle. As he was shutting the door, he observed an old beggar, who evidently was afraid to ask for alms. Fandor threw him a coin as the taxi started.
It was three in the morning, and the Place Pigalle was crowded with carriages, porters and a constant ebb and flow of all sorts of people.
The journalist and his companion emerged some time later from one of the best known restaurants, both drunk, especially the stranger, who could scarcely keep his feet.
"Look here, we must go … go … "
"Go to bed," interrupted Fandor.
"No. I know where we can go. … "
"But we've been everywhere."
"We'll go to my rooms … to her rooms … to Susy d'Orsel … she's my girl … d'ye know, she's been expecting me for supper since midnight."
"More supper?"
"Of course … there's plenty of room left."
With some difficulty the stranger managed to give the address, 247 Rue de Monceau.
"All right," said Fandor to himself, "we'll have some fun; after all, what do I risk?"
While the taxi shook them violently from side to side, Fandor grew comparatively sober. He examined his companion more closely and was surprised to see how well he carried himself in spite of his condition.
"Well," he summed up, "he certainly has a jag, but it's a royal jag!"
CHAPTER II
MOTHER CITRON'S TENANTS
"Now you've forgotten the fish knives and forks! Do you expect my lover to eat with his fingers like that old Chinaman I had for three months last year!"
Susy d'Orsel spoke with a distinct accent of the Faubourg, which contrasted strangely with her delicate and distinguished appearance.
Justine, her maid, stood staring in reply.
"But, Madame, we have lobsters. … "
"What's that got to do with it,
