or to the polish of the lines, it possesses, in the biography of the author, a value of the most interesting kind. It was the first burst of that dark, diseased ichor, which afterwards coloured his effusions; the overflowing suppuration of that satiety and loathing, which rendered Childe Harold, in particular, so original, incomprehensible, and antisocial; and bears testimony to the state of his feelings at that important epoch, while he was yet upon the threshold of the world, and was entering it with a sense of failure and humiliation, and premature disgust. For, notwithstanding his unnecessary expositions concerning his dissipation, it is beyond controversy, that at no time could it be said he was a dissipated young man. That he indulged in occasional excesses is true; but his habits were never libertine, nor did his health or stamina permit him to be distinguished in licentiousness. The declaration in which he first discloses his sobriety, contains more truth than all his pretensions to his father’s qualities. “I took my gradations in the vices,” says he, in that remarkable confession, “with great promptitude, but they were not to my taste; for my early passions, though violent in the extreme, were concentrated, and hated division or spreading abroad. I could have left or lost the whole world with or for that which I loved; but, though my temperament was naturally burning, I could not share in the common libertinism of the place and time without disgust; and yet this very disgust, and my heart thrown back upon itself, threw me into excesses perhaps more fatal than those from which I shrunk, as fixing upon one at a time the passions, which, spread among many, would have hurt only myself.” This is vague and metaphysical enough; but it bears corroborative intimations, that the impression which he early made upon me was not incorrect. He was vain of his experiments in profligacy, but they never grew to habitude.
While he was engaged in the composition of his satire, he formed a plan of travelling; but there was a great shortcoming between the intention and the performance. He first thought of Persia; he afterwards resolved to sail for India; and had so far matured this project, as to write for information to the Arabic professor at Cambridge; and to his mother, who was not then with him at Newstead, to inquire of a friend, who had resided in India, what things would be necessary for the voyage. He formed his plan of travelling upon different reasons from those which he afterward gave out, and which have been imputed to him. He then thought that all men should in some period of their lives travel; he had at that time no tie to prevent him; he conceived that when he returned home he might be induced to enter into political life, to which his having travelled would be an advantage; and he wished to know the world by sight, and to judge of men by experience.
When his satire was ready for the press, he carried it with him to London. He was then just come of age, or about to be so; and one of his objects in this visit to the metropolis was, to take his seat in the House of Lords before going abroad; but, in advancing to this proud distinction, so soothing to the self-importance of youth, he was destined to suffer a mortification which probably wounded him as deeply as the sarcasms of the Edinburgh Review. Before the meeting of Parliament, he wrote to his relation and guardian, the Earl of Carlisle, to remind him that he should be of age at the commencement of the Session, in the natural hope that his Lordship would make an offer to introduce him to the House: but he was disappointed. He only received a formal reply, acquainting him with the technical mode of proceeding, and the etiquette to be observed on such occasions. It is therefore not wonderful that he should have resented such treatment; and he avenged it by those lines in his satire, for which he afterwards expressed his regret in the third canto of Childe Harold.
Deserted by his guardian at a crisis so interesting, he was prevented for some time from taking his seat in Parliament; being obliged to procure affidavits in proof of his grandfather’s marriage with Miss Trevannion, which having taken place in a private chapel at Carhais, no regular certificate of the ceremony could be produced. At length, all the necessary evidence having been obtained, on the 13th of March, 1809, he presented himself in the House of Lords alone—a proceeding consonant to his character, for he was not so friendless nor unknown, but that he might have procured some peer to have gone with him. It, however, served to make his introduction remarkable.
On entering the House, he is described to have appeared abashed and pale: he passed the woolsack without looking round, and advanced to the table where the proper officer was attending to administer the oaths. When he had gone through them, the chancellor quitted his seat, and went towards him with a smile, putting out his hand in a friendly manner to welcome him, but he made a stiff bow, and only touched with the tip of his fingers the chancellor’s hand, who immediately returned to his seat. Such is the account given of this important incident by Mr. Dallas, who went with him to the bar; but a characteristic circumstance is wanting. When Lord Eldon advanced with the cordiality described, he expressed with becoming courtesy his regret that the rules of the House had obliged him to call for the evidence of his grandfather’s marriage.—“Your Lordship has done your duty, and no more,” was the cold reply, in the words of Tom Thumb, and which probably was the cause of the marked manner of the chancellor’s cool return to his seat.
The satire was published anonymously, and immediately attracted attention; the sale was rapid, and a new edition being called for, Byron revised it. The preparations for his travels being completed, he then embarked in July of the same year, with Mr. Hobhouse, for Lisbon, and thence proceeded by the southern provinces of Spain to Gibraltar.
In the account of his adventures during this journey, he seems to have felt, to an exaggerated degree, the hazards to which he was exposed. But many of his descriptions are given with a bright pen. That of Lisbon has always been admired for its justness, and the mixture of force and familiarity.
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